Sentences with phrase «traditional gallery context»

Not exact matches

Situated on the fair's 250,000 square feet of exhibition space, Platform offers an opportunity for galleries to showcase artworks that extend beyond the traditional booth context.

Friend and collaborator Remi Rough transcends the traditional and somewhat idealised vision of a graffiti writer, and creates work that simultaneously belongs on the streets and in the home or gallery without seeming out of context.

While the field of social practice has had an increasingly high profile within contemporary art discourse, this book documents artists who have been under - recognized because they do not show in traditional gallery or museum contexts and are often studied by specialists in other disciplines, particularly within the Latin American context.

Intended to offer an opportunity for galleries to showcase artworks and new commissions that extend beyond the traditional booth context, Platform's esteemed line - up of practitioners is set to attract large crowds.

The first encounter with American artist Molly Soda's work will probably not occur in a traditional gallery or museum setting and may not even occur within a typical art context at all.

While many artists in the United States were exposing the workings of the gallery and institution, and challenging the traditional status of artistic persona, in Europe, attention turned to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall.

Chacon has presented his work in different contexts at Vancouver Art Gallery, ABC No Rio, REDCAT, La Biennale di Venezia — Biennale Musica, Musée d'art Contemporain de Montréal, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, and The Kennedy Center among other traditional and non-traditional venues.

Proclaiming «The line between art and life should be kept as fluid, and perhaps indistinct, as possible,» Kaprow staged interactive events within and beyond the traditional museum and gallery context.

Her multidisciplinary practice includes photographic and sculptural - based works, video, installation, performative and participatory works, text / audioworks, and printed projects, and is presented in diverse contexts such as public sites, social network platforms, and traditional galleries and institutions.

2015 Sohyun Bae at RH Contemporary Art, New York City 2011 Subliminal Icons: SoHyun Bae and Traditional Korean Art IN CONTEXT, Curated by Mario Diacono, Kang Collection, NYC 2009 Adorned / Unadorned: SoHyun Bae / Fathi Hassan, Skoto Gallery, New York City (two - person) 2008 Persimmons and Birds: SoHyun Bae, Philip Kang Gallery, Seoul 2005 Wrapped Shards, Skoto Gallery, New York City 2004 An Ode to the Women of Josun Dynasty, Nikola Rukai Gallery, Toronto 2000 SoHyun Bae, Skoto Gallery, New York City 1998 Kore, Mario Diacono Gallery, Boston 1997 Painting as Prayer, Harvard University Center for World Religions, Cambridge 1997 An Ode to the Women of Josun Dynasty, Harvard University Yenching Institute, Cambridge 1994 SoHyun Bae, Harvard University Hilles Library Art Gallery, Cambridge

SOLO EXHIBITIONS 2015 Sohyun Bae at RH Contemporary Art, New York City 2011 Subliminal Icons: SoHyun Bae and Traditional Korean Art IN CONTEXT, Curated by Mario Diacono, Kang Contemporary, New York 2009 Adorned / Unadorned: SoHyun Bae / Fathi Hassan, Skoto Gallery, New York City (two - person) 2008 Persimmons and Birds: SoHyun Bae, Philip Kang Gallery, Seoul 2005 Wrapped Shards, Skoto Gallery, New York City 2004 An Ode to the Women of Josun Dynasty, Nikola Rukai Gallery, Toronto 2000 SoHyun Bae, Skoto Gallery, New York City 1998 Kore, Mario Diacono Gallery, Boston 1997 Painting as Prayer, Harvard University Center for World Religions, Cambridge 1997 An Ode to the Women of Josun Dynasty, Harvard University Yenching Institute, Cambridge 1994 SoHyun Bae, Harvard University Hilles Library Art Gallery, Cambridge AWARDS 2007 John Simon Guggenheim Memorial Fellowship in Fine Art 2002 New York Foundation for the Arts Fellowship in Painting 2000 Pollock - Krasner Foundation, Inc..

The inventor of Happenings and Environments, Kaprow joyously incorporated improvisation and public participation within and beyond the traditional museum and gallery context.

Bringing these materials into a gallery context, Ochoa intends to both connect with viewers outside the art world and question traditional exhibition strategies.