Sentences with phrase «traditional published authors so»

Not exact matches

I know so many pro self - published authors now who have made six - figures + from their books that I know traditional publishing is NOT the path for me (at least not'til they make it worth my wild)

I self - publish, so I do pretty much everything myself; but I've heard several traditionally published indie authors say they were surprised to find out that even with a traditional publisher, they were expected to do a lot of the marketing for their own books, particularly if the publisher is small, since they were * not * a celebrity name that could sell itself.

So I think for people to make it as an entrepreneur, you actually have to be thinking about these questions of money, which a lot of authors from the years of traditional publishing and this myth of creativity being kind of God - given, that has stopped people thinking this way.

This messaging has been so strong (and the PR of traditional publishing so poor) that it didn't take much for authors to reconsider their options — and well they should.

As we wrote at the time, this example makes the point that authors already have a lot of the tools for marketing their work, and in some cases — as with Hocking, Locke and other self - publishers such as J.A. Konrath — this can make them so self - sufficient that they no longer need the support of a traditional publishing deal.

Because I work with self - published authors at indieBRAG, I can tell you that many have been traditionally published so do they have to become a new category of traditional authors / self - published writers?

With the popularity of electronic reading devices, the entire world of information / reading was split wide open with so many opportunities for authors to publish the works that might not ever have seen the light of day with the traditional publishers.

But one organization in the UK, the Society of Authors, has stated in an interview with its head Nicola Solomon that the validity of the traditional publishers is questionable and goes so far as to state the traditional publishing as a whole is no longer the most viable option for aAuthors, has stated in an interview with its head Nicola Solomon that the validity of the traditional publishers is questionable and goes so far as to state the traditional publishing as a whole is no longer the most viable option for authorsauthors.

This is probably why so many traditional authors are beginning to publish books independently, as well.

One of the bigger industry stories to break this past weekend was Amazon's so called retreat from traditional book publishing presumably because they can't get their author's books into bookstores.

If the economics are getting better and the pendulum is starting to swing back in the traditional publishing market so that a new author can have faith that they can interest an agent / traditional publisher, and can expect reasonable editing and promotional assistance / training, then traditional publishing definitely has it advantages.

-- 59.4 per cent of self - publishing authors do so to have creative and financial control over their work, followed by just over one - third who were unable to interest a traditional publisher in their work.

These are the reasons why so any professional authors have simply walked away from traditional publishing and gone indie — they believe they're better off on their own.

I know we have so very few publishing slots open, as a traditional publisher with limited capacity and lots of authors who continue to be part of our Bethany House family.

I think that's why so many authors who were previously published with traditional houses have gone the self - publish route.

We started Reedsy around a year ago, thinking mostly about independent authors and hoping to give them, through our marketplace, access to a range of talent that has so far been exclusive to traditional publishing companies.

In fact, self - published and independent authors are sometimes so successful that they have forced traditional publishers to do things they never would have agreed to in years past — things like split digital / print publishing rights and change royalty rates.

One could argue (and so I will), that by moving into «traditional» publishing, Amazon is simply acknowledging that content is and always will be King, and while the self - publishing angle has worked out quite well for them, only a few handfuls of authors are truly making any notable profit on $ 2.99 ebooks.

For authors who go with a traditional publisher, the publisher does the editing, so this guest post is about whether there's value in paying someone to edit before submitting to the traditional publishing industry (agents and editors).

Now that Author Solutions has found a... buyer in Penguin — or rather Pearson, the company that owns Penguin Books — you'd probably think that the so - called vanity press self - publishing model has been given the blessing by «traditional publishing.»

This mentality about the nature and appreciation for books may very well be at the core of why so many authors — and their reader fans — are abandoning the sinking ship of the traditional publishing industry.

With traditional publishing deals, monetization opportunities, even television and film licensing, Wattpad is so much more for both authors and readers.

With so much talk in recent news about the poor quality of indie authors» works and data that shows that only about 59 % of self - published authors go so far as to pay a professional editor before hitting that publish button, it's easy to forget that the traditional publishing industry has its fair share of mistakes, too.

With the traditional publishing route, many people get a cut of the book's profits before the author does, so a writer may not see a huge payout unless the book is incredibly successful.

Literary Agents and the Hybrid Author: A Conversation with Bob Mecoy and Kristin Nelson (Sangeeta Mehta for JaneFriedman.com): Book publishing is changing so quickly, and this is a great look at the hybrid author space, where authors can work with traditional houses while still self - publishing some of their Author: A Conversation with Bob Mecoy and Kristin Nelson (Sangeeta Mehta for JaneFriedman.com): Book publishing is changing so quickly, and this is a great look at the hybrid author space, where authors can work with traditional houses while still self - publishing some of their author space, where authors can work with traditional houses while still self - publishing some of their works.

It's rare for a famous author to bypass traditional publishing and embrace self publishing so enthusiastically.

I think this is why so many authors want agents whether they're interested in traditional publishing or not.

The other thing to know about ISBNs, so say you self - publish or you're an indie author, you create your book, you put it out in the marketplace, and then you get a publishing deal with a traditional publisher.

If responsible indie authors want to put themselves out there in a smart way, I think in this day and age, it's not fighting against traditional publishing so much as making our own paths to personal success.

Because there are so many authors (traditional and self - published) online making noise about their books, it's up to you to think outside the box and develop new ways to get the word out there.

For authors who aren't getting the traditional publishing deal they so badly wanted, it's a lot like not getting into Yale or Harvard, but finding that perfect liberal arts school instead.

Traditional publishers simply do not have the sales they once had, so the barriers to getting a contract to publish your book have been set so high that an unknown author has little hope of getting a book deal.

It's a great read about how authors of traditional publishing houses are expected to promote their own work using their own money to do so.

This is the guy many might have assumed was so thorough a torch - bearer for self - publishing and so outspoken a champion of entrepreneurial authors that he'd throw scones at the huge traditional British house that wanted to handle his new work.

That's why, despite the fact that traditional book reviewers should probably have changed their submission requirements long ago, when the technological changes in book publishing shortened the book production schedule so much, it's still impossible for book publicists (and for authors who are conducting book publicity campaigns) to bypass the rules and garner traditional book reviews without having at least three months» lead time.

So today I wanted to give you guys the long, 4 - part answer to one of the questions Kirsten asked me: What does it take for a self - published author to get a traditional book deal?

So to recap: traditional publishers» book sales fell, indie authors» book sales fell, but self - publishing is «officially» dead?

You might also one day remind Smashwords authors (and others) that what we today call «traditional» publishing only came about in the 1940s or so.

So these authors, no longer courted by the big traditional publishers, are having their backlist published by smaller presses.

So maybe it's a matter of self - published writers simply being able to crank out more ebooks than authors using traditional publishing.

While selling books at this level would seem extraordinary by traditional publishing standards, the mere fact that so many self published authors have achieved this goal (with more being added each month), indicates that it is not an unusual occurrence.

Also keep in mind I'm a strong advocate of self - publishing, which gives authors more control, flexibility and earning power, so I may seem unreasonably biased against traditional publishing.

Every so often authors immersed in the traditional world of publishing pop their heads above the precipice and make grandiose statements about independent publishing, the retail book trade, and, in particular, self - publishing and self - published authors... Orange Prize - winner Ann Patchett is the latest author to share her wisdom on publishing and the use of self - publishing services by authors.

As it stands right now, all authors who want to publish their work, have to do so through online retailers such as Amazon if they are not tied to a traditional publishing company.

While the term may be new to the publishing industry since it first created buzz at last month's Digital Book World conference, news surrounding the so - called hybrid authors — those who work in some way in both self - publishing and traditional publishing — has cropped up throughout the digital publishing sphere.

With so much discussion in the industry about reasons for authors to choose indie publishing over traditional, many authors and readers alike tend to overlook the fact that the end result of a traditional publishing deal only comes about after a publisher has signed the author's book.

In fact, self - published and independent authors are sometimes so successful that they have forced traditional publishers to do things they never would have agreed... Continue Reading

Yet social media engagement has become so vital that many traditional publishing contracts now have clauses that require writers have author websites and... Continue Reading

They mix the worst of traditional publishing and self - publishing, so the real loser is the author.

I have six novels published by a well - known American publisher of popular fiction, and my agency has a stellar reputation, so I have some experience as an Indian - American author who has taken the tough but traditional route to publication.