Last year, I published Georgiana Darcy's Diary (I actually didn't even try to find a publisher for this one, I wrote it because I had completed
by traditional publishing contract ahead of schedule and wanted to see what this indie publishing thing was all about) and I have been THRILLED with the experience.
Even if you do secure a
lucrative traditional publishing contract in a reasonable amount of time, it can take quite a while to get your manuscript into the market due to the time it takes to put your manuscript through editing, layout, proofing, printing, shipping and distribution.
The Authors Guild also estimate that author income from ebooks will be 300 % higher under this deal than
under traditional publishing contracts — 60 % -63 % of retail price rather than 25 % of net receipts.
Last week, two potentially watershed events occurred right before our eyes — one best - selling author refused an advance of $ 500,000 in order to self - publish his next two novels, while a self - published author who has made more than $ 2 million so far decided to accept her
first traditional publishing contract.
Taking advantage of the ability to reach services — like Overdrive — that I can't otherwise reach is a no - brainer, and ultimately very like having an agent
handle traditional publishing contracts, in my view.
Traditional publishing contracts do still make a distinction between various territories (US, UK, etc.) but with many small presses, and pretty much all self - publishing platforms, you'll be publishing globally by default.
There is a similar standard provision in
many traditional publishing contracts that gives your publisher the right of «first refusal» on the next book you write within the same genre (or it may be on your next book period).
A year ago, author Brenna Aubrey made the decision to turn down
a traditional publishing contract for three books in order to go indie.
What to watch out for when signing
a traditional publishing contract, especially if you think you'll want to self - publish on the side.
If I were still trying for
a traditional publishing contract, I'd probably throw my hands up in the air after reading the excerpts from Penn's book and quit.
Authors Guild attorneys Michael Gross and Stevie Fitzgerald guide you through the basics of
a traditional publishing contract, focusing on critical provisions and perils to avoid Back to the Writers» Resource Library»
This edit is what you'd expect from
a traditional publishing contract, and is a worthwhile investment if you're serious about your book.
Authors Guild attorneys Michael Gross and Stevie Fitzgerald guide you through the basics of
a traditional publishing contract, focusing on critical provisions and perils to avoid.
Not just drafting and editing, but also networking and promoting myself in an attempt to secure
a traditional publishing contract.
It is important to have separation between
the traditional publishing contract and the digital side of things.
Many of these aspiring authors have dreams of getting
a traditional publishing contract, getting a lucrative book deal, making the rounds on television shows and giving interviews.
These new reversion clauses are one of the major reasons I won't sign
a traditional publishing contract at the moment.
If you decide to take
a traditional publishing contract or pursue a hybrid model (some books traditionally published and some books self - published), what should you look out for on those contracts?
Welcome to the Hybrid Publishing Maze Hybrid publishing, a type of publishing that combines professional support and self - publishing options, has evolved as a new way for authors to get help outside
a traditional publishing contract.
Sometimes, in
a traditional publishing contract, it negotiated so that the author is protected by the publisher's insurance or there is some sharing of risk.