The Darkroom, RIP by Martin Parr As digital photography threatens to outmode
traditional photographic practice, Michel Campeau captures the unique surfaces of these vestigial spaces.
Not exact matches
The curriculum is designed to create a broad - based knowledge of photography from
traditional photographic techniques to the digital darkroom, including aesthetics, history, and artistic and professional
practice.
A final year student in
Photographic Practice at the University of Northampton, Kay has a particular passion for traditional photographic methods, and is also concerned with the photograph as object in it
Photographic Practice at the University of Northampton, Kay has a particular passion for
traditional photographic methods, and is also concerned with the photograph as object in it
photographic methods, and is also concerned with the photograph as object in its own right.
The
photographic object often involves an intersection of process and invention, as does the
practice of photography itself, and in
traditional photography both the process and the invention are «transparent,» in that they are understood to be a means to an end, namely, to produce a picture as a representational object.
The photography curriculum is designed to create a broad - based knowledge of photography from
traditional photographic techniques to the digital darkroom, including aesthetics, history, and artistic and professional
practice.
The Halide Project was created in 2015 by Alexandra Orgera and Dale Rio in order to promote the continued
practice and appreciation of
traditional and alternative
photographic processes.
In these artists» hands, the
traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond
traditional linear representation in
photographic, painterly, and sculptural work.»
Her multidisciplinary
practice includes
photographic and sculptural - based works, video, installation, performative and participatory works, text / audioworks, and printed projects, and is presented in diverse contexts such as public sites, social network platforms, and
traditional galleries and institutions.
In these artists» hands and through their bodies, the
traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond conventional linear representation in
photographic, painterly, and sculptural work.