Curated by Adam Chau, Program Manager at Clay Art Center in New York, this groundbreaking show features 12 artists who utilize digital technology in
a traditional studio practice.
The exhibition shows the range of materials and processes employed by artists today — appropriation,
traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects.
The layers of ideas this artist explored in his early performance art, were made out of existential explorations and social commentaries, and have carried through to the more
traditional studio practice he embraced upon moving to Shanghai in 2005, after living and working for eight years in New York City.
The layers of ideas the artist explored in his early performance art, conceived of as existential explorations and social commentaries, have carried through to the more
traditional studio practice he embraced upon returning to China, after having lived and worked in New York City for eight years.
Concurrently with the military - industrial «space race» leading up to the moon landing, American artists began to experiment outside of
traditional studio practice, intervening at a terrestrial scale to initiate the Land Art movement.
The layers of ideas the artist explored in his early performance art, conceived of as existential explorations and social commentaries, have carried through to the more
traditional studio practice he embraced upon moving to Shanghai in 2005, after living and working for eight years in New York City.
The exhibition shows the range of materials and processes employed by artists today — appropriation,
traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects, and offers an indication of what audiences may encounter in art galleries in the coming years.
In this context,
traditional studio practice was, it seemed, obsolete.
For its first year, the residency program hosted two artists (Brown and Rodriguez) with
traditional studio practices, providing facilities and materials to support an ongoing archiving project for the Brockman Gallery and Brockman Productions, an art gallery and curatorial office founded by brothers Alonzo and Dale Brockman Davis in Leimert Park in 1967.
Not exact matches
In her
studio, she brings
traditional salon services together with inner beauty work through the yoga
practice.
After he completed his software training, I told my friend that he should establish good
practices and habits in his home
studio to make his workflow compatible with those of
traditional audiobook publishers.
I think it also speaks to my
traditional studio - based painting
practice; I am bringing all these things from the outside in, filling my space and translating my encounters.»
Viewers can expect to participate in a performance by gorgeousTaps and the Reality Show, see collectively - produced video works, built objects and performance documentation from Flux Factory and Madagascar Institute, and experience presentations by artists who have abandoned or expanded
traditional alone - in - the -
studio artist
practices.
In his New York City
studio, Takashi Murakami discusses his three - decades - long
practice in which he blends
traditional and modern art techniques to create enormous paintings with a visual power unmatched in contemporary art.
There's sometimes a misconception that artists should only have a
studio practice and should follow a
traditional path often specified by the art establishment.
The new generation of artists emerging in West Germany experimented with performance and collaboration and incorporated media from beyond the
traditional boundaries of
studio practice, such as sound and film.
Deriving from a
traditional practice, Wang produces his Coffin paintings by working with his canvas resting flat on the
studio floor, systematically applying layers of acrylic paint in alternating colors — at times monochromatic, at times colorful — resulting in a densely stratified surface.
Having trained in the conservation of Japanese decorative arts, Lorenz continues to employ
traditional lacquering and gilding techniques as points of departure in her
studio practice.
OCAD University is building on its
traditional,
studio - based strengths, adding new approaches to learning that champion cross-disciplinary
practice, collaboration and the integration of emerging technologies.
The Impressionists rejected
traditional painting
practices of outlining planned compositions and working in a
studio in favor of painting en plein air and layering on thick, wet paint to capture a fleeting moment.
She currently keeps a
studio in rural Pennsylvania where her
practice examines waste, salvage, searching, and the value of
traditional labor.
Woolard conceives and carries out collaborative projects by bringing systems - thinking to
traditional studio - based artistic
practices.
About Blog Lily teaches the
traditional, relaxing and invigorating Yoga as
practiced in Asia for thousands of years at her home
studio in Milton Keynes; it is a little more holistic in nature, meaning, it covers not just the physical aspects of yogic
practice (like asanas or poses, mudras or locks), but also the meridian energy pathways.