It is Nisenbaum's awareness of and capacity to synthesise two culturally distinct
traditions of painting while raising their stakes in novel ways (not to mention that she is also a great colourist) that makes her someone worthy of special attention.
Not exact matches
This is the assertion that, as the catalogue essay by Dominique de Villepin observes, these «involuntary heirs
of two
traditions of landscape
painting» found a way
while living in exile — de Kooning the Dutchman in New York, Zao the Chinese in Paris — to soar free
of the constraints
of «stifling
tradition.»»
Corwin writes: «In the
tradition of Klein and Dubuffet, Strobert chooses to site her artistic practice within the confines
of painting,
while literally doing everything she can to reconfigure that discipline through a re-orientation
of mediums and with an expressionistic yet pragmatic eye... Strobert's
painting isn't abstract
painting but the abstraction
of painting.
According to the gallery, «The Girl» encapsulates Op de Beeck's uncanny ability to create visual fictions
of wonder, silence and introspection,
while referencing art historical
traditions of the panorama, landscape
painting and German - Romantic notions
of melancholy and the sublime.
While Borremans's technical command
of his medium recalls classical
painting — the rich tactility and special glow
of his
painted surfaces evoke the Old Master
tradition and artists such as Francisco Goya — his compositions elude traditional interpretative strategies.
Over the past 17 years, Shahzia Sikander has worked within the
tradition of Indo - Persian miniature
painting — creating a dialogue with a traditional form
of art
while engaging in a transformative task.
His work incorporated
traditions of conceptual art, minimalism and monochrome
painting but made its own internal logic its primary reference point
while strenuously resisting a reduction to any single style.
Spanning
painting, sculpture and works on paper, Foster's practice borrows from the
traditions of British Romantic
painting while touching on the absurd with one fanciful brushstroke and then flitting forward to an uncertain, sinister future.
He
paints in the
tradition of the master American painters Dickinson and Hawthorne, using careful modulation
of color - value
while working directly from the motif in natural light.
A picture such as «Grind» playfully echoes the edge - conscious»60s abstractions
of Frank Stella and Jo Baer
while evoking the vernacular
tradition of sign
painting and the cross-fertilization
of painting and graphic design that culminated in Pop art.
Fischl's
paintings from that time dealt with issues
of early sexuality and voyeurism,
while his most recent large - scale canvases focus on the
tradition of bull fighting.
Through this process Ferris developed a motif
of masks to engage themes
of identity
while interrogating
traditions of painting.
Invoking past and future in a critique
of the present, these
paintings, photographs, sculptures, videos, and other works document observed, current realities
while referencing the aesthetic
traditions of 19th - and 20th - century art.
Jeff Bark's monumental photographs plumb the depths
of a collective human experience in the manner
of history
painting's grand masters, from Titian to Jacques - Louis David,
while drawing from the
tradition...
Raja Ram Sharma works in the
tradition of Indian miniature
painting,
while Kathryn Lynch's
paintings capture the scenic panoramas seen from her house on Shelter Island.
This ritual reflects a common
tradition among cultures that practice sand
painting — allowing for new drawings to be made
while also speaking to the impermanence
of life and the cyclical nature
of the universe.
While the formal still lifes may conjure associations with Audubon and are occasionally mistaken for watercolors or drawings, the consequence
of motion is a startling and surprising range
of subtle colors, suggesting painterly strategies that refer to a long
tradition of European still life
painting.
One
of Bearden's «hierographic
paintings,» it is more analytical — and less concerned with religious faith than with trying to work through the European art - historical
tradition while homing in on a distinctly modern style.
But,
while relying on the familiar arrangements
of white - male
painting tradition, Thomas allows her photographic compositions to spiral inward, away from the superficial tropes
of exotica, toward the complex sexuality
of her models.
When looking at her
paintings, the artists who come readily to mind comprise a passage from the 1950s,»60s and»70s and into our own time: Anni Albers, Lee Bontecou, Alberto Burri, Franz Kline, Robert Rauschenberg, Jasper Johns, Cy Twombly, and Alan Shields;
while the organic quality
of her work, particularly being exhibited in Italy, resonates with the
tradition of arte povera.
While the work brings to mind monochromatic
painting and the symbolic meaning
of yellow in the western
tradition — light, warmth, and luxury — it also questions our conventional understanding
of art because it is a work that can be executed by anyone, anywhere.
Unlike the black - and - white formats
of the ink portraits
of the 1960s, the large
paintings revisit
traditions of modernist
painting such as the checkerboard works
of Piet Mondrian and the Alphabet
paintings of Jasper Johns
while depicting everyday speech in a variety
of color palettes.
Both artists evolved out
of the Dutch figurative
tradition into complete abstraction at exactly the same time, but
while Mondrian remained with his bleak, geometric
painting throughout his life, Van Doesburg had other ideas, dozens
of them.
In the 1970s, Bayrle's
painting coexisted with music by groups like Kraftwerk and Can, who through focused sonic repetition referred to the structures
of the postmodern world (highways, computers)
while resisting western music
traditions.
Thus she harks back on the one hand to the Nordic
tradition of landscape
painting in the 19th and 20th centuries (Dick Bengtsson, Carl Fredrik Hill, Ernst Josephson, among others),
while on the other hand she takes interiors from forensic investigations as her basis and thus allows unvarnished reality to enter her
paintings in the form
of commonplace rooms.
While the commissioned still life
painting was once a rarified symbol
of status, this slow
tradition now continues in streams
of multiplicity.
Taking inspiration from the time - honored
tradition of copying
paintings in museums, Lowman will replicate a work currently on view in Jay DeFeo: A Retrospective,
while opening up his own studio practice to the public.
For years Angelina has developed a method
of abstract work that alludes to stain and pour
painting traditions of Frankenthaler and Louis, among other influences,
while contemplating urban and interior structures that make up today's world.
Bringing diversity and individualism
while sharing common concerns in extending the
traditions, language and possibilities
of painting; CHANGECASE -LSB-.....]
The Coffin
Paint series was inspired by a burial
tradition he witnessed
while growing up in Fujian province, southern China, where it is customary for the elderly to cope with their impending mortality by acquiring a casket and
painting it in red lacquer, adding a coat
of paint every year on the same date as a celebration
of longevity.
Their inclusion seems to mourn the disappearing
tradition of imaginative picture - making
while much
painting today is heavily invested in theory and / or materials.
While the
tradition of painting will set the backdrop for this class, when it comes to take - home assignments, students will be encouraged to work in whatever mediums best reveal the truths they want to tell.
Dove Bradshaw's imagery is rooted in a long abstract
painting tradition,
while at the same time depending on chemical reactions that are both planned and wrought by the vagaries
of time and atmosphere.
Writing in the catalogue
of the exhibition, Enrique Juncosa, Director
of IMMA and curator
of the exhibition, describes how Winters,
while participating in the aesthetic debates
of his time, is also «heir to a
tradition that includes some
of the greatest names in abstraction — Kandinsky, Jackson Pollock and Cy Twombly — all
of whom had a profound impact on 20th - century
painting... Winters is without doubt, one
of the leading painters maintaining the currency
of abstraction after Minimalism.
Reichman's compositions frequently reference those
of religious
paintings, imbuing the erotic with a sense
of sacred space, struggle and sacrifice,
while locating his work in a
tradition of historical
painting.
Livingston asserts that by abandoning the canvas she is able to push the idea
of painting as a «flexible» medium that can be expanded upon
while still engaging with the
traditions that have come before.
The exhibition also lays bare the tension surrounding
painting then and now — the interrogation
of its history and
traditions as well as the willingness
of artists to destroy, reinvent, and reframe the practice over time, all the
while finding an uneasy reconciliation
of their presence within the history
of its
tradition.
Each
of these artists confronts issues
of violence and power, shifting between personal, political and historical events
while maintaining a dialogue with the
tradition of figurative
painting.
While Maisel's work is rooted in photography's
tradition of recording, the monumental scale and presentation
of his prints also draw upon the language
of abstract
painting.
Following the
traditions of minimalism and land art
while pursuing a path toward abstraction, his photographs,
paintings, public installations and sculptures have undoubtedly been influenced by nature and the Los Angeles environment in which he lives.
While his work has been linked both to conceptual art and land art, Fulton saw himself as heir to British
traditions of landscape
painting.
In a press release announcing the news, Gagosian Gallery said, «
While the content
of his epic figurative
paintings is unmistakably
of his own time and cultural context, his formal virtuosity and complex layering
of narrative reveal a deep and astute working knowledge
of the inventions and
traditions of painting from the Renaissance to the present day.»
Ming
painting maintained the
traditions of the earlier Southern Song
painting academy, as well as those
of the Yuan Dynasty: the Zhe School
of painters (Zhejiang) pursued the descriptive, style
of Song ink and wash
painting,
while the Wu School (Suzhou) school practised the more intense and expressive calligraphic idiom
of Yuan scholar - painters.
Melded with his appreciation for (and acute knowledge
of) the
traditions of American realism, Hagege's
paintings capture the magic and mystery
of his subject matter
while pushing the
traditions of American realism into a contemporary visual space.
I came to see the difference:
while Rothko has his own silence, steeped in the transcendental sides
of both emotional tragedy and spiritual ecstasy in the
tradition of romanticism — I always felt as though I'm the monk standing in the great Caspar David Friedrich
painting The Monk by The Sea.
Still,
while some would superficially fall under Downes's link to the landscape
tradition of painting, it is clearly grounded in a generation
of artists born in the late 1970s and early 1980s.
Spanning the galleries spacious Midtown gallery, the works weigh heavy on
painting, a genre that has helped Indian artists to explore the country's vast visual
tradition while exploring possibilities
of implementing socio - political commentary.
His new commission Pleasant Places #S006.201 is a computer - generated animation based on 3D - scanned natural scenery in southern France which pays homage to the
tradition of landscape
painting,
while also alluding to a pivotal moment within its history when representation began to verge on abstraction.
While Martha Mayer Erlebacher has certainly studied the history
of art, and has looked hard at the rich
tradition of allegorical
painting, she is neither a neo-Classicist nor a rigid adherent
of any theory
of contemporary narrative
painting.
As always, Warren is not afraid to get her hands messy and her material handling
of the psychically charged spaces
of the id and the ego, the feminine and the masculine, imagos and logos, maintains the improvisatory, even rebellious nature
of clay
while couching the medium within the larger
traditions of painting, sculpture, and space.