Sentences with phrase «traditional focus of the exhibition»

Decorative arts curator Ulysses Grant Dietz and his team reoriented the traditional focus of the exhibition from «house» to «home,» hoping to touch on the ways in which all people construct comfort and shelter for themselves and their families.

Not exact matches

Parts of the statement read, «This exhibition will focus on the Visual arts specifically; the traditional fine arts such as drawing, painting, photography, sculpture; architectural, environmental, and industrial arts such as urban, interior, product, and landscape designs.

Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.

The topic of online versus traditional booking channels will once again be a key focus at the 2013 Arabian Travel Market technology seminar sessions as organiser, Reed Travel Exhibitions, highlights the dramatic shift in consumer mindset over the last 12 months as travellers log on to technology for convenient airline and hotel bookings.

Rather than assembling a group of artists who are concentrating on the demise of traditional painting supports — torn, shredded or punctured canvasses, exposed stretcher bars, paintings hung backwards, oddly shaped canvases, painting as sculpture, etc... this exhibition will focus on works that address time as a subject, or are time - sensitive.

LIBRARY STREET COLLECTIVE Library Street Collective specializes in cutting edge contemporary fine art with a focus on emerging and established artists who have pushed the boundaries of traditional medium and exhibition space.

Japanese artist Tetsuo Mizù, in his first solo exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from more traditional depictions of the subject with paintings that focus on the storied practice of international maritime flags.

«We've set aside the traditional objective of the survey exhibition — comprehensive and cohesive coverage — to focus instead on the evolution of the collection over the past almost 90 years,» said Lowry.

The Archive of Affect is a group exhibition with performances that focus on rewriting, challenging, or expanding traditional archives and histories.

NURTUREart presents The Archive of Affect, a group exhibition with performances that focus on rewriting, challenging, or expanding traditional archives and histories.

Its focus is to offer programming that reaches beyond the expectations of traditional gallery and institutional exhibition - making, to a diverse and intergenerational audience.

The school's structure acknowledges that contemporary artists have to be trained at the intersection of several fields — an approach exemplified by the school's new pilot program, the Masters in Art and Public Space, a two year program starting in fall 2014 that focuses on art in spaces outside of the traditional museum or exhibition institution.

The exhibition will focus on the unique way sculptors approach drawing and will explore whether there is a difference between sculptors and other traditional disciplines in the treatment of two dimensional works on paper to communicate three dimensional objects and will challenge the notion that sculptors don't draw.

The exhibition focuses on recent sculptures by the Japanese contemporary artist Bidou Yamaguchi (b. 1970) who employs the forms, techniques and transformative spirit of traditional Noh masks to create contemporary sculptures whose subjects are drawn from such iconic European paintings as Leonardo da Vinci's Mona Lisa and Vermeer's Girl with a Pearl Earring.

Program of events The Haus der Kulturen der Welt is not a traditional museum with a permanent collection, it is instead an art center and a public venue for exhibitions and special events focused on contemporary art — intended in a broad sense — including visual arts, music, literature, performing arts, and cinema.

Okwui Enwezor, curator of the 56th International Art Exhibition, underlines the traditional role of the Venice Biennale as an event focused on socioeconomic changes and historical breakdowns in art, culture, politics and economy.

The Museum of Art has also produced a series of major exhibitions examining the artistic heritage of New Hampshire, focusing on the Isles of Shoals, the White Mountains, the art colonies of Cornish and Dublin, New Hampshire folk art, and the state's traditional arts made of wood.

Chinese Lantern and Redwood Art Exhibition focuses on the contemporary representation of the traditional culture of oriental palace.

This fresh exhibition combines non-Haitian works from the Rodman Collection with loans from private collections and other sources, extending the traditional of focus to include art from various geographies including Jamaica, Africa, Cuba, and a number of works by self - taught artists from Southern U.S.

The exhibition focuses on how artists explore notions of transformation, from physical works in traditional media to performance pieces.

Library Street Collective specializes in cutting edge contemporary fine art with a focus on emerging and established artists who have pushed the boundaries of traditional medium and exhibition space.

The exhibition focuses on the design accomplishments of the continent without, in the words of Okwui Enwezor, «being obsessed with the usual tropes of recycling, humanitarian design or traditional crafts».

Rather than assembling a group of artists who are concentrating on the demise of traditional painting supports - torn, shredded or punctured canvasses, exposed stretcher bars, paintings hung backwards, oddly shaped canvasses, painting as sculpture, etc... this exhibition will focus on works that address time as a subject, or are time - sensitive.

The exhibition will focus on paintings made in the 1950s and 1960s by Accardi and Fontana who both played a vital role in the Post-War avant - garde in Italy and whose groundbreaking exploration of the physicality of materials and the boundaries of space redefined traditional painting and sculpture.

The exhibition overturns the traditional model of the anniversary exhibition, however, by focusing on the relationship between artist and viewer through a series of thematic exhibitions that explore the potential of art to alter our perceptions.

The exhibition is divided into three thematic areas, each of which help to introduce traditional patterns of pieced quilts, expand on the improvisations distinct to each quilt artist or region, and to focus on examples from the work of one contemporary Alabama quilter respectively.

W / ---- Projects teams with Cyril Duval to create ILBASO, a site - specific work in MAD's lobby that subverts the focus of traditional exhibition spaces.

It will be a solo exhibition of new still life and flower paintings by British artist Ged Quinn.Quinn's work takes as its central focus the exploration of art history both in the appropriation of paintings of the past and through the subversion of traditional genres.