Sentences with phrase «traditional graffiti»

With the internet as his podium and round table, he has been historicizing and canonizing these artists, young and old, who have been creating art outside the norms of traditional graffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.Artists that fall under the term Progressive Graffiti are generally innately gifted draftsmen, who aspire to a Master's Level at their craft.

Striking a delicate balance between contemporary abstract design, calligraphy and traditional graffiti letterform, Jurne's artwork is a seamless combination of timeless and modern.

Striking a delicate balance between contemporary abstract design, calligraphy and traditional graffiti letterform, -LSB-...]

With the internet as his podium and round table, he has been historicizing and canonizing these artists, young and old, who have been creating art beyond the norms of traditional graffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.

A legend and innovator Jonone has a deep history in traditional graffiti, yet he still is able to draw upon those life experiences in his paintings.

108 has transitioned from traditional graffiti in his youth to a more esoteric and sublime body of work.

Striking a delicate balance between contemporary abstract design, calligraphy and traditional graffiti letterform, JURNE's artwork is a seamless combination of timeless and modern.

108 (IT) Work 108 is spent in 15 years of a traditional graffiti abstract shapes, yellow and black colored and finally, all of which contain organic roots.

Although this feature will start in 1993 and focus on of his move into more abstract forms of graffiti, there is no doubt that Joker is skilled in all aspects of traditional graffiti as well.

According to Graffuturism, there was an obvious gap in how the media had covered the art form: one side being about the new street art, and the other about traditional graffiti coverage, but no middle ground or coverage of graffiti artists who had pushed forward to explore progressive hybrid directions, or about the newer street artists who worked more like graffiti artists.

That wouldn't have happened if he was painting in a traditional graffiti vacuum.

Merging his traditional graffiti education, his inclination toward «certain colour forms and certain application techniques», with his deep love of illustration and preliminary design, his fondness for «drafts, architectural renderings and pre-production concepts», Kofie plays with form and line, with balance and depth, twisting and manipulating his murals, his illustrations, his compositions, into ever new and dramatic arrangements.

Not exact matches

I don't like musicals except those that are diegetic (great movies like «Purple Rain», «Saturday Night Fever», «American Graffiti» are naturalistic music driven dramas not fantastical as is the traditional sense of the genre) but saw this as

I don't like musicals except those that are diegetic (great movies like «Purple Rain», «Saturday Night Fever», «American Graffiti» are naturalistic music driven dramas not fantastical as is the traditional sense of the genre) but saw this as a consolation on the day, so if you like musicals this might be your cup of tea.

Unlike the bright cartoon - style murals of the East Coast graffiti, cholo writing features stark black - and - white lettering that pays homage to traditional typefaces.

Aboudia — Light & Dark, the third exhibition in the Light & Dark series, presents the vivid paintings and collages of Aboudia, which blend traditional African and modern Western art with graffiti - style mark making.

The exhibition will merge contrasting subjects such as physics and art via quantum sculptures, traditional painting versus digital, lenticular photography, graffiti, and paint - injected bubble wrap, as well as contemporary dance and meditation, animation film and VR experiences.

Working primarily in painting, Mark Lloyd (b. 1971 Birmingham, lives in Birmingham) is British contemporary artist known for his mixed media work, combining graffiti and traditional fine arts techniques.

Their collective approach to art - making is steeped in academic discourse, and whilst retaining the vibrancy of their graffiti backgrounds, traditional art movements such as Futurism, Abstract Expressionism and Precisionism are also embraced by the visual vocabulary imbued within their work.

Friend and collaborator Remi Rough transcends the traditional and somewhat idealised vision of a graffiti writer, and creates work that simultaneously belongs on the streets and in the home or gallery without seeming out of context.

Expanding upon Murakami and Juxtapoz magazine's interest in flattening high and low cultures, this exhibition includes work by artists whose practice has been shaped by a variety of sub-cultures including skate, surf, graffiti, street art, comics, design, illustration, painting, and digital and traditional arts.

He views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of a gallery or museum.

Dubuffet (1901 — 1985) eschewed traditional notions of beauty in art in favor of what he perceived as more authentic forms of expression, inspired by graffiti, children's drawings, and the creations of psychiatric patients.

Upon entering the gallery space the visitor sees a traditional, wooden church gate, festooned with graffiti and memorial offerings.

eL Seed is an artist whose work incorporates elements of graffiti and traditional Arabic calligraphy.

He often merges the codes of street culture (stickers, graffiti) with the codes of high traditional art (the round canvas: the tondo) in works expressing a loss of any fixed definition.

He admired the intuitive spirit of children's drawings, graffiti, and the art of the ill, which he believed relied on the inner world of the creative mind and rejected traditional notions of taste, beauty, and skill.

Palmeri created these works using traditional painting tools as well as graffiti marker and spray paint to pay homage to abstract painters like Willem de Kooning while reclaiming abstract depictions of the female form from a woman's perspective.

Traditional letterforms are melting and straightening and refracting and layering and abstracting and slicing into geometric forms tonight in Portland Oregon as «Three The Hard Way» opens with men who came up through graffiti and embraced a new enthusiasm for this modern visual vocabulary.

Combining traditional calligraphy with graffiti, the young art form comes to Germany with a mission.

These appear alongside the use of the ready - made, photorealism, trompe l'oeil, graffiti and traditional crafts.

Though McGee views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of galleries or museums, he makes fine use of traditional exhibition spaces, using them not only to communicate a subcultural point of view to gallery goers but also to point out ways in which space can be reclaimed.

While this exhibition takes its starting point from hip hop, it branches out to include artists who use pop culture, graffiti, fashion and other signifiers of urban life in combination with more traditional forms of Aboriginal identity.

Quickly, he set himself free from Graffiti's traditional rules, to follow his own road and create a unique universe, full of distorted monsters, screaming flesh, hybrid sexual creatures, claustrophobic cities and hellish visions.

He combined the traditional with contemporary and often used cites from rock and punk songs, graffiti and street art to enrich the motivational background of his work.

In its formal treatment, takes on the appearance of a futuristic color fields abstract expressionism where traditional painting has been replaced by spray, which reminds us of the technique used in painting street graffiti, positioning the workpiece between the high and low culture.

Among the highlights are Warhol's silkscreen cow wallpaper and pillow balloons — works that inspired other artists to look beyond the traditional canvas space — and his full - length acrylic and silkscreen image of graffiti artist Jean - Michel Basquiat.

Hess typically likes to take traditional landscape painting and concentrate on areas of decay, abandonment and graffiti.

One exhibition area will feature more traditional fine artists such as Jenny Holzer and Gordon Matta - Clark, the latter of whom began photographing graffiti art in 1973, together with artists who came out of the graffiti scene, such as Barry McGee, Eddie Martinez, Todd James, Alicia McCarthy and Ruby Neri.

An explorer of multiculturalism, British artist is well - known for his depictions of traditional Japanese female entertainers or geishas, capturing their femininity and sensuality through a unique mix of seemingly incompatible themes and aesthetics likes traditional fine art painting and «messier» Western traditions like action painting and graffiti, combined in such a way that it feels incredibly natural.

Graffiti is a form of the larger «Street Art» movement, a style of outsider art created outside of the framework of traditional art venues.

Grosse's method has been compared to street art and graffiti, coating the objects and surfaces in her path with bright color, while moving away from the often figurative approach of traditional street art.

Combining traditional, folkloric, and contemporary elements of Brazilian culture with graffiti, hip - hop, and international youth culture, the artists have created an expansive body of work that includes murals, paintings, sculpture, site - specific installations, and video.