Sentences with phrase «traditional white cube»

This method of hanging, called the «flexible image arrangement system,» mostly ignores the gallery's traditional white cube.

us begins right opposite you, as all invited spaces evolve organically within the contexts they inhabit, with a sense for the community; for they have to navigate between the traditional white cube and the social ties they produce.

Lim's art penetrates a living space, merging art and architecture, beyond the traditional white cube walls.

I think the next few years will see many fresh takes on the traditional white cube gallery architecture and traditional gallery operational structure.

Aaron Curry's Mmnktlplkt transformes the traditional white cube into a compllex optical environment.

Although the show was staged in a traditional white cube gallery, it managed to replicate several, multi-sensory projects.

It's been awhile since the traditional white cube has been the predominant means of selling art.

The gallery is constantly looking for ways to reinvent itself and to breathe life into the Montreal art scene, exhibiting works of art that challenge the traditional white cube gallery space.

Not exact matches

While the glitzy towns of Marbella and Puerto Banus offer outstanding dining, excellent shopping, and vibrant nightlife, it is easy to escape inland to the picturesque pueblos blancos, where traditional white houses are stacked like sugar cubes against the arid landscape.

Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery spCube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery spcube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

Co-curator and art historian John Held, Jr., who performed with Shimamoto and other prominent Mail Art artists in the U.S. and Japan, explains, «Gutai artists» rethinking of venues for exhibition took the display of art outside the «white cube» of traditional showrooms and centered it in the midst of people's lives.»

Inhabiting unlikely places and partnering with diverse cultural entities to break ground for conversations and narratives outside the traditional white - cube gallery space has always been an underlying principle of the gallery.

What he posited as one of the «new ways of existing» away from a «traditional white - cube model» was a display of four David Adamo sculptures in the lobby of Finsbury Circus House, a newly renovated office building just around the corner from Liverpool Street station, listed as an «Ibid Gallery London» exhibition in collaboration with art consultancy HS Projects.

The Kanter - McCormick Gallery will become a curatorial laboratory for five quick - and - dirty shows proposed by participants involved in the Art Center's Oakman Clinton School & Studios, engaging the traditional «white cube» gallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts community.

A reinterpretation of the traditional «white cube» gallery concept, the space includes a unique «sound corridor» designed for sound - based art, an outdoor roofless gallery and large main exhibition room.

The artist was no longer confined to working within the traditional notions of a white cube, and was publicly encouraged, especially by the 1980s, to find new avenues and ways of involving the audience as participatory, rather than objective, viewer.

Each event approaches the notion of performance from a different angle: from a traditional performance to more discursive formats, from the white cube to the black box, from the public space to the institutional space — actively demonstrating its many forms.

The exhibition I followed you to the sun is accompanied by a curated site program observing introductions of multidisciplinary artistic practices in order to conceptually open up borders of the traditional idea of a white cube and exhibition - making.

«When we first went into them in the mid-90s, we saw the incredible possibilities of those raw spaces, which were closer to the kind of environments that artists were actually working in than the white cube space of the traditional gallery.

Whereas Folds in Time in Ghent is conceived as a walk through a number of traditional exhibition rooms, Mu.ZEE provides a setting with various directions of view, which reflects upon the idea of the white cube.