Sentences with phrase «traditional gallery exhibition»

Installed in conjunction with the more traditional gallery exhibition, 33 °,...

Installed in conjunction with the more traditional gallery exhibition, 33 °, the murals range from the humorous, an image of tourists wandering aimlessly across an aqua blue expanse, to a sobering, a black fissure opening stark and deep in what we are to assume is an arctic ice sheet, to the iconic, a lonely polar bear drifting on a small iceberg.

In 2016, the name of mild climate was taken up, transforming into a collective with an interest in alternative programming as well as traditional gallery exhibitions.

The aim is to engage the public and provoke dialogue not normally associated with traditional gallery exhibitions.

He is joined in 2015 by directors Tova Lobatz and Noah Antieau, who are pursuing ambitious programming that will encompass eclectic installations alongside traditional gallery exhibitions.

Housed in a convertible loft, AREA combines traditional gallery exhibitions with interactive and engaging experiences that stimulates conversation and sparks novel ideas.

Not exact matches

In addition, festival - goers were treated to an incredible surf art exhibition at the Lone Goat Gallery, live music at the iconic Beach Hotel, and the crowd - favourite Sunset Cinema, which began with a traditional Welcome to Country by the local Arakwal People.

3 Clyfford Still painted a traditional portrait of his mother (PH - 420) in 1946, the same year as his breakthrough exhibition of completely abstract paintings at Peggy Guggenheim's Art of this Century Gallery.

From live, participatory readings of On Kawara's epic One Million Years in 2009, to the 2007 recreation of Rirkrit Tiravanija's functional kitchen installation Untitled 1992 (Free), which was paired with Gordon Matta - Clark's 1972 dumpster work Open House, to Jason Rhoades's sprawling 3,000 - square - foot Black Pussy installation, also in 2007, David Zwirner has embraced exhibitions that challenge expectations of a traditional gallery show.

Common to all of these exhibitions is the physical presence of the «working» artist in the gallery, even after the show has opened to the public and the traditional installation process should have been completed.

Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

Split into two areas of the gallery, the exhibition comprised two different types of work by Varejão, both featuring her exploration of traditional tile - work and colonial history.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

Unlimited: Presenting 78 ambitious and large - scale artworks from five generations of artists Unlimited, Art Basel's unique exhibition platform for artworks that transcend the traditional art fair stand, will this year present 78 projects from galleries participating in the show.

Timed to celebrate Black History Month, Grenning Gallery has assembled a group show of contemporary African - American artists working in the realist mode for an exhibition that is long on the traditional portraiture for which the gallery is reGallery has assembled a group show of contemporary African - American artists working in the realist mode for an exhibition that is long on the traditional portraiture for which the gallery is regallery is renowned.

The design of it though is a bit more complex — it draws on the traditional idea of the art fair for the ground floor and first floor of the Saatchi Gallery but then the second floor is a series of curator - lead projects including solo exhibitions, a group exhibition and solo artist presentations.

Pratt Manhattan Gallery's 2014 - 2015 season will debut with Sleuthing the Mind, a cutting - edge exhibition that presents works of video, performance, human - computer interface, virtual reality, and more traditional artistic approaches that both highlight and unravel the mysteries of the mind.

Pratt Manhattan Gallery's 2014 - 2015 season will debut with Sleuthing the Mind, a cutting - edge exhibition that presents works of video, performance, human - computer interface, virtual reality, and more traditional artistic approaches that both highlight and unravel the...

Sim Smith Gallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through exhibition design, curation and by taking art outside of the traditional gallery sGallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through exhibition design, curation and by taking art outside of the traditional gallery sgallery setting.

The exhibition shows the range of materials and processes employed by artists today — appropriation, traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects, and offers an indication of what audiences may encounter in art galleries in the coming years.

The second exhibition drew tremendous attention, beginning with the AAA flag waving above the entrance to the gallery and ending with the realization by the critics of the fact that modern art was invading the very inner sanctum of the traditional art.

Japanese artist Tetsuo Mizù, in his first solo exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from more traditional depictions of the subject with paintings that focus on the storied practice of international maritime flags.

She was featured in past group exhibitions at the Hole that looked at how digital tools are shaping traditional painting; this will be her first full exhibition at the gallery.

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In 2001, Sean Kelly gallery presented an exhibition that included works inspired by the indigenous architecture of the Caribbean Island of Nevis, traditional Japanese architecture and an imagined gallery space.

How do the videos improve upon traditional tools implemented by galleries such as press releases and exhibition catalogues?

The exhibition will include works from 1999 to the present which are being shown in New York for the first time., Casebere's latest works are inspired by Thomas Jefferson's utopian Monticello, the indigenous architecture of the Caribbean island of Nevis, traditional Japanese architecture and an imagined gallery space.

21c erases the boundaries found in a traditional museum, with curated exhibitions installed in dedicated galleries, as well as works of art featured in unexpected spaces.

Like its name implies, the shows will last for just one evening, displaying a limited number of works by a specific artist, upending the traditional six - week exhibition schedule to which most galleries subscribe.

In addition to a long career of exhibition in traditional museums and galleries, he is a respected innovator and pioneer for his projects engaging with public space, which can now be found in over fourteen countries around the world.

Transforming the AGO's Signy Eaton Gallery into a series of snaking walkways and small rooms reminiscent of Beijing's traditional communal living spaces, the exhibition Song Dong's Communal Courtyard invites visitors to lose themselves inside a unique installation of 100 vintage Chinese wardrobe doors.

Curatorial Hub offers a clean and simple way to get works out into the world while giving artists an opportunity outside of the traditional gallery setting to create supplemental income between exhibitions and projects.»

Founded in 2010 in partnership with Hunter College, The Artist's Institute is an exhibition space and research institute in New York City that dedicates seasons to artists twice a year, providing a platform for sustained inquiries outside the confines and rhythms of traditional galleries and exhibition spaces.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

This book is inspired by traditional exhibition guides and is designed to be a portable accompaniment to the exhibition, and a record of the works included in the gallery.

Works by students of the Estonian Academy of Arts 01.06. - 10.06.2007 The Great hall The exhibition is part of the traditional Estonian Academy of Arts springtime event, which for the first time reaches four main exhibition spots in Tallinn: Estonian Museum of Applied Art and Design, Design and Architecture Gallery, Estonian Academy of Arts Gallery, and Kumu Art Museum.

Situated on the fair's 250,000 square feet of exhibition space, Platform offers an opportunity for galleries to showcase artworks that extend beyond the traditional booth context.

Prior to joining the ICA, Esseiva developed both traditional exhibitions and experimental program formats for cultural institutions and commercial galleries.

Its focus is to offer programming that reaches beyond the expectations of traditional gallery and institutional exhibition - making, to a diverse and intergenerational audience.

The Warehouse Gallery November 13, 2007 — January 26, 2008 In the first solo exhibition at The Warehouse Gallery, artist Gary Schneider challenges the traditional definition of the portrait.

In the first solo exhibition at The Warehouse Gallery, artist Gary Schneider challenges the traditional definition of the portrait.

Rosen may have been deemed trouble in the traditional but well - regarded ceramics program at Alfred University, but in 1978, the year she earned her undergraduate degree, she was included in her first group museum show, a works - on - paper exhibition at Buffalo's prestigious Albright - Knox Art Gallery.

International Deadline: August 24, 2018 — Oil Painters of America 2018 Eastern Regional Juried Exhibition Of Traditional Oils is being hosted by McBride Gallery, located in Annapolis, Maryland, October 28 through November 25, 2018.

Known locally as «The White Room,» the gallery aims to build strong ties with the local community through hosting a variety of receptions, exhibitions, and workshops designed to showcase traditional arts and new trends.

[7] In one of his best - known series, begun with pad thai (1990) at the Paula Allen Gallery in New York, he rejected traditional art objects altogether and instead cooked and served food for exhibition visitors.

Both galleries, which celebrate their fourth anniversaries in operation this year, share an interest in blurring boundaries between networked, virtual artistic practices and traditional object making and physical exhibition.

What he posited as one of the «new ways of existing» away from a «traditional white - cube model» was a display of four David Adamo sculptures in the lobby of Finsbury Circus House, a newly renovated office building just around the corner from Liverpool Street station, listed as an «Ibid Gallery London» exhibition in collaboration with art consultancy HS Projects.

Saints are more often associated with traditional sacred art than with contemporary work, but Michael Landy, current Rootstein Hopkins Associate Artist in residence at the National Gallery, has been inspired to revisit the subject for this exhibition.

To ensure that the exhibition properly captures the vision of what Sidi Shahin is all about, Afia H. Bin Taleb, the woman behind the gallery, will be embracing the atmosphere of the traditional Sidi Shahini festivities by giving out candy.

The exhibition, featuring iridescent material that allowed Pantone to regulate the light spectrum gradients in color, repetition and directional displacement, symbolizes the attitude and experimentation of the artist, according to the gallery release, and expands the exhibition beyond traditional boundaries.