Sentences with phrase «traditional practices of the art»

New York, NY About Blog This blog is dedicated to exploring and cultivating contemporary aesthetic interpretations of the book as an art object, while preserving the traditional practices of the art of the book.

Not exact matches

A Yoga TTC in Nepal at Rishikul Yogshala arrives with a perfect blend of traditional teachings fused with the right sources and ambiance to practice the art in its purest form.

As traditional medicine is opening its doors to the ancient healing arts, and the benefits of these practices are being studied and validated in a medical context, there is a great opportunity to integrate conventional medicine with the holistic healing that yoga has to offer.

A Yoga TTC in Thailand provides a perfect blend of traditional teachings infused with the right sources and ambiance to practice the art in its purest form.

Salt Lake City, UT About Blog At Aikido of Salt Lake, we practice the traditional Japanese martial art of Aikido.

For example, while these five urban charter schools offer an existence proof that high standardized test scores are possible and within the grasp of every student in this country, it is equally true that the several practices of successful traditional schools in areas such as special education, the arts, or second language proficiency, offer insights for the charter world.

At the Samurai Kembu Theater, visitors get to learn about «Kembu,» the traditional sword art practiced by the ancient samurai of Japan.

View works by contemporary Ubudian artists as well as traditional schools of art such as Batuan — practiced by Brahman artists — and Sanur, which features highly stylized paintings of sea creatures and other animals.

The Hawaiian Islands were discovered by early explorers navigating by following the stars, traditional voyagers still practice this art of celestial wayfinding aided by a night sky that twinkles with thousands of lights.

Salt Lake City, UT About Blog At Aikido of Salt Lake, we practice the traditional Japanese martial art of Aikido.

The art of «pizzaiuoli» — the traditional practice of pizza - making that originated in Naples — is now inscribed on the Intangible Cultural Heritage List.

Instead of the traditional fantasy genre based on elves, dragons and orcs, as seen in many other MMORPGs, the story of Age of Wulin - Legend of the Nine Scrolls is set in medieval China and based on the lore surrounding martial arts and the brave adventurers who practice it.

The Native Arts and Cultures Foundation awarded a total of $ 168,249 in Mobilizing the Community grants to support community arts participation projects, which transmitted arts and cultural practices from one generation to the next, including language and story preservation, cultural mapping, traditional arts apprenticeships and youth progrArts and Cultures Foundation awarded a total of $ 168,249 in Mobilizing the Community grants to support community arts participation projects, which transmitted arts and cultural practices from one generation to the next, including language and story preservation, cultural mapping, traditional arts apprenticeships and youth prograrts participation projects, which transmitted arts and cultural practices from one generation to the next, including language and story preservation, cultural mapping, traditional arts apprenticeships and youth prograrts and cultural practices from one generation to the next, including language and story preservation, cultural mapping, traditional arts apprenticeships and youth prograrts apprenticeships and youth programs.

The exhibition aims to illuminate a set of current practices by Chinese artists that attempt to challenge the Chinese traditional aesthetics and the Western art historical canon.

Tom Lovelace's interdisciplinary practice challenges the traditional definitions of art forms, breaking down the assumed boundaries between photography, sculpture, performance, and more.

Eliav's practice involves a complex relationship with other works of art, following a process that includes digital reworking, reproduction and distortion, alongside traditional oil painting techniques.

The exhibition shows the range of materials and processes employed by artists today — appropriation, traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects, and offers an indication of what audiences may encounter in art galleries in the coming years.

The artist refers to a traditional genre — a» landscape of fantasy» which is uncommon for contemporary art practices.

The layers of ideas the artist explored in his early performance art, conceived of as existential explorations and social commentaries, have carried through to the more traditional studio practice he embraced upon moving to Shanghai in 2005, after living and working for eight years in New York City.

This collective and their contemporaries rejected traditional modes of high art - making practices in favor of performance, site - specific installations, and video art that incorporated local imagery better suited to illuminating social issues relevant to a domestic audience.

His unique combination of global cultural influences come together in a multidisciplinary practice that intermingles elements of traditional Native American art with contemporary artistic references.

This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques — often used alongside digital technologies — to the worldwide proliferation of self - published artist's books and ephemera.

One of the most significant, funny, and nails - on - a-chalkboard jarring artists of the second half of the twentieth century, Bruce Nauman has expanded the scope of traditional art practice and influenced a generation of artists.

Miéville's «weird fiction» may well be a more appropriate term for her practice than any traditional notion of Artes Plásticas (the so - called plastic arts)-- although a prominent trait of her work of the last five years has involved forming clay.

In «Meta - Modern» practice there is extension and deconstruction of formalism, which blurs lines between abstraction and figuration, and employs the use of non-traditional with traditional painting materials, which is found in much of Vernacular art.

By presenting art outside traditional venues of museums and galleries, the City Hall Art Collection benefits the community and its visitors by increasing access to art, extending our cultural institutions» reach, and providing artists with opportunities to expand their artistic practice and audienart outside traditional venues of museums and galleries, the City Hall Art Collection benefits the community and its visitors by increasing access to art, extending our cultural institutions» reach, and providing artists with opportunities to expand their artistic practice and audienArt Collection benefits the community and its visitors by increasing access to art, extending our cultural institutions» reach, and providing artists with opportunities to expand their artistic practice and audienart, extending our cultural institutions» reach, and providing artists with opportunities to expand their artistic practice and audience.

Atlanta's Craig Drennen and Garrett Bradley of New Orleans are among the 28 artists who have received a grant from Art Matters, the New York - based philanthropy that is «particularly interested in subversive or provocative content, and artistic practice that expands definitions of a traditional medium.»

And, while painting has certainly been subject to a reappraisal during the last few decades as postmodern theory, conceptual and time - based art practices have challenged the primacy of painting and increasingly advocated for the dematerialization of the traditional art object, the tenets and practice of painting far from disappearing or being weakened by this realignment, have indeed emerged revitalized and re-imagined in the hand of many a creative practioner.

Concurrently with the military - industrial «space race» leading up to the moon landing, American artists began to experiment outside of traditional studio practice, intervening at a terrestrial scale to initiate the Land Art movement.

In 1955 Rachel Rosenthal moved to Los Angeles where she embarked on a new form of improvisational theater called Instant Theater, while Robert Rauschenberg took over the lease on her Greenwich Village apartment and employed traditional performance conventions to concepts already understood in his visual art practice.

Opening April 3rd at EFA Project Space, Common J ive presents a spectrum of contemporary artists who summon up vernacular and traditional craft approaches in their art - making practice.

The layers of ideas the artist explored in his early performance art, conceived of as existential explorations and social commentaries, have carried through to the more traditional studio practice he embraced upon returning to China, after having lived and worked in New York City for eight years.

digital collages that explore racial and cultural ambiguity through visual hybridity, like the work of each artist in this exhibition, demonstrate that late 20th - century predictions of the end of traditional fine «art» practice at the dawn of digital culture were simply wrong.

As an artist and textile design tutor practicing and teaching in post-war Europe, this first section demonstrates Paolozzi's willingness to reject established artistic practices, expanding the traditional boundaries of art into the realm of popular culture.

Each of these artists have found a unique form of self expression in this traditional method, bringing a two thousand year old art practice firmly into the contemporary realm.

By infusing traditional art objects with qualities inherent to practices like performance and architecture, the artists are blurring the distinctions between all of these modes of creation in order to create new and dynamic possibilities.

Juxtapoz x Superflat is a manifesto for new creative practices that can no longer be adequately described by the traditional categories of art and production.

While the field of social practice has had an increasingly high profile within contemporary art discourse, this book documents artists who have been under - recognized because they do not show in traditional gallery or museum contexts and are often studied by specialists in other disciplines, particularly within the Latin American context.

-- a dramatic feminist call - to - arms that called traditional art historical practices into question and led to a major revision of the discipline.

In doing so, he not only makes himself accessible to whatever public encounter will come his way, but he also collapses the traditional museum boundaries of private office space and public gallery space, thus foregrounding the participatory nature of his art - making practice.»

Several artists in the exhibition reject traditional categories of painting and sculpture to explore new modes of art making which result in a plethora of unprecedented aesthetic and critical practices, ranging from industrially produced geometric abstractions, negating the hand of the artist, to text - based investigations.

Expanding upon Murakami and Juxtapoz magazine's interest in flattening high and low cultures, this exhibition includes work by artists whose practice has been shaped by a variety of sub-cultures including skate, surf, graffiti, street art, comics, design, illustration, painting, and digital and traditional arts.

«Laurie Anderson is continually pushing the art of storytelling forward in deeply moving ways both in the thought - provoking content of her work and by transcending traditional artistic practice,» said Rebecca Robertson, President and Executive Producer of Park Avenue Armory.

Rejecting, perhaps, the serial obsolescence of commodity, the artists» subtle gestures explore the limits of material, support, surface, and structure, finding continuation in our most traditional art practices.

Not just interested in traditional demarcations of art, the pluralisation opened up discussions as to whether new media, such as television, might be included in a contemporary understanding of artistic practice.

As in much of her practice, Kohlmann's installation oscillates between real and mythical narratives, constructing a fictional ethnography composed of artifacts that transcend the boundaries between traditional handcraft, pop aesthetics, costume, spiritualism, art and science.

Art is a singular opportunity for artists to further their current practice without the physical limitations of a traditional gallery space,» said Brooke Kamin Rapaport, Martin Friedman Senior Curator.

His refusal to propagate traditional art historical hierarchies exposes new, fantastical imagery that teeters on the peripheries of reality and deconstructs those myths still clinging to the practice of painting.

«These artistic creations, which lie in the realm of Generative Art, do not just reinterpret the mechanical processes of traditional engraving, but being reproducible infinite times and anywhere, exemplify the evolution of mass production practices and the inevitable symbiosis between the man and the machine.

«I've gone through a lot of art by painting and using technology, and still, somehow, come back to more traditional practices,»... Read More