Sentences with phrase «traditional gallery models»

Together with Allan Schwartzman, the co-founder of AAP and chairman of Sotheby's Fine Arts Division, and our host Charlotte Burns, senior editor at AAP, their wide - ranging discussion covers how we define value in art, the effect of the market on traditional gallery models, and the importance of art in turbulent times.

«With the increasingly fast - pace of the art market, and a progressive move away from the traditional gallery model toward art fairs, alternative venues, and a host of digital platforms, it seems like the propitious moment to adopt a new and more flexible working model.

A recent article in the online magazine Artsy provides a defence for the traditional gallery model.

She continued: «It's pretty much a generalized sentiment of our generation: everything is changing, and many of us are not even interested in the traditional gallery model, so we need to come up with new ideas and partnerships to make things happen and find our own path.»

Eschewing the traditional gallery model in favor of a more flexible, hybrid approach, the pair pride themselves on always looking to mix things up while staying true to their goals of promoting — not representing — the artists they admire.

«My goal is to break with the traditional gallery model, by integrating institutional and educational components, as well as the publishing and archiving of items within the gallery.

Abandoning the traditional gallery model, dealers Rachel Williams and Vilma Gold will start «a new model of collaboration» with its artists.

Not exact matches

The traditional art model says that artists have to find a gatekeeper (a record label, a gallery, or otherwise) who controls distribution and give up control of their work, so that they can have access to that distribution.

3 - 7 pm Untitled Fair VIP Preview: with performances by TM Sisters and Jacolby Satterwhite An innovative take on the traditional art fair model for international galleries and nonprofit art spaces with a focus on emerging and midcareer contemporary art with an emphasis on international living artists.

Twenty years ago, Art Projects International's name, with emphasis on the word «projects» and exclusion of the word «gallery,» announced a bias for activity over locale and signaled a departure from traditional models.

In one gallery, David Shrigley's 2013 Turner Prize installation «Life Model» is presented in London for the first time: a three metre high sculpture of a naked and comically disproportioned male model is set within a traditional life drawing classModel» is presented in London for the first time: a three metre high sculpture of a naked and comically disproportioned male model is set within a traditional life drawing classmodel is set within a traditional life drawing classroom.

Distinct from the traditional fair model that requires an artist have gallery representation, stARTup presents a new approach, only featuring the work of underrepresented artists.

Re-signifying the traditional white gallery wall as an older - model box TV, the artist initiates a playful critique of art institutions, technology, and entertainment in our everyday lives.

Experts from the Wall Street Journal even speculate that they «may be slowly edging out the traditional gallery sales model.»

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

What he posited as one of the «new ways of existing» away from a «traditional white - cube model» was a display of four David Adamo sculptures in the lobby of Finsbury Circus House, a newly renovated office building just around the corner from Liverpool Street station, listed as an «Ibid Gallery London» exhibition in collaboration with art consultancy HS Projects.

Shirking traditional models, A+P combines an artist residency and gallery space with social advocacy and community outreach.

«Un Jardin d'Hiver» parodies a traditional museum or gallery space modelled on the late 19th - century palm court, once popular in wealthy European homes.

Unlike the traditional consignment model employed by other galleries, wherein artists basically create works on spec, RH commissions artists» work, and in certain cases, even provides them with a residency.

is an innovation of the traditional art fair model for international galleries and nonprofit art spaces with a focus on emerging and midcareer contemporary art.

At Paris Photo, the South African gallery Stevenson was showing a new series of photographs by Mr. Chagas, of models wearing traditional African masks, made in editions of seven.

VW Many artists are combining the traditional gallery system with a migration to an online «art retail» option, much as books became ubiquitous as an Amazon model.