Sentences with phrase «traditional painting technique in»

While developing a career in wall painting and surface finishing, she explores the use of fresco as well as traditional painting techniques in contemporary practices, and works equally with murals, painting, drawing, photography and mixed media.

Not exact matches

This traditional technique is simple to achieve, the trick is to work with still - wet paint and scratching your design in the surface to reveal the underlying colour.

At Banyan Tree Mayakoba, the Haab dining experience commemorates traditional Maya cultivation techniques, with Maya «warriors» dressed in face paint and feather headdresses leading guests into the jungle for a sundown ritual that's complemented by stories of ancient Maya life.

Butler writes that Deleget «has never been particularly interested in traditional painting approaches such as wet - on - wet and glazing, color mixing, or other techniques that create the illusion of three dimensionality.

My background in painting has allowed me to explore the material using techniques that derive more from the worlds of drawing and painting, engaging both traditional and innovative techniques in employing formal qualities with density, texture and pattern.

However, when Zao became established in Europe, he began creating fascinating paintings, such as Landscape (1951), which reworked traditional Chinese calligraphic techniques with reference to Paul Klee.

He later invented his Texturologies — abstract paintings which adapted the traditional Tyrolean technique used by plasterers: Dubuffet covered his canvas in layers of tiny droplets of paint, and combined it with materials including collaged elements and sand.

Born in Matsumoto, Japan, in 1929, the artist studied the traditional painting technique nihonga at the Kyoto Municipal School of Arts in 1948.

His paintings employ a traditional technique used in the Chosun Dynasty (1392 — 1897) in which the pigments — in Ha's work, the ochres and dark umbers — are pushed through the weave of the burlap and eventually linen from the opposite side, and then trowelled with a palette knife on the frontal surface.

Jizi was by and large self - taught, synthesizing the techniques and philosophy of traditional Chinese ink painting with individualistic expression culled from early modernist artists in the West.

Carrot - stamping is a technique by which the artist escapes the hierarchies and grand narratives inherent in traditional painting, and which allows unforeseen, subtle nuances and patterns to emerge in his work.

She uses traditional Old Master oil painting techniques to create works that reference the past, yet are firmly rooted in the present.

His signature technique, used in both paintings and sculptures, is to incorporate traditional brocade fabrics into their surfaces, often becoming the skins of beasts, the bark of trees, or the garments of mythological figures.

Working primarily in painting, Mark Lloyd (b. 1971 Birmingham, lives in Birmingham) is British contemporary artist known for his mixed media work, combining graffiti and traditional fine arts techniques.

Laube approaches his art with a traditional concept of painting on his mind, where his treatment of color, its application and the technique used are all based on the painting in a conventional sense.

In his New York City studio, Takashi Murakami discusses his three - decades - long practice in which he blends traditional and modern art techniques to create enormous paintings with a visual power unmatched in contemporary arIn his New York City studio, Takashi Murakami discusses his three - decades - long practice in which he blends traditional and modern art techniques to create enormous paintings with a visual power unmatched in contemporary arin which he blends traditional and modern art techniques to create enormous paintings with a visual power unmatched in contemporary arin contemporary art.

De Kooning loved the freedom and excitement of New York, but saw it through the eyes of a man steeped in the traditional painting techniques of the Renaissance.

Swansea's new paintings, produced over the course of the last year, allude to the artist's background in film and digital art, which has led her to continually introduce elements normally associated with these technologies to otherwise traditional painting techniques.

Taking inspiration from the Philippine weaving and the Jewish folk traditions of her ancestors, along with traditional landscape painting techniques from her academic training, she interweaves image with refuse in order to reveal seamless yet textured transcultural contradictions.

The 35 - year - old rising star is considered one of the foremost contemporary artists working in traditional Chinese ink painting today, with the pieces on display — including a panoramic thirty - two - foot silk scroll and a diptych portrait — demonstrate how he deploys ancient techniques and themes to explore contemporary thoughts and ideas.

Combining traditional painting techniques with contemporary design, illustrative styles and animation, Barton evokes femininity in both form and spirit.

Though they work independently, Tim Gardner (based in Victoria, British Columbia), Marcelino Gonçalves (based in Los Angeles), and Zak Smith (based in New York) share a common interest in combining and alternating among traditional art - making techniques such as painting, drawing, and photography.

The display is arranged thematically, to show the full range of Johns» materials, motifs and techniques including his unique use of encaustic and collage in paintings, as well as the innovations he has achieved in sculpture and the graphic arts by expanding the possibilities of traditional media.

In all cases, works incorporating painting, moving image, installation and print techniques depart entirely from the traditional.

In search of a more natural technique, she has gradually replaced her customary industrial enamel painting with tempera painting, mixing a variety of traditional and untraditional pigments with a binder, usually egg.

Zeng draws on both Chinese traditional painting and Western art movements in his work, and Mask Series 1996 No. 6 is a synthesis of the techniques learned in his homeland and the expressionist and existentialist art he saw from the West in reproduction.

In these works he had dispensed with the more formal traditional technique of drawing and under - painting in favor of working directly on the canvas with a loaded brusIn these works he had dispensed with the more formal traditional technique of drawing and under - painting in favor of working directly on the canvas with a loaded brusin favor of working directly on the canvas with a loaded brush.

Combining traditional painting techniques with contemporary design and illustrative styles, Barton's paintings are simultaneously unnerving in their otherworldly depictions of the figure and charming in their intense ornamentation.

Price loved surfaces, to the point that after 1983 he dropped the traditional technique of glazing, which bakes colors into the clay, in favor of painting them.

I chose them because they are, in many ways, the polar opposite of traditional mediums — a way to take very complex, age - old master's techniques like reverse painting and the glazing and layering of oil paints, exploding them onto modern mediums that speak more to current times.

We had lectures on anatomy in the Mac lecture theatre using skeletons and life models, lectures about colour and pigment, materials, and art history, of course, and tutors who were familiar with traditional drawing and painting materials and technique.

McKenzie uses techniques of trompe l'oeil and traditional methods for rendering marble in paint.

At first it seems a reference to the traditional gold and silver leafing techniques, used most often in religious painting and decorative embellishments.

If in his early work, he favoured almost intangible media (ultrasound and magnetism), recently Barry has moved closer to traditional techniques such as painting and photography.

Children will devise ways to respond to and represent the ideas behind the video and multimedia works on view inVoyage to the Virtual using traditional materials and techniques found in printmaking, painting, and collage.

The co-director of Minus Space, Deleget has never been particularly interested in traditional painting approaches such as wet - on - wet and glazing, color mixing, or other techniques that create the illusion of three dimensionality.

The artists» on - going interest in and use of traditional techniques, including trompe l'oeil and decorative painting, would allow for meaningful connections and relationships to be made with the historical holdings and extensive archive of the Scottish National Gallery.

In this monumental, masterful painting, Close employed a variety of techniques and tools ranging from traditional brush painting to airbrushing to razors and rags to execute the work.

This work had all of minimalism's patent characteristics: radically spare in appearance, made from immediately evident materials and with none of the traditional painting techniques that tend to make a holy mystery of artistic creation.

He develops his skills in as many mediums as he can, from painting to drawing and video to more traditional hand craft techniques such as hook rugging.

Wilson worked with Venetian craftsmen to develop an innovative process for layering traditional Murano glass mirrors together and also conceived of a technique that reversed the centuries - old mirror making tradition — etching and painting the verso black rather than silver — in order to lend a ghostly appearance to the reflection that the mirror casts.

In the decade that he employed unusual media he still preferred traditional painting and printmaking to experimenting with new techniques such as digital art.

In addition, we can see a detachment from the traditional painting techniques and an development towards monochromatic surfaces in order to enhance the perception of the painting as a physical objecIn addition, we can see a detachment from the traditional painting techniques and an development towards monochromatic surfaces in order to enhance the perception of the painting as a physical objecin order to enhance the perception of the painting as a physical object.

She shares an interesting perspective on the physically demanding nature of spray painting in relation to traditional oil painting, as well as other differences and advantages the technique offers including speed and a uniform surface.

Using traditional and modern techniques to produce handmade, hand - painted terrestrial world globes with precisely designed maps and elegant stands, their studio workshop is based in Stoke Newington, London, and their globes are purchased by customers from all over the world.

She writes: «Though printmaking has been an important means of expression for many artists of his generation, it was a brief endeavor for Twombly... That said, he worked in nearly all traditional printmaking techniques... including line etching, mezzotint, aquatint, lithography, and screenprinting... Many of them were issued as portfolios, in keeping with his mode of painting and drawing in cycles.»

Among the works here were Yan Xing's video monologue Daddy Project (2011), a work about growing up a single child in a single - parent family, and a painting by Song Kun, Woman in Pinetree (2010), which combines an anime character with traditional scroll - painting techniques.

For instance, Shahzia Sikander, born in Pakistan in 1969 and educated at the National College of Arts in Lahore and at the Rhode Island School of Design in Providence, decided to learn the traditional techniques of Persian and Indian miniature painting as an act of defiance, because miniature painting was scorned by her teachers and peers at home.

The artist developed a style in her large - scale works that challenges a traditional linear art history; these works were influenced by a wide range of images from different cultures, including techniques from Persian miniature painting, studies on the female body and subjectivities, and science fiction.

The driving force in the creation of «Ecocide», Soterakis» most recent body of work is the interplay between traditional oil painting techniques and collage.