Sentences with phrase «traditional woodblock printing»

In this video, which features footage recorded by Rebecca Salter on one of her trips to Japan, the Royal Academician demonstrates the tools and techniques used in traditional woodblock printing.

Hugo McCloud (b1980, Palo Alto, California) is known for his large - scale abstract paintings that use materials such as tar paper and metal, and engage with traditional woodblock printing techniques.

Not exact matches

The Okami inspired «Wolf Goddess» woodblock print was hand - printed in Tokyo with traditional materials and techniques.

McCloud, who worked on construction sites for more than a dozen years, transitioned from design to visual art and now utilizes the industrial materials, tools and equipment with which he is so familiar, in combination with traditional pigment and woodblock printing techniques, to create his works.

Then, I returned to the Print Studio, cut a similar set of stencils to those used in the Blue Lagoon sculptures, and used them to make a series of large - scale woodblock prints editioned on a traditional press.

Sumptuous color plates showcase a dazzling array of achievements — including Shanghai School paintings, modern calligraphy, commercial art, 1920s and 1930s woodblock prints, modern guohua (traditional ink and color paintings), socialist realist paintings and other contemporary works.

These striking prints by the Japanese - American artist and longtime Berkeley professor Chiura Obata present the classic American landscapes of Yosemite and the High Sierra in the tradition of Hokusai's 36 Views of Mount Fuji, executed with a traditional Japanese woodblock technique.

Drawing inspiration from the rawness and decay of the urban landscape, McCloud creates rich, large - scale abstract paintings and sculptural objects by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and woodblock printing techniques.

For his first solo exhibition with Sean Kelly, McCloud has created eleven new, abstract works, mixing unconventional industrial materials — aluminum sheeting, silver aluminum butane paint, and black liquid tar — with traditional pigment and woodblock printing techniques.

A week - long exploration working in intaglio to create multi color prints from one copper plate, combining traditional etching process with a la poupee inking, mono printing, chine colle, with the option of using a woodblock as a second plate / matrix.

This collection of prints celebrates the Japanese 20th - century revival of traditional woodblock printmaking and includes works by the master of this field, Kawase Hasui.

In this video, Rebecca Salter RA explains the traditional tools and techniques used by the Sato Woodblock Workshop in Kyoto when creating her print for the Summer Exhibition 2016.

The exhibit features pieces that take a traditional stance on this theme, such as «The Great Wave off Kanagawa» (1830), a multicolor woodblock print by Katsushika Hokusai, juxtaposed against modern pieces such as Christian Marclay's «Bottled Water» (1990), a glass bottle filled with un-spooled audiotape recordings of dripping water.

This selection of Iona Rozeal Brown's work presents male figures appropriated from traditional Japanese woodblock prints and radically transformed through an overlay of hip hop style.

While living in Kyoto she studied traditional Japanese woodblock printing with Professor Kurosaki Akira and has since written two books on the subject.

She studied traditional Japanese woodblock printing in Japan where she lived for six years, and has since written two books on the subject.

Benjamin Buckley @ Space Station East meets West in these prints that lean on the traditional art of woodblock printing.

A passionate advocate of this traditional craft, she commissioned the Sato Woodblock Workshop in Kyoto to produce her limited - edition print Tessella 1 and 2 for the Summer Exhibition 2016.

By exploring new mediums, like the Internet outside of the traditional mediums like paint, charcoal and woodblock printing and breaking from the history of Resistance Art that formed part of the anti-Apartheid struggle, they have yielded new artistic directions, which has meant their contributions have positioned them as exciting young talents worthy of attention and has added impetus to the importance of understanding the significance of young, emerging artists in South Africa's ever developing discourse.

Takashi Usui, born in Yamashi, Japan, explores both agony and ecstasy in small, erotic works on paper that humorously reference traditional Japanese shunga woodblock prints.

London - based artist Benjamin Buckley draws in thick black lines reminiscent of and inspired by traditional Chinese & Japanese woodblock prints.