The films in the lower gallery deploy
traditional painting subjects such as still life, bathers, landscape and portraiture.
Not exact matches
His
painting is very much about looking, about seeing a
traditional subject in a way that eschews sentiment and convention for the sake of an unflattering, unaffected gaze at the hard facts.
According to Dr. Matthew Lynch, «Instead of treating the arts like a separate, distant relative to other classroom endeavors, (arts integration) programs integrate musical instruments,
painting, dancing, drawing, singing and more into
traditional subjects like science, math and language.»
Oberammergau is a small Bavarian town, which is famous for its
painted houses: the facades of the buildings are
painted with biblical, fairy tale or everyday
subjects and
traditional ornaments.
Andy Baird bairdstudios.com «My
paintings are unique in that they are finely rendered
subjects done by dripping
paint instead of the
traditional methods of «medium and brush.»
The
painting also departs from
traditional portraits by capturing a momentary and involuntary pose that a
subject would not have been able to hold long enough to have it documented.
Biggers» Haute Mess (2014) and Cave's Soundsuit (2013) are critically necessary, for their chaotic relation between antique quilt fragments and spray
paint —
traditional patterns and the human figure — refusing the
subject - object dichotomy.
Rather than assembling a group of artists who are concentrating on the demise of
traditional painting supports — torn, shredded or punctured canvasses, exposed stretcher bars,
paintings hung backwards, oddly shaped canvases,
painting as sculpture, etc... this exhibition will focus on works that address time as a
subject, or are time - sensitive.
With Abstract Expressionism at the forefront of American
painting, these artists, which included Richard Diebenkorn, David Park, Roland Peterson, and Wayne Thiebaud — often referred to as the Bay Area Figurative artists — explored inventive new ways to depict
traditional subject matter — the figure, landscape, and still life.
Japanese artist Tetsuo Mizù, in his first solo exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from more
traditional depictions of the
subject with
paintings that focus on the storied practice of international maritime flags.
The exhibition will merge contrasting
subjects such as physics and art via quantum sculptures,
traditional painting versus digital, lenticular photography, graffiti, and
paint - injected bubble wrap, as well as contemporary dance and meditation, animation film and VR experiences.
While antithetical to
traditional landscape
painting, the square canvas, with slight compositional variations of placement, scale, color, and architectural imagery, is appropriate to her modernist
subject matter.
Unlike
traditional figurative
paintings in which models are used as
subjects, in his
paintings Klein incorporated his models as an intrinsic part of the creative process.
Their
subject matter includes all of the
traditional categories within Western Art: figurative, landscape, portraiture, indoor and outdoor genre and still life
paintings.
There is a
painting of a reclining nude in the show, which of course is a
traditional subject for figurative
painting, but we nicknamed this work «Billboard,» because the figure seems to command the presence of demanding a billboard all to herself.
Employing his
traditional painting and drawing talents, and pushing past their limitations, the artist fixes his
subject matter so he can experiment within these restrictions to innovate.
Analia Saban dissects and reconfigures
traditional notions of
painting, often using the medium of
paint as the
subject itself.
It includes figurative
paintings, such as landscapes, still lifes and portraits, many of which are based on photographs, such as the series S. and Child, a personal and intimate variation on the
traditional subject of the Madonna and Child.
Influenced by literature, film, and architecture, Helfgott incorporates audio, kinetics, photography, assemblage, projections, and
traditional sculptural materials to address such diverse
subjects as the self - portrait, landscape
painting, and gender and age transformation.
And, while
painting has certainly been
subject to a reappraisal during the last few decades as postmodern theory, conceptual and time - based art practices have challenged the primacy of
painting and increasingly advocated for the dematerialization of the
traditional art object, the tenets and practice of
painting far from disappearing or being weakened by this realignment, have indeed emerged revitalized and re-imagined in the hand of many a creative practioner.
She turns the
traditional subject of landscape
painting into a statement on modern society by including vestiges of human habitation.
After years of a highly prolific career, Yifei found great commercial success after moving to New York in the 1980s where he created renowned series of dark
paintings depicting
traditional Chinese
subjects.
Taking inspiration from both
traditional Japanese
painting from the Edo period as well as contemporary anime and manga comics, Yamaguchi Ai depicts geisha
subjects with subtle references to freedom — like wildly unkempt hair and hairpins littered on the floor.
His
subjects evoke
traditional Chinese landscape
painting: figures and scenes recall tales and epics from Chinese folklore and history.
His work blended abstract and expressionist styles of
painting with
traditional representational
subject matter, bridging the divide between European Modernism and Abstract Expressionism.
He studied at the New York Academy of Art and the Pennsylvania Academy of Fine Arts — both bastions of
traditional figurative
painting and sculpture — and he
paints with his
subjects arranged in frontal poses, as if for a photograph (which, since these look like
paintings from photos, they probably were).
After his last truly Futurist works — a series of
paintings on war themes — Severini
painted in a Synthetic Cubist mode, and by 1920 he was applying theories of classical balance based on the Golden Section to figurative
subjects from the
traditional commedia dell» arte.
- The
traditional situations of
painting would be the
subjects: the reclining nude, a still life on a table, a portrait, an interior, etc. (S. Stealingworth, 1980, p. 15).
Dropping the pictorial element of the cartoons to focus on the punch line, the young Prince realized that to pair it with the
traditional medium and discipline of
painting transmuted these banal, slightly out - dated witticisms into a provocative
subject matter.
In the wide range of art the gallery offers,
subjects range from water and beach scenes, boats, landscape, flower arrangements, graphic
paintings of musicians, fifties photographic
paintings, birds, fish,
traditional still life, figure
painting, portraits and trees, covering every major contemporary figurative category and genre.
The exhibition focuses on recent sculptures by the Japanese contemporary artist Bidou Yamaguchi (b. 1970) who employs the forms, techniques and transformative spirit of
traditional Noh masks to create contemporary sculptures whose
subjects are drawn from such iconic European
paintings as Leonardo da Vinci's Mona Lisa and Vermeer's Girl with a Pearl Earring.
The work of Gillian Carnegie introduces into the
traditional genre of landscape
painting undertones of anxiety, conveyed not by the
subject matter but through the
paint and its obsessive handling.
The last part of the exhibition explores the
paintings of 20th century artists, such as Georgia O'Keeffe, Edward Hopper, David Hockney, Gerhard Richter, and Ed Ruscha, who brought fresh perspectives to
traditional landscape
subjects.
«Horses, A Series, # 7» emphasizes the angularity of the horses bodies while drawing upon a unique Chinese device practiced in
traditional brush
painting that allows the viewer to see the
subject from a multi-level perspective.
«In
traditional painting, across the centuries of the nude, there's a particular kind of gaze that's implied between a male viewer and a to - some - degree objectified female nude
subject.
July 8 - 31, 2009 In «Portraits,» American Artist - in - Residence Rudy Shepherd presents a series of recent works that challenge and transcend
traditional notions of who and what is a worthy
subject of high - art portraiture, e.g., criminals, anonymous Taliban members, black heroes, or houses.The
painted portraits in Shepherd's «Criminal / Victim» series from 2009 depict both perpetrators and victims of the same crime side - by - side, visually blurring the line between innocence and guilt.
James Dean Erickson, an artist whose
paintings explore the space between realism and abstraction to elicit the ephemeral and enduring qualities of nature, will lead the
Painting Traditional Subjects with Modern Material workshop and Simplicity and Synthesis lecture in February.
In «Portraits,» American Artist - in - Residence Rudy Shepherd presents a series of recent works that challenge and transcend
traditional notions of who and what is a worthy
subject of high - art portraiture, e.g., criminals, anonymous Taliban members, black heroes, or houses.The
painted portraits in Shepherd's «Criminal / Victim» series from 2009 depict both perpetrators and victims of the same crime side - by - side, visually blurring the line between innocence and guilt.
Geoff's
traditional style of
painting aims to capture the essence of the
subject.
His
subjects hover between
traditional figurative
painting and portraiture; only about five percent of his production is true commissioned portraiture.
Tsherin Sherpa uses
traditional Thangka
painting techniques to swirl
subjects in a reflection of instability, and Rhonda Holberton presents a virtual desert, recalling the ambiguous possibilities of digital space and its impact on daily life.
Caroline Kent is a visual artist whose practice is a constant pursuit of concretizing an abstract language that speaks beyond the corridor of a
traditional painting practice to engage
subjects related to the moving image as well as the written word.
Although Saville's methods and
subject matter are both
traditional, the Young British Artist has somehow found a way to reinvent the art of figure
painting.
In a group of
paintings by Tong Hongsheng, the artist applies the techniques of Vermeer — universally acclaimed as one of the greatest painters in Western art history — to
traditional Tibetan Buddhist
subjects, an intriguing twist considering that whole political can of worms.
His work is an attempt to push further the language of
painting by adopting processes that disrupt a straightforward depiction of a
traditional subject matter.
Although he worked in a modern style, the
subjects of his work were often
traditional, such as portraits, still life, landscapes and genre
paintings.
Iranian - born, Los Angeles — based artist Tala Madani (born 1981) addresses political
subjects through
paintings of ritualistic scenarios in which
traditional gender roles are inverted.
The large format
paintings showcase Martinez's bold brushstrokes and bold approach to
traditional subject matter.
While the abstractness of Abstract Expressionist art made it hard to illustrate sacred
subjects, some of these artists associated their
paintings with
traditional sacred ways of thinking.
Her choice of
subject matter (fish in a bowl, withered flowers, general waste) assign a contemporary air to
traditional still life
painting.