Sentences with phrase «traditional gallery experience»

Not exact matches

Adding to the charm of this traditional fishing village is a host of local eateries, beach bars, art galleries and shops that provide an authentic Belizean experience.

Then tour will visit Batuan Village is traditional Balinese village and now become center of Fine Art, in here you will see lot some of Fine art gallery, is amazing place for see the traditional Balinese Painting, after finish visit Batuan village, we directly back to your hotel by bring an amazing experience and great memory during Bali Elephant Ride and Kintamani Volcano Tour.

Placencia Village, on the tip of the Peninsula, is where visitors experience the charm of a traditional Creole fishing village with the bonus of numerous village eateries, bars, art galleries and gift shops that welcome visitors.

Visit the royal palace, experience a traditional Balinese dance performance or spend a day exploring Ubud's many galleries — which range from grand museums to tiny hole - in - the - walls.

The Scar is a film experience to immerse yourself in and doesn't lend itself to a traditional gallery walking tour.

The most traditional European gallery experience can be had at Acquavella Galleries, housed in a French neo-Classical-style townhouse.

Sim Smith Gallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through exhibition design, curation and by taking art outside of the traditional gallery sGallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through exhibition design, curation and by taking art outside of the traditional gallery sgallery setting.

Throughout the gallery the visitor experiences differing gallery spaces which will provide a varied experience and provide functional flexibility and a varied palette with which the curatorial team can work, catering for the display of work in an intimate, traditional as well as a large public spectacle capacity.

Catlin Moore / Mark Moore Gallery: I think the viewing experience is a very integral part of the work — hence our previous concerns about traditional art fairs.

Contemporary art's embrace of «time - based media», such as sound and moving image, poses a stark challenge for traditional museum and gallery spaces, which predate such technologies and were designed for a very different kind of experience.

Like its Miami counterpart, Untitled remains happily a friendly and unpretentious atmosphere to experience its rather humble arrangement of roughly forty booths brought to you by a variety art spaces, from the more traditional and well known commercial galleries like David Zwirner (New York and London) to community - oriented non-profits like Creative Growth (Oakland), academic - leaning institutions like CCA's Wattis Institute (San Francisco), or research and archival - based foundations like the David Ireland - centric, The 500 Capp Street Foundation (San Francisco).

Similarly, The Future Can Wait was conceived by Zavier Ellis and Simon Rumley as an ambitious, curated exhibition of young artists offering an alternative experience to the traditional gallery and art fair systems.

While Dutch street and gallery artist Super A blends urban methods, graphic design and traditional painting techniques to give life to work that evolves out of his personal experiences and thoughts, the Dutch artist and illustrator Collin van der Sluijs translates personal pleasures and struggles in daily life into his own visual language.

It commissions contemporary artists to make new work and offers people the chance to see and experience contemporary art outside the traditional gallery space.

Houston - based artist Gabriel Martinez creates art experiences beyond the traditional gallery setting, hinting at social and political undercurrents.

Housed in a convertible loft, AREA combines traditional gallery exhibitions with interactive and engaging experiences that stimulates conversation and sparks novel ideas.

By the time I graduated, my artistic practice had even drifted into event production, with installation work that was designed to interrogate the traditional gallery - going experience and transform space through engagement.

gallery hours at The Athenaeum, 201 S. Prince St. Kit Keung Kan is a Hong Kong ‐ American artist and physicist who interprets traditional Chinese landscape paintings with his passion for the art form as well as his experience in scientific study and research such as relational concepts and objective abstraction.

Sean Bidder, Creative Director of The Vinyl Factory, says: «We are excited to be premiering these incredible, immersive installations at The Store 180 The Strand, a large scale off - site space across the river from Hayward Gallery, whose similarly Brutalist architecture provides the basis for a unique experience that is truly immersive and radically different from a traditional gallery environment.Gallery, whose similarly Brutalist architecture provides the basis for a unique experience that is truly immersive and radically different from a traditional gallery environment.gallery environment.»