Sentences with phrase «traditional white gallery»

Re-signifying the traditional white gallery wall as an older - model box TV, the artist initiates a playful critique of art institutions, technology, and entertainment in our everyday lives.

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Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

Since Stout has demonstrated his commitment to «subversive work,» we wondered if he would also be challenging the traditional white - walled gallery.

Known locally as «The White Room,» the gallery aims to build strong ties with the local community through hosting a variety of receptions, exhibitions, and workshops designed to showcase traditional arts and new trends.

The gallery is constantly looking for ways to reinvent itself and to breathe life into the Montreal art scene, exhibiting works of art that challenge the traditional white cube gallery space.

Inhabiting unlikely places and partnering with diverse cultural entities to break ground for conversations and narratives outside the traditional white - cube gallery space has always been an underlying principle of the gallery.

What he posited as one of the «new ways of existing» away from a «traditional white - cube model» was a display of four David Adamo sculptures in the lobby of Finsbury Circus House, a newly renovated office building just around the corner from Liverpool Street station, listed as an «Ibid Gallery London» exhibition in collaboration with art consultancy HS Projects.

Although the show was staged in a traditional white cube gallery, it managed to replicate several, multi-sensory projects.

The Kanter - McCormick Gallery will become a curatorial laboratory for five quick - and - dirty shows proposed by participants involved in the Art Center's Oakman Clinton School & Studios, engaging the traditional «white cube» gallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts comGallery will become a curatorial laboratory for five quick - and - dirty shows proposed by participants involved in the Art Center's Oakman Clinton School & Studios, engaging the traditional «white cube» gallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts comgallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts community.

I think the next few years will see many fresh takes on the traditional white cube gallery architecture and traditional gallery operational structure.

These artist - run spaces straddle the expectations of a traditional gallery — white walls, press releases, open hours — with the casual affability of a party at a friend's house.

Each of them spoke of their attraction to Sector for being a move away from the traditional white box gallery.

A reinterpretation of the traditional «white cube» gallery concept, the space includes a unique «sound corridor» designed for sound - based art, an outdoor roofless gallery and large main exhibition room.

Whatever the case, Atlanta will soon be graced with four more large works of art outside the «white box» of the traditional gallery space.

Appendix Project Space embraces change, progress, and unpredictability, breaking the traditional archetypes of the white - wall gallery space.

Collection of the artist; courtesy Paula Cooper Gallery, New York This projected musical score is made from carefully edited black - and - white images overlaid with brightly colored computer - animated graphics reminiscent of the dots and lines of traditional music notation.

Moving away from the traditional white walls of an art gallery, the presentation challenges expectations and highlights the power of display.

This method of hanging, called the «flexible image arrangement system,» mostly ignores the gallery's traditional white cube.

«When we first went into them in the mid-90s, we saw the incredible possibilities of those raw spaces, which were closer to the kind of environments that artists were actually working in than the white cube space of the traditional gallery.

Just opened at Laurel Gitlen, one of several galleries on Manhattan's Lower East Side known for spotting artists with both institutional and commercial relevance, Jenkins» repurposes traditional «white box» resources, light, open space, and electricity, to create a perceptually unstable architecture.

A spiral staircase, as white and curved as a bleached seashell, flows down from a galleried library to an open - plan living space, leading from the traditional tiled area into a totally contemporary one.