That film had no stars and was shot in a shaky - cam home - video style; here, there are no such cinematography tricks, with a much more
traditional use of camera.
Not exact matches
Through Tribeca Immersive's Storyscapes and Virtual Arcade — two programs that highlight the intersection
of film and technology —
traditional filmmakers
used new methods like 360 - degree
cameras and virtual reality devices to bring audiences deep into new worlds.
There are already mobile apps that are experimenting with futuristic photo software concepts, like Fyuse and Phogy, as well as software
using sophisticated algorithms to achieve the best quality
of traditional photos, like A Better
Camera.
Scientists and photographers
used tools ranging from
traditional cameras to X-rays to million - dollar microscopes to create the art in «Images From Science 2,» on view at the Rochester Institute
of Technology beginning October 11.
Current molecular breast imaging systems
use a
traditional collimator, which is essentially a rectangular plate
of dense metal with a grid
of holes, to «filter» the gamma rays for the
camera.
Make sure you get hold
of a good digital
camera or
use a
traditional film
camera and scan the photos in high resolution.
The director
of photography, Lance Acord,
used a lightweight Aaton 35
camera to reproduce a nostalgic aesthetic similar to the snapshot, «like a memory and a love story» according to Coppola, to photograph the particular combination
of traditional and western influences characteristic
of contemporary Japanese culture (Coppola quoted in Mitchell, n.p.).
Using 70 mm to film interiors and close - ups rather than, as was
traditional, expansive vistas and landscapes was a stroke
of genius, but The Master «s images and the old school inventiveness
of Night Across the Street «s sepia tones and rear projections and Moonrise Kingdom «s crystal - clear storybook aesthetic all come up short versus the «throw the
camera on a fishing boat and see what weird horrors and beauties surround us» aesthetic
of Leviathan.
We also wish Honda would add a volume knob to the touchscreen infotainment system that's found in EX and higher Accord models and that a
traditional blind - spot - detection system — with warning lights in the side mirrors — were offered in place
of Honda's LaneWatch
camera, which displays a video -
camera image from the right side
of the car on the center screen whenever the driver
uses the right turn signal.
Flip a switch on the bottom
of the mirror, and the
traditional rearview mirror transforms into a screen that
uses a rear - mounted
camera to show a clear view
of the road behind.
It's the first
of what might be a flood
of inside and side rear mirrors
using tiny
cameras that gave you wider viewing angles and less wind resistance than
traditional outside mirrors.
One
of the reasons that the e-tron is able to slip through the wind are its new virtual exterior mirrors, which
use cameras instead
of the
traditional side mirrors.
Night View Assist
uses infrared LED spotlights and two infrared
cameras to detect obstacles beyond the range
of traditional headlights.
1 Structure, Plan and Write 1.1 Turning Real Life Into Fiction 1.2 Kurt Vonnegut on the The Shapes
of Stories 1.3 The 12 Key Pillars
of Novel Construction 1.4 Plot Worksheets to Help You Organize Your Thoughts 1.5 The Snowflake Method For Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits
of Ernest Hemingway 1.8 Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10 Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12
Using the Right «
Camera Angle» for Your Writing 1.13 The Art
of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding Beta Readers 2.2 Understanding the Role
of Beta Readers 2.3 Find Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory
of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing
of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association
of Authors» Representatives 5.6 Self - Publishing Versus
Traditional Publishing 5.7 Lulu, Lightning Source or Create Space?
Unusually for a turn - based game there's no overhead view that provides a constant bird's - eye view except for when bringing up the strategic map for a better look at the situation, rather characters are moved
using WASD and a
traditional third - person
camera angle that firmly places emphasis on line
of sight and spotting enemies, because once a foe moves out
of your vision he / she / it can no longer be tracked.
Players can either choose to
use programmed backgrounds that will contribute to a more
traditional gaming experience or
use their smartphone
camera to have the Pokémon appear on the streets
of their town or cities.
- Martina: a noble female warrior - Rou: a mysterious old man with a rather impressive white mustache - battle on PlayStation 4 / Switch: «Free Move Battle» lets characters move freely during battle & has «Automatic
Camera Battle» option - battle on 3DS lets you chose between 3D Mode and 2D Mode - in 3D mode, you get to see your characters on the screen - in 2D mode, you only see the sprite
of enemies, with a text box just below the battle screen -
uses the
traditional command - based battle system - one screen shows the protagonist covered in a mysterious blue aura, but it is not explained - new monsters include Mandra and Ocovolt
Occasionally the
camera shifts and the game makes better
use of its bonus dimension, playing more like a
traditional 3D game, but once again fixed angles leave the platforming, puzzle solving and light combat feeling more cumbersome than they should.
Gameplay controls are a mix
of both free roaming third person where both thumbsticks are
used in a
traditional manner to aim and sections where the
camera is fixed, similar to what is seen in God
of War.
Resident Evil 7 will be played in first - person perspective instead
of in the
traditional over-the-shoulder, third - person
camera view that Resident Evil games have
used since 1996.
Nintendo designed the Arwing to feel like a real aircraft, with players
using both the left and right control sticks to pilot the vehicle, instead
of going with a
traditional setup where the right stick only controls the
camera.
Cons: - Early difficulty will surprise you if you're
used to recent «hand holding» games - The game does get back to
traditional mazes but is rather open at the start, which is off putting for some fans
of the series - I want a bit more freedom
of control over my character than the block - by - block, at least better control
of the
camera
Marcus
uses traditional perspective here to simulate the scene captured by the
camera's lens, which contrasts starkly with the rest
of the painting's shallow depth
of field and its vibrant colors and bold patterning.
Winogrand focused his
camera and snapped the shutter, but much
of the work
of a
traditional, film - based photographer takes place in the darkroom, where images are cropped, tones are enhanced or lightened and decisions are made about the developing process that will be
used (silver prints, sepia tones, platinum, dye transfer — lots
of options).
London - based photographer Robin Cracknell explores themes
of love, loss and memory
using a unique non-digital process combining
traditional film photography and cinematography, and shooting with old, sometimes damaged
cameras and salvaged 35 mm cine film.
Biography: London - based photographer Robin Cracknell explores themes
of love, loss and memory
using a unique non-digital process combining
traditional film photography and cinematography, and shooting with old, sometimes damaged
cameras and salvaged 35 mm cine film.
Meanwhile, black - and - white images such as People on the Street (ca. 1980), captured
using a 35 mm
camera and printed
using the
traditional gelatin silver process, convey both an
of - the - moment immediacy and a subtle aesthetic awareness.
Yes, most
of the artists presented
use traditional photo processes to create their images, film,
camera, enlarger, etc., but...
While Baker has said he
used a phone instead
of traditional cameras due to budgetary constraints, Soderbergh said he was so impressed with the quality
of iPhone cinematography that he would likely continue to
use phones to shoot his movies going forward.
Apple
uses a bevy
of new hardware to capture this 3D facial map — including a dot projector,
traditional front - facing
camera, flood illuminator and infrared
camera.
There is 6 GB
of RAM, the fastest Qualcomm Snapdragon 845 mobile processor, a rear dual aperture
camera, another one with super slow motion support (S9 Plus only), the ability to add inexpensive microSD cards, improved Bixby assitant and a hardware button dedicated to its
use, Samsung Pay payment technology, wireless and fast charging, IP68 dust and water resistance, a USB Type - C standard port, and
traditional 3.5 mm headset jack.
There is a dual rear
camera setup with a new way to
use the iPhone due to the lack
of a home button and
traditional power button.
For two generations, LG has
used the second
camera as a true wide - angle lens — it has an almost fish eye view
of the world, and lets you capture a more panoramic shot than you would with a
traditional lens.
Professional Experience Spot Creative Media Group (St. Louis, MO) 10/2008 — Present Marketing Communicator • Serve as freelance
camera operator, audio technician, and grip in the production
of studio, field, and live events • Provide expertise to clients seeking high - quality, cost - effective
traditional and interactive media broadcast production • Produce videos for varied clients including Barnes Jewish, Ameren UE, St. Louis University, and Washington University • Assist in web based production including the capture
of client profiles for website
use and the production
of internet videos • Involved in the production
of «Be a Billiken» campaign for Saint Louis University • Work directly with network correspondents from The Weather Channel, CNN, Fox News, ABC and others
The research focussed on the
use of digital technologies (
cameras, computers) in the intergenerational transmission
of traditional knowledge.