Sentences with phrase «training in art history»

An even more contrarian aspect of the trip was the way that Pepi steeped his studio training in art history, especially the Old Masters.

Trained in art history and sculpture, her body of work is distinctive in its layering of sound, images and ideas in sophisticated and ethereal multimedia collages, encompassing video, drawing, installation, sound, performance and text.

Trained in art history and sculpture, Jonas was a central figure in the performance art movement of the late 1960s, and her experiments and productions in the late 1960s and early 1970s continue to be crucial to the development of many contemporary art genres, from performance and video to conceptual art and theatre.

Trained in art history and sculpture, Jonas was a central figure in the performance art movement of the late 1960s, and her experiments and productions in the late 1960s and early 1970s continue to be crucial to the development of many contemporary art genres.

Having trained in Art History at the Courtauld Institute of Art, London, she combines academic excellence with a knowledge of an immense range of artistic disciplines.

Trained in art history and sculpture, Jonas was a central figure in the performance art movement of the late 1960s, and her experiments and productions in the late 1960s and early 1970s continue to be crucial to the development of many contemporary art genres, from performance and video to conceptual art and theater.

Born in Guangzhou, China, Hou Hanru received both his undergraduate and graduate degrees from Central Academy of Fine Arts (CAFA) in Beijing, where he was trained in art history, with additional work in painting, performance, installation, and architectural research.

Not exact matches

Special events increased in number with new events being held, including Janus Theatre, a historical United States flag display, the Arlington Heights Art Guild Art Show, and the Arlington Criterium Classic bike race at North School Park; Haunted Halloween and the Melinda the Mermaid series at Lake Arlington; Arlington Eve, sponsored by the Historical Society, and History on Stage at the Museum; and the Soccer Parade, Family Fun Fair, Polar Express Train Ride, Family Swim & Campout, and school holiday day camps.

The third child, a girl, was above all interested in art and its history, but trained as a nurse and combined this career with also being a housewife and mother of two children.

If you are particularly fond of intercepting globally eminent history, art and architecture with reference to the mystical forms of Yoga, particularly Tantra Yoga, Kundalini Yoga then join us for a Yoga Teacher Training in Khajuraho, India.

Trained by his father in the arts of the NES controller at the age of three, Matthew's developed a deep and rich history with Nintendo throughout his life.

Lautner's history of martial arts (the one thing that he actually had going for him as an action star in training) is never exploited to its full potential, while veteran actors like Jason Isaacs, Maria Bello and Sigourney Weaver are smart enough to jump ship before the first act is even over.

The six promising practices in afterschool for the arts identified in the Afterschool Training Toolkit are as follows: Building Skills in the Arts; Expressing Yourself Through the Arts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and Communitarts identified in the Afterschool Training Toolkit are as follows: Building Skills in the Arts; Expressing Yourself Through the Arts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and CommunitArts; Expressing Yourself Through the Arts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and CommunitArts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and CommunitArts With Other Subjects; Involving Families and Communities.

AASA Journal of Scholarship & Practice About Campus Academic Leadership Journal in Student Research Academic Questions Accounting Education ACM Transactions on Computing Education Across the Disciplines Acta Didactica Napocensia Action in Teacher Education Action Learning: Research and Practice Action, Criticism, and Theory for Music Education Active Learning in Higher Education Administrative Issues Journal: Connecting Education, Practice, and Research Adult Education Quarterly: A Journal of Research and Theory Adult Learner: The Irish Journal of Adult and Community Education Adult Learning Adults Learning Mathematics Advances in Engineering Education Advances in Health Sciences Education Advances in Language and Literary Studies Advances in Physiology Education AERA Open Africa Education Review African Higher Education Review African Journal of Research in Mathematics, Science and Technology Education Afterschool Matters AILA Review AILACTE Journal Alabama Journal of Educational Leadership American Annals of the Deaf American Biology Teacher American Educational History Journal American Educational Research Journal American Educator American Journal of Business Education American Journal of Distance Education American Journal of Education American Journal of Engineering Education American Journal of Evaluation American Journal of Health Education American Journal of Play American Journal of Sexuality Education American Journal on Intellectual and Developmental Disabilities Analysis of Verbal Behavior Anatomical Sciences Education Annals of Dyslexia Annual Review of Economics Anthropology & Education Quarterly Applied Developmental Science Applied Environmental Education and Communication Applied Language Learning Applied Linguistics Applied Measurement in Education Art Education Art Therapy: Journal of the American Art Therapy Association Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice Arts Education Policy Review ASHE Higher Education Report Asia Pacific Education Review Asia Pacific Journal of Education Asian Journal of Education and Training Asia - Pacific Forum on Science Learning and Teaching Asia - Pacific Journal of Teacher Education Assessment & Evaluation in Higher Education Assessment for Effective Intervention Assessment in Education: Principles, Policy & Practice Assessment Update Association of Mexican American Educators Journal Athletic Training Education Journal Australasian Journal of Early Childhood Australasian Journal of Educational Technology Australasian Journal of Gifted Education Australasian Journal of Special and Inclusive Education Australian and International Journal of Rural Education Australian Educational Computing Australian Educational Researcher Australian Journal of Adult Learning Australian Journal of Career Development Australian Journal of Education Australian Journal of Educational & Developmental Psychology Australian Journal of Environmental Education Australian Journal of Indigenous Education Australian Journal of Learning Difficulties Australian Journal of Music Education Australian Journal of Teacher Education Australian Mathematics Teacher Australian Primary Mathematics Classroom Australian Review of Applied Linguistics Australian Senior Mathematics Journal Australian Universities» Review Autism: The International Journal of Research and Practice

1920s Delage duo — Dennis Harrison tells us about a 1928 D.M. Weymann saloon and a sporting 1926 DISS / Electro - plating of car parts — In a further article in our series on technical subjects John Teague explains nickel plating and chromium plating / Art and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the USIn a further article in our series on technical subjects John Teague explains nickel plating and chromium plating / Art and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the USin our series on technical subjects John Teague explains nickel plating and chromium plating / Art and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the UArt and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the Uart commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the USin 1920 / MC raid on New England — How some early MGs invaded the USA.

All of our Autonation Certified Pre-Owned vehicles have passed a comprehensive 125 - point quality inspection completed by highly trained technicians in our state - of - the - art service facility.This RX 350 with 140,553 miles also includes a 90 - day or 4,000 mile (which ever comes first) limited warranty at no additional cost as well as a complimentary CARFAX vehicle history report.

Literature, Installation Art, and Films on Partition A Visual History of the India - Pakistan Partition by Aanchal Malhorti Short stories by Saadat Hasan Manto Earth, film by Deepa Mehta Cracking India, a novel by Bapsi Sidhwa (the film Earth was based on this) Midnight's Children by Salman Rushdie «The Seer of Pakistan,» essay on Manto in The New Yorker by Ali Sethi 1947 Archive, A global movement to collect and preserve witness accounts of Partition Indian Summer by Alex von Tunzelmann Indian Summers, a British TV drama series, various writers Train to Pakistan by Khushwant Singh Tamas, a movie by Govind Nihalani.

Check out collectables and western history in Los Alamos (the vintage train depot is now an Antique Mall & Wine Pub) and have lunch in a café / art gallery.

Trained by his father in the arts of the NES controller at the age of three, Matthew's developed a deep and rich history with Nintendo throughout his life.

If more trained artists, steeped in technique and art history, were as intimately familiar with Internet memes and Cyberculture, I would love to see what came out of that.

I have not had any training in art culture, history etc..

Grosse graduated in Art History, German Literature and Media at the Ruhr - Universität, Bochum, before she trained at German media houses to become a culture journalist.

Born in Guyana, British - trained Bowling was elected to the Royal Academy of Art in 2005, the first black artist to be so recognized in the institution's 200 - year history.

Exhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal conferences.

Trained as an architect, Downey explored language, consciousness, documentary film, anthropology, the meaning of art, and art history in Europe and the Americas.

Nusra Qureshi is trained in the art of the Mughal miniature painting tradition and has developed an extraordinary contemporary painting practice that engages with the rich, visual histories of South Asia.

She holds an MA in Visual Cultures from Goldsmiths College and is currently a PhD candidate at TrAIN (University of the Arts) researching exhibition histories with a focus on Brazilian art.

Jeffrey Gibson solo exhibition «Love Song» opens at the Institute of Contemporary Art Boston «Gibson has located in his work a compelling paradigm: that the categories between abstract painting histories and Native American visual histories and materials are not so very far apart, and that Gibson's own heritage and training might productively bridge the two.»

Despite being born into slavery and lacking any training or supplies, Traylor completed as many as 2,000 original artworks, solidifying his standing in art history as one of the keenest observers of human nature.

The graduate program at the Center for Curatorial Studies at Bard College provides practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts in the modern period.

Trained in twentieth - century Modernist avant - garde movements, she has continued her investigations of subcultures, outsider artists, and emerging art movements with such original work as the essay «A Partial and Incomplete Oral History of the Mission School» in the BAMPFA catalog Barry McGee; the exhibition catalog Energy That Is All Around; and the introduction to Bruce Conner: The Afternoon Interviews.

The exhibition features not only trained painters who worked outside of major American cities but also photographers and self - taught artists who were earning major recognition from the American art world for the first time in history.

Emerging, unusually, from a training in theater rather than art history or curatorial studies, Hoffmann has used his directorial knowledge in particular to articulate his unique approach to curating.

The mission of the Center's graduate program is to provide practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts.

Both disturb with their haunting, hidden histories, yet their shared sense of accidental beauty points to how both abstract painting and conceptual art have trained us to find formal pleasures in the unlikeliest places.

Castellani trained as an architect in Brussels, Uecker went to art school and the Kunstakademie in the former German Democratic Republic, while Flavin and Judd studied art history and philosophy respectively in the US.

Arranged thematically into eight sections, the exhibition opens with an exploration of his art in the 1750s when he trained in Rome and worked for German patrons, including the Prince - Archbishop and Elector of Trier, producing history paintings in the grand style.

In collaboration with the Alliance for California Traditional Arts, we have trained community volunteers to document cultural resources, memories, and histories in the Pico neighborhood of Santa MonicIn collaboration with the Alliance for California Traditional Arts, we have trained community volunteers to document cultural resources, memories, and histories in the Pico neighborhood of Santa Monicin the Pico neighborhood of Santa Monica.

Bravo is a trained architect, a lover of literature, a Doctorate Candidate for a Ph.D in Architecture from The Central University in Venezuela, from where she also obtained, in 2003, a Master in Art History.

Richenburg's work as a painter followed training in his teens at the Boston Museum of Fine Arts, art history studies at George Washington University (without graduating), courses at the Corcoran School of Art in Washington, D.C. and at the Art Students» League in New York, and service in World War II as a combat engineer dealing with explosives, mines and booby traart history studies at George Washington University (without graduating), courses at the Corcoran School of Art in Washington, D.C. and at the Art Students» League in New York, and service in World War II as a combat engineer dealing with explosives, mines and booby traArt in Washington, D.C. and at the Art Students» League in New York, and service in World War II as a combat engineer dealing with explosives, mines and booby traArt Students» League in New York, and service in World War II as a combat engineer dealing with explosives, mines and booby traps.

Regarded as one of the watershed events in the history of African American twentieth - century folk, self - taught, and outsider art, the Corcoran exhibition validated art of non-academically trained African Americans within the art mainstream and, unsurprisingly, galvanized the market for the artwork of these individuals.

The same year, Ištvan Išt Huzjan participated in an event that aims to revive the history of European conceptual art and that of its travels through a group exhibition in 1989 in a train traveling between Paris and Zagreb, Simplon Express [3].

Born in Britain to Jamaican parents, she was educated at the University of the West Indies B.A. (Theology History Sociology, 1975 - 78) and an M.Phil (Cultural History, 1983 - 87), and also trained as an artist at the Jamaica School of Art (Diploma.

This exhibition is an Autograph ABP / Street Level Photoworks partnership, in association with TrAIN (Transnational Art and Nation) and is the outcome of a curatorial research project by Deborah Cherry, Professor of Art History at the University of the Arts London, and Deputy Director of TrAIN, and artist and curator Ajamu, funded by Arts Council England.

Chong's innovative research skills draw on several Asian and Romance languages and his training in Western European and East Asian philosophy and art history.

Emerging, unusually, from a training in theatre rather than art history or curatorial studies, Hoffmann has used his directorial knowledge in particular to articulate his unique approach to curating.

I've had no formal training: a couple of art history electives while getting my bachelor's in English Literature is about it.

Dr Angelika Nollert, born in 1966 in Duisburg, trained initially in banking before taking a degree in art history, archaeology and German at the University of Würzburg and the University of Münster.

Exhibition: EDUCATION 1995 - 2011 Bachelor's degree in photography, Azad University (Tehran, Iran) Bachelor's Degree in Cinema and Audio - Visual Arts, Marc Bloch University (Strasbourg, France) Diploma in Professional Photography, Spéos Paris Photographic Institute (Paris, France) Master's Degree in Visual Arts, Marc Bloch University (Strasbourg, France) Photoshop training, Ecole Gobelins, (Paris, France) EXHIBITIONS Solo Exhibition AIPAD (Ney York, 2018) About Art, Vieja Carcel de Lugo (Lugo, Spain, 2018) AIPAD (New York, USA, 2017) The Solo Project (Basel, Switzerland, 2016) ART16, (London, United Kingdom, 2016) ART PARIS (Paris, France, 2016) FOTOFEVER (Paris, France, 2015) ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here..., There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, Iran, 20Art, Vieja Carcel de Lugo (Lugo, Spain, 2018) AIPAD (New York, USA, 2017) The Solo Project (Basel, Switzerland, 2016) ART16, (London, United Kingdom, 2016) ART PARIS (Paris, France, 2016) FOTOFEVER (Paris, France, 2015) ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here..., There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, Iran, 20ART16, (London, United Kingdom, 2016) ART PARIS (Paris, France, 2016) FOTOFEVER (Paris, France, 2015) ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here..., There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, Iran, 20ART PARIS (Paris, France, 2016) FOTOFEVER (Paris, France, 2015) ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here..., There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, Iran, 20ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here..., There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, Iran, 20Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, Iran, 20Art Gallery (Tehran, Iran, 2001)

Before joining the Art Academy, Polke trained as a glass painter so this site - specific work allowed him to apply that which he had learned as a young man in combination with his interest in various materials and fascination for the art history canArt Academy, Polke trained as a glass painter so this site - specific work allowed him to apply that which he had learned as a young man in combination with his interest in various materials and fascination for the art history canart history canon.