Sentences with phrase «transforms historical works»

For his sixth solo exhibition at Lisson Gallery, Jonathan Monk revisits narratives drawn from his own biography and transforms historical works by artists that have also proved to be personal, formative influences.

Not exact matches

In summary, the virtues of organized religions include but are by no means limited to the following: they give their adherents something solid against which to rebel; they allow one to see farther by standing on the shoulders of giants; they insist on the primacy of lived experience; they work against illusion and historical insularity; they point to the power of the collective and the merits of deep diversity; and they are capable of the kind of mobilization that can transform the world.
(See N. Perrin, Kingdom, pp. 37 - 57) The Jesus of the older liberal faith - image has to be transformed precisely because he was, in some fundamental respects, inconsistent with the historical Jesus revealed to us as a result of the work set in motion by konsequente Eschatologie.
The cogency of Omer Fast's works lies particularly in the refusal to transform experiences into consumable narratives in accordance with the conventions of historical reconstruction.
In the fully illustrated exhibition catalogue, Joseph Jacobs writes «Stone's work absorbs, transforms, and reflects the social, historical, and aesthetic concerns of his period.
Exploring the painful history of American race relations through large - scale silhouette installations, Walker's work transforms historical materials, literary sources and popular culture, challenging us to access buried emotions about our nation's past.
In 2015, the artist began to integrate Lego in his works, transforming iconic and historical figures and works into new media art by using a mass - produced, commercial material.
The company transforms luxury residential and commercial properties into large scale art exhibitions, featuring works of cultural and historical significance.
In these works, Sherman transforms herself into a sweeping range of historical sitters, bestowing her subjects with exaggerated prosthetics.
His work Soul Sitters (Still Standing)(2017) is a new investigation in his studio that explores how historical objects can be transformed into new unidentifiable objects and exist in a new arena outside of their historical contexts.
This exhibition, with artwork by Ellen Gallagher and Edgar Cleijne, presents over twenty - five historical and contemporary works that explore how artists play with media in innovative ways to transform our experience of time.
Working with sound, film, performance, and objects, Kapwani Kiwanga (born in Canada, based in Paris) relies on extensive research to transform raw information into investigations of historical narratives and their impact on political, social, and community formation.
Working with sound, film, performance, and objects, Kiwanga relies on extensive research to transform raw information into investigations of historical narratives and their impact on political, social, and community formation.
Sol LeWitt's work should be viewed in the historical context of Russian Constructivists, Minimalists and Abstract Expressionists like El Lissitsky, Alexander Rodchenko, Kazimir Malevich, Barnett Newman, Ad Reinhardt, Joseph Albers and others who have chosen the familiar shapes and considered them in brand new contexts thus transforming their very purpose and significance.
Based on the historical work of Brazilian artist Athos Bulcão, the work reflects upon an important artist in Brazil's recent history and discusses modernist architecture and its utopias as a means of transforming Brazilian society.
Hernández presents a new body of work reflecting upon collage as an art - technique and as a device from the historical avant - garde to represent and transform human relationship with reality.
Featuring iconic Classical imagery like the nude and botanical symbolism, McCarty's work invites questions of how historical male and female selves might relate to the transforming gender identities of today.
The exhibition includes 3D modeled tutus taking inspiration from fallen historical figures and transformed into mixed - media works on paper using projection mapping and 3D printed sculpture.
Revered for her prolific career spanning five decades, Carolee Schneemann has transformed ideas and discourse on the body, sexuality and gender through work that challenges art historical and visual traditions.
Leidy Churchman (b. 1979, United States), known for his diverse paintings that draw from «the extraordinary junkyard» of art historical and contemporary images, makes video works that transform the screen into a living canvas.
Mark Grotjahn's recent painting based on a curved motif used to depict eyes from Picasso «negro» works from nascent Cubism manages to transform the historical motif into something of his own, not a direct derivation, but a reworking of the device into an overall field, recalling 1950s overall compositions (like Pollock's Mural) and even Mondrian's Gray Trees from 1911.
They translate and transform art historical, philosophical, and lyrical ideas into works that invite both analytic and sensory consideration, while requiring our utmost engagement.
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