Not exact matches
Instead of looking at the productions of the new media from the point of
view of the older
modes of production we must, on the contrary, analyze the products of the
traditional «artistic» media from the standpoint of modern conditions of production.
However, the mobile sites loaded first, and we had to scroll down to the bottom of the page to switch to the more
traditional desktop
view — and there isn't a browser setting to force sites to load in desktop
mode, either.
However, reading on the Fire has so far been an experience of moving between
modes trying to bridge the difference between
traditional page
views and digitally adapted ones.
I recently took a look at Plume, a Twitter application which makes great use of this feature to show a
traditional phone - like single - column twitter experience in portrait
mode, but a 3 - panel
view in landscape.
Through work by Fischli and Weiss (Switzerland), Isa Genzken (Germany), Jef Geys (Belgium), Rodney Graham (Canada), Christian Jankowski (Germany), Japanther (USA), Julia Scher (USA), Roman Signer (Switzerland), Michael Smith (USA), William Wegman (USA), John Wesley (USA), Joshua White (USA), and Elin Wikström (Sweden),
traditional modes of
viewing are subverted via surprising forms of delivery and display.
In her wall text, Zabel writes, «By exploding
traditional modes of easel painting, Pop artists of the 1960s radically expanded the possibilities of how art is made and how it is
viewed; thus they opened up multiple pathways for artists coming to maturity in later decades of the twentieth century.»
Wiley's larger - than - life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between
traditional and contemporary
modes of representation and the critical portrayal of masculinity and physicality as it pertains to the
view of black and brown young men.
Two assemblages are encased in glass vitrines and illuminated from the interior, reinforcing Genzken's notion of the public and political relic and paying backhanded homage to
traditional modes of
viewing and presenting works of art.
The artist uses
traditional modes of portraiture while infusing his works with a contemporary
view of sexuality and intriguing narrative that blends fiction and nonfiction.
«Mark's innovative, multi-layered abstract paintings with paper, seen most recently in Pickett's Charge at the Smithsonian Hirshhorn Museum and Sculpture Garden, and Stephen's extraordinary textile works on
view at the BMA are evidence that these new
modes of contemporary painting can produce artworks as compelling as those created using more
traditional methods.»
Still, while the two exhibitions remain on
view (the Curry, at the de Young, through Aug. 30 and the Spencer, at the Legion of Honor, through Sept. 6), they allow us to look at two artists from different cultures who adhered to
traditional modes of painting while avant - garde movements, from post-impressionism to abstract expressionism, flourished around them.
The Axon M has four
viewing modes which are accessible with a tap of the special «M» key in the navigation bar:
Traditional Mode (a single screen
view), Extended Mode, Dual Mode, and Mirror Mode.
The display will ship with a
traditional 2D
viewing mode, as well as a 4V holographic
mode.