Sentences with phrase «traditional work mode»

The workstation provides familiarity for staff who prefer the traditional work mode along side the other activity based work settings.

Not exact matches

Could the right digital technology work synergistically with traditional modes of teaching to produce the best of both worlds?
One can, of course, differ with the thesis of Donald Kagan's Pericles of Athens and the Birth of Democracy, but to suggest (as the April editorial, «How Democracy Came About and How It Might Be Sustained,» does) that the work has anything in common with «deconstructionism»» «made up,» «fabricated,» the product of «myths» and «creative misinterpretations»» is totally unwarranted and patently unjust to Kagan, who is a distinguished historian in the classic, traditional mode.
An education development organization founded in 2008 that focuses on transforming communities through education and opportunity, the Dignitas Project — unlike many non-government organizations (NGOs)-- does not approach urban slums as dense concentrations of human need where charitable work in «emergency mode» or through traditional methods will have a desirable effect.
The transmission, with its three automatic «shift» modes (including a rain setting) and handlebar «gear» buttons (a traditional foot lever is also present) works smoothly and unobtrusively.
The Hybrid - Mode, which is the mode the GTR Sport returns to when the battery depletes during E-Mode, works like a traditional hybrid.
The final step is the boost mode at «10»: marked like a traditional redline, this demarcates the point when the electric motor and gasoline engine are working together to achieve full system output.
Perhaps the hard working, talented writers will find a better defined career path, be they the minority quality self - publishers, or those who choose to strictly stay within traditional modes.
Win 8 has two modes, including tablet mode and traditional computer models.You can operate in traditional models, and it will work
Players can also work cooperatively to complete missions and even band together to participate in various activities, including 2 - player missions, full - blown 16 - player quests, and ambient events to compete in traditional game modes with the entire community.
In docked mode, playing in a «traditional» home console fashion, Breath of the Wild also works great, whether using the Joy - Cons on their own or plugging into the grip for a normal-esque controller experience.
The multiplayer encourages working as a team and doesn't have the same amount of frustration for players, like me, that are not so great it traditional «Deathmatch» style MP modes.
Whether it is in the traditional multiplayer match scenarios with players on each team duking it out, or in the zombie mode where players work together to fight off hordes of the undead, as the game exists right now there are several ways to exploit various glitches to earn a higher rate of XP.
Raising critical questions about identity, economy, society, connectivity and morality, Maclean's work combines traditional modes of the theatre with technology and popular culture to create fantasy narratives under the guise of a hyper - saturated candy - coloured aesthetic, possessing a unique and often disturbing vision.
Timed to celebrate Black History Month, Grenning Gallery has assembled a group show of contemporary African - American artists working in the realist mode for an exhibition that is long on the traditional portraiture for which the gallery is renowned.
With works like Ferro T, Burri furthered his revolutionary exploration of new and alternative modes to the traditional mark - making that had been favoured throughout Western art history.
If abstraction is not your thing, there are plenty of shows of artists working with images, some in a more traditional mode.
Among the hundreds of artists I consider each year while publishing New American Paintings, I have noticed a considerable uptick in the number of young painters working with recognizable imagery, some in, dare I say it, almost traditional modes.
Through work by Fischli and Weiss (Switzerland), Isa Genzken (Germany), Jef Geys (Belgium), Rodney Graham (Canada), Christian Jankowski (Germany), Japanther (USA), Julia Scher (USA), Roman Signer (Switzerland), Michael Smith (USA), William Wegman (USA), John Wesley (USA), Joshua White (USA), and Elin Wikström (Sweden), traditional modes of viewing are subverted via surprising forms of delivery and display.
Other exhibition formats, old and new, have taken their cue from artists» changing modes of creating and presenting work, often intentionally pushing at the limits of what a traditional museum can support.
Similar to the way Manet initiated a new freedom from traditional subjects and modes of representation, each work featured in the exhibition intentionally takes the landscape genre as a way to capture a contemporary state of being.
The diverse selection of work centres on the way the artists each explore the traditional limits of the physical properties of paint; pushing the boundaries between the medium, the surface and the mode of application.
She often strips her subjects of their original contexts, working with — while often transgressing and deconstructing — traditional Western modes of representation.
After his last truly Futurist works — a series of paintings on war themes — Severini painted in a Synthetic Cubist mode, and by 1920 he was applying theories of classical balance based on the Golden Section to figurative subjects from the traditional commedia dell» arte.
As a contemporary artist who deliberately chooses to work within the parameters of a traditional genre and to employ a traditional mode of representation, my challenge is to create work that embraces tradition (which I'm convinced remains vital and relevant for our time) while simultaneously transcending the sense of nostalgia often attributed to it.
The content of her work meanwhile questions conventional modes of filmmaking: linear narrative is passed over for a circular approach, and recurrent themes — investigations of time, duration, and the act of seeing — favor visual explorations instead of traditional representation.
At a time when artists frequently use traditional modes or quotations in a spirit of irony, the repertoire of motifs with which his work is especially associated makes patent his strong attachment to the imagery and emotional address of Romanticism and Symbolism.
She writes: «Though printmaking has been an important means of expression for many artists of his generation, it was a brief endeavor for Twombly... That said, he worked in nearly all traditional printmaking techniques... including line etching, mezzotint, aquatint, lithography, and screenprinting... Many of them were issued as portfolios, in keeping with his mode of painting and drawing in cycles.»
In contrast to leading conceptual art practices of the 1970s, Clemente refocused attention on representation, narrative, and the figure, and explored traditional, artisanal materials and modes of working.
Founded in New York in 2004, the artist collective has worked in a range of modes, including concerts, translations, and live performances, as well as more traditional mediums such as painting and sculpture.
Two assemblages are encased in glass vitrines and illuminated from the interior, reinforcing Genzken's notion of the public and political relic and paying backhanded homage to traditional modes of viewing and presenting works of art.
Artists sought to criticize traditional modes of representation, mainly government - commissioned religious and allegorical works, by blending elements of high and low culture and incorporating parts of newly modernized quotidien life in their works.
Raising critical questions about identity, economy, society, connectivity and morality, Maclean's work combines traditional modes of theatre with technology and popular culture to create fantasy narratives under the guise of a hyper - saturated candy - coloured aesthetic, possessing a unique and often disturbing vision.
The artist uses traditional modes of portraiture while infusing his works with a contemporary view of sexuality and intriguing narrative that blends fiction and nonfiction.
Beginning and ending in a classical mode, this period encompasses some of the most important steps in his career: his traditional academic training, his early encounters with works by modern and Old Master artists, his creative interaction with pre-classical and tribal art, his invention with Georges Braque of cubism and papier collé, and his postwar alternation between cubism and classicism — the groundwork for all the developments in his later career.
As a group, these artists subvert traditional modes of making (craft) by imbuing their work with personal perspective while commenting on social or political realities.
Her photographic works questions how we subscribe to the traditional modes of production and places of functioning through the poetic ambiguities and fractures harmonies, created by the disparate arrangement of images on a single plane.
The retrospective of his work, featuring 85 of his photographs, will follow the trajectory of his career, situating his work at the intersection of Western modernism and traditional South Asian pictorial modes.
«Mark's innovative, multi-layered abstract paintings with paper, seen most recently in Pickett's Charge at the Smithsonian Hirshhorn Museum and Sculpture Garden, and Stephen's extraordinary textile works on view at the BMA are evidence that these new modes of contemporary painting can produce artworks as compelling as those created using more traditional methods.»
Sebastian began in the traditional mode of nudes and portraits, and moved onto more personal work that deals with themes of income inequality and climate change, using an idiosyncratic visual language he has been slowly developing for the past five years.
, I have noticed a considerable uptick in the number of young painters working with recognizable imagery, some in, dare I say it, almost traditional modes.
The late - 20th century has witnessed a number of exceptional sculptors working in more or less traditional modes, albeit with a modernist conception.
On the occasion of Cunningham's continuing series of Events taking place at upstate New York's Dia: Beacon — where his dancers and musicians have performed amid works by Nauman, Serra, and Warhol, among others — Artforum asked art historian Douglas Crimp to reflect on this newest offering from the choreographer, whose capacity for creating beauty even while challenging traditional modes of spectatorship has made him one of the foremost artists of the postwar era.
Lawyers are often doing a great job but they are working within the confines of a traditional mode which rewards long hours and risk adversity for the law firm.
- GB settings: — reworked image choosing / cropping - supports Google Photos and potentially other gallery apps — added automatic clean up of GB app picker cache (saves storage space)- Lockscreen status bar lock policy: option to allow status bar expand on secured lock screen — allows peeking on notifications even if lock screen is secured — access to quick settings prohibited — makes UNC ActiveScreen «expand notification panel» mode work on secured lock screen - Display tweaks: — added option for emulating battery charging light: ------ allows charging light on devices lacking native support (e.g. Nexus 5)------ pending notification light has priority over charging light ------ charging light color changes lineary according to current battery level (requires RGB LED hardware)------ whether led is constantly ON or «breathing» depends on LED driver (can not be affected by GB)-- button backlight notifications adjusted to follow Pulse notification delay - Power tweaks: added option for proximity wake up (prevents accidental wake up)(Android 4.2 + only)- Recents panel: allow live wallpaper on high end GFX devices (no option; Android 4.2 + only)- Updated Japanese translation (thanks to WedyDQ10)- Updated French translation (thanks to ch - vox)- Updated Chinese (Simplified) translation (thanks to liveasx)- Updated Chinese (Traditional) translation (thanks to momomok)- Updated Polish translation (thanks to xtrem007)- Updated Russian translation (thanks to gaich)- Updated Portuguese (PT) translation (thanks to bgcngm)- Updated Spanish translation (thanks to jvbferrer)- Updated Slovak and Czech translations
Enhanced mode works more like a traditional HDR photo: It takes multiple exposures and merges them together, giving the phone additional image data to process.
While the idea of alternative modes of recognition is innovative, I consider that the ultimate issue is: how do we transition from the existing law to a native title system that works, and thereby allows full recognition of traditional ownership?
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