In her variable edition, Endless Outcomes, Campbell developed an «arrested mobile» using handmade paper, with embedded strings and shaped color components encapsulated between a colored base sheet and
a translucent abaca paper overlay.
Watermarks were an unexpected thread in a number of works on display and lent marvelous results: Bochner's Language is not Transparent (1999)(watermarked
translucent abaca on black cotton) recalls investments in language as an artistic material and support, a proposition mirrored in the materiality of paper; while Kentridge's Anne (2009)(watermarked cotton) is displayed in a lightbox illuminating its normally discreet surface.
Not exact matches
Finally, a
translucent sheet of
abaca paper was applied, promoting unique aspects of the papermaking process, and enabling a contrast between the portion of the work that is determined — color and string combinations — and the length of the strings, which extend below the plane, creating an effect of unknown possibility, more and more choices.