Sentences with phrase «travel photography group»

One of our recurring posts — as you may have noticed springing up at the beginning of each month — is the winning photograph chosen from our travel photography group at Flickr.

Not exact matches

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Whatever it may be, submit your shots of «Inspring Vistas» for a chance to win June's travel photography contest at The Expeditioner's Flickr group.
• Found, a Mercantile of Local Art and Vintage Treasures • Photoduo, Lifestyle Photography • Rebecca Bliefernich, Peak Travel Group • Sarah McAllister Photography, Cannon Beach Wedding and Fine Art Portraiture
Travel photography 101 Chris Marquart (Tips from the top floor) episode Tutorial: 10 Tips For Taking Better Low Light Photos Tutorial: 4 More Tips For Taking Better Low Light Photos Dan Heller's Tutorial Series: Using Fill Flash Photographing People in Sunlight Aperture and Shutter Priority Modes Picasa — Photo management from Google Blurb — Photo book maker The ScrapCast — Scrapbooking podcast Amateur Traveler flickr group — share your photos here Andrew in Japan
Interested in hiring someone to instruct your group on the ins and outs of brand building, digital influencing, travel blogging, photography, photo editing, and more?
Please join us if you are interested in group travel or improving your underwater photography.
Do you know of any free groups that are out there for general support and that provide a feeling of a community with others who love traveling, photography and blogging?
Recent group exhibitions include Spies in the House of Art Photography, Film and Video, The Metropolitan Museum of Art, New York (2012); This Will Have Been: Art, Love & Politics, which traveled to the Museum of Contemporary Art Chicago (2012); Institute of Contemporary Art, Boston (2012); and the Walker Art Center, Minneapolis (2012 — 2013).
Notable traveling group exhibitions include Art, Activism and Civil Rights in the 1960s, traveling to the Blanton Museum of Art, Austin (2015); Hood Museum of Art, Hannover, New Hampshire (2015); and the Brooklyn Museum, New York (2014); For All the World to See: Visual Culture and the Struggle for Civil Rights, traveling to the Center for Art, Design, and Visual Culture, University of Maryland Baltimore County (2010); the International Center of Photography, New York (2010); and the National Museum of American History, Smithsonian Institution, Washington, D.C. (2011).
In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).
COUNTRY: Switzerland AWARDED BY: Swiss Private Bank Pictet et Cie WHAT IT IS: The prize has two components — an award of $ 105,000, and «the Commission,» in which a nominated photographer travels to a region where the bank is supporting a sustainability project and creates a portfolio around that project AIM: To support photography, specifically environmentally conscious work ELIGIBILITY: Candidates must be nominated by a selected group of experts that changes with each cycle of the award.
Selected photographers gain international exposure and recognition within the photography industry through a number of career - building opportunities offered by the award, including publication in Foam Magazine, participation in a travelling group exhibition and the opportunity for their work to be added to the prestigious Art Collection Deutsche Börse.
Select group exhibitions featuring his work include Performing for the Camera, Tate Modern, London (2016); Precarious Balance, Centre of Contemporary Art, Christchurch, New Zealand (2016); Desire for Freedom, Museum of Contemporary Art in Kraków, Poland (2013); HEIMsuchung: Uncanny Spaces in Contemporary Art, Kunstmuseum Bonn, Germany (2013); The Original Copy: Photography of Sculpture, 1839 to Today, Kunsthaus Zürich, Switzerland, traveled to The Museum of Modern Art, New York (2011); and Temporary Structures: Performing Architecture in Contemporary Art, deCordova Sculpture Park and Museum, Lincoln, MA (2011).
Prior to that, Fogle was a curator at the Walker Art Center in Minneapolis from 1994 to 2005, where he initiated a series of exhibitions with emerging artists as well as a number of group exhibitions, including: Andy Warhol / Supernova: Stars, Deaths, and Disasters, 1962 — 1964 (2005); The Last Picture Show: Artists Using Photography 1960 — 1982 (2003) which traveled to the Hammer; Painting at the Edge of the World (2001); and solo exhibitions with Catherine Opie and Julie Mehretu.
Select group exhibitions of his work include Performing for the Camera, Tate Modern, London (2016); Precarious Balance, Centre of Contemporary Art, Christchurch, New Zealand (2016); Desire for Freedom, Museum of Contemporary Art in Kraków, Poland (2013); Heimsuchung: Uncanny Spaces in Contemporary Art, Kunstmuseum Bonn, Germany (2013); The Original Copy: Photography of Sculpture, 1839 to Today, Kunsthaus Zürich, Switzerland, traveled to The Museum of Modern Art, New York (2011); and Temporary Structures: Performing Architecture in Contemporary Art, deCordova Sculpture Park and Museum, Lincoln, MA (2011).
Select group exhibitions featuring his work include VOGUE 100: A Century of Style, National Portrait Gallery, London (2016); Faces Now: European Portrait Photography Since 1990, BOZAR Centre for Fine Arts, Brussels, traveled to Nederlands Fotomuseum, Rotterdam, Netherlands, and National Museum of Photography, Thessaloniki, Greece (2015); How Soon Was Now, Contemporary Fine Arts, Berlin (2014); and Paparazzi!
Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).
This month Collier, who shows at Anton Kern in New York and has a traveling museum solo that's now at the Art Gallery of Ontario, Toronto, is one of the key players in a new group show of conceptual photography at the Guggenheim (cleverly timed to coincide with this year's edition of MoMA's «New Photograpphotography at the Guggenheim (cleverly timed to coincide with this year's edition of MoMA's «New PhotographyPhotography.»)
Group shows include «Eleven & Eleven: Korea Japan Contemporary Art,» The Sungkok Art Museum, Seoul (2002), «Black Out: Contemporary Japanese Photography,» The Japan Cultural Institute in Rome (2002, later traveled to Paris and Tokyo) and «Nonchalant,» 4 - F Gallery, Los Angeles (2004).
Painting, Drawing & Sculpture of the «60s & «70s from Dorothy & Herbert Vogel Collection, Institute of Contemporary Art, Philadelphia; traveled to Contemporary Art Center, Cincinnati, Ohio Photography / Not Photography, Fine Arts Building, New York Group Exhibition, Paula Cooper Gallery, New York
Curated a group exhibition titled «Comical & Cynical — Contemporary Photography of Korea and Japan» in 2007 and traveling to Korea in 2008.
From 10 May - 15 June 2014, Tammam Azzam will be participating in an outdoor group photography exhibition taking place at the Hague, Netherlands, with plans for the exhibition to travel to Belgium and Paris soon after.
Moriyama's contribution to the photographic world in both Japan and the West is profound, exhibiting globally in a number of solo and group exhibitions including at The Tokyo Metropolitan Museum of Photography (2008), San Francisco MOMA (1999) which travelled to The Metropolitan Museum of Art, New York and the most notable of these, Tate Modern with William Klein + Daido Moriyama (2012) a joint retrospective with William Klein.
His work was recently included in the group exhibition Conflict, Time, Photography at Tate Modern, London (2015), which will travel to Museum Folkwang, Essen, in April 2015.
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