Sentences with phrase «traditional gallery model»

Together with Allan Schwartzman, the co-founder of AAP and chairman of Sotheby's Fine Arts Division, and our host Charlotte Burns, senior editor at AAP, their wide - ranging discussion covers how we define value in art, the effect of the market on traditional gallery models, and the importance of art in turbulent times.

CSArt Maine's goal is to function as an alternative avenue for local artists to disseminate work outside of the traditional gallery model and break down the walls between artist and collector.

«With the increasingly fast - pace of the art market, and a progressive move away from the traditional gallery model toward art fairs, alternative venues, and a host of digital platforms, it seems like the propitious moment to adopt a new and more flexible working model.

This is an exciting prospect that would further distinguish Twin Kittens from the traditional gallery model.

Recognizing the rapid changes of the gallery industry and the modern needs of his clients, Moore decided to pivot the focus of his business from the traditional gallery model to a private agency that would allow for increased project flexibility and individualized consulting.

A recent article in the online magazine Artsy provides a defence for the traditional gallery model.

She continued: «It's pretty much a generalized sentiment of our generation: everything is changing, and many of us are not even interested in the traditional gallery model, so we need to come up with new ideas and partnerships to make things happen and find our own path.»

Eschewing the traditional gallery model in favor of a more flexible, hybrid approach, the pair pride themselves on always looking to mix things up while staying true to their goals of promoting — not representing — the artists they admire.

«My goal is to break with the traditional gallery model, by integrating institutional and educational components, as well as the publishing and archiving of items within the gallery.

Abandoning the traditional gallery model, dealers Rachel Williams and Vilma Gold will start «a new model of collaboration» with its artists.

Expanding their traditional gallery models and art fair presentations, the galleries here partner to bring Webb's paintings to New York City.

The project aims to create dialogues between artists, critics, galleries and collectors with programming that goes beyond the traditional gallery model, including collaborations and a unique cooperation of artists from both coasts.