[1] The first professionally
trained curator at the Museum of Modern Art (MoMA), [2] she was one of the very few women in her time who held a museum position of such responsibility.
Not exact matches
Max Brand: no solid footing --(
trained) duck fighting a crow is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief
Curator at Large, The
Museum of Modern Art, with the assistance of Jocelyn Miller, Curatorial Assistant, MoMA PS1.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest
Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha
at the Modern
Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots
at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound
at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies
at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas
Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in
museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed
train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter
Museum Blanton
curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin
Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
The
curator of European paintings
at the Metropolitan
Museum of Art was killed in the Metro - North Valhalla
train crash on Tuesday
So when the easygoing, 46 - year - old painter of abstract - figurative canvases — more appreciated in the indie music and zine subcultures than by Tokyo - based
curators and gallerists — was given a retrospective in August 2014, «The Great Circus,»
at the prestigious Kawamura Memorial DIC
Museum of Art, an hour's
train ride southeast of Tokyo, it caught Japan's art community by surprise...
The
training and focus of her curatorial work has been
museum based and even traditional
at times but she also has been invested in keeping alive a tradition of curatorial and institutional self - reflection that was initiated by the artists and
curators of Institutional Critique — a big influence for Kroksnes.
In this revealing set of conversations — conducted in
train stations, hotels, galleries and her own private studio — between Abramovic and
curator Hans Ulrich Obrist, with the occasional addition of other interlocutors including Gustav Metzger (the «Old Master of action art»), the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective
at the
Museum of Modern Art in New York.
Trained as a painter, he served as
Curator and then Senior
Curator in the Department of Painting and Sculpture
at The
Museum of Modern Art for more than a decade.
Shortly after the show closed, however, the gallery's co-owner, Eugene Thaw, visited the small yet elegant apartment of twenty - four - year - old William Rubin, then a conductor in
training but later chief
curator of painting and sculpture
at the New York
Museum of Modern Art.
Trained as an architect and in the humanities
at Yale University, Betsky was previously director of the Cincinnati Art
Museum (2006 - 2014) and the Netherlands Architecture Institute (2001 - 2006), and
Curator of Architecture and Design
at the San Francisco
Museum of Modern Art (1995 - 2001).
Kabat is the SAFIM (South African Friends of the Israel
Museum) Assistant
Curator for Painting and is enrolled in the Curatorial
Training Programme in the Centre for Curatorial Excellence
at Zeitz MOCAA.
WORK HISTORY Aug 2007 — Dec 2012 Local
Museum — Indianapolis, IN Curator • Arranged for a particularly rare Mayan artifact that the museum was looking for to be displayed for three years • Researched newfound facts about three different displays and added to the information tablet • Planned and executed exhibitions • Worked with the public at large to provide information regarding particular displays • Researched new and rare artifacts and arrange form purchases • Cataloged all items according to type • Managed item preservation • Wrote content for museum's website and tablets • Hired and trained staff to manage the ex
Museum — Indianapolis, IN
Curator • Arranged for a particularly rare Mayan artifact that the
museum was looking for to be displayed for three years • Researched newfound facts about three different displays and added to the information tablet • Planned and executed exhibitions • Worked with the public at large to provide information regarding particular displays • Researched new and rare artifacts and arrange form purchases • Cataloged all items according to type • Managed item preservation • Wrote content for museum's website and tablets • Hired and trained staff to manage the ex
museum was looking for to be displayed for three years • Researched newfound facts about three different displays and added to the information tablet • Planned and executed exhibitions • Worked with the public
at large to provide information regarding particular displays • Researched new and rare artifacts and arrange form purchases • Cataloged all items according to type • Managed item preservation • Wrote content for
museum's website and tablets • Hired and trained staff to manage the ex
museum's website and tablets • Hired and
trained staff to manage the exhibits