Sentences with phrase «traveling exhibition making»
Centre de Cultura Contemporania de Barcelona presents the acclaimed traveling exhibition Making Africa from 23 March until 28 August.
http://www.goodman-gallery.com/ Not exact matches
Having made its way to the Middle East, in partnership with automobile maker Cadillac, the travelling exhibition is taking place at Dubai Design District (d3) until December 16, 2017, and is open to a...
Strong, who recognised the potential of travel and tourism to make a contribution to mainstream green growth transformation, will receive the award at the World Green Tourism conference and exhibition, taking place at Abu Dhabi National Exhibition Centre (ADNEC) from December 5th - 7th, where he will be invited to deliver the valedictorexhibition, taking place at Abu Dhabi National Exhibition Centre (ADNEC) from December 5th - 7th, where he will be invited to deliver the valedictorExhibition Centre (ADNEC) from December 5th - 7th, where he will be invited to deliver the valedictory address.
According to General Manager Samir Arora, the ATM is an unrivalled marketplace that attracts travel trade from across the globe: «With nearly 22,000 visitors last year, including more than 860 media professionals and 170 hosted buyers, the exhibition is the leading travel event in the region, and presents us with an ideal showcase to promote our new products, launch special offers and make contacts in emerging markets.»
Richard Mortimore, managing director, Reed Travel Exhibitions commented: «Reed has been exploring opportunities in Africa for sometime and the success of our first launch event, ILTM Africa, has given us the platform to now introduce two more of our global industry brands to create «Africa Travel Week» and make it the leading global event for the continent's travel indTravel Exhibitions commented: «Reed has been exploring opportunities in Africa for sometime and the success of our first launch event, ILTM Africa, has given us the platform to now introduce two more of our global industry brands to create «Africa Travel Week» and make it the leading global event for the continent's travel indTravel Week» and make it the leading global event for the continent's travel indtravel industry.
The easyBus pick - up and drop - off point is close to both Earl's Court Exhibition Centre and Earl's Court underground station making it a convenient service for those visiting an exhibition or travelling to other parts Exhibition Centre and Earl's Court underground station making it a convenient service for those visiting an exhibition or travelling to other parts exhibition or travelling to other parts of London.
This made him world famous and he traveled all around the world to give swim exhibitions.
To the many inquiries I've made to Johns over the years of my search for the Short Circuit flag, he responded once to say he had no involvement in the decision to replace his flag with Sturtevant's, a decision that stems from 1967, the year Rauschenberg fielded a request from Finch College Museum curator Elayne Varian, who wanted to include Short Circuit in a traveling exhibition, «Art in Process: The Visual Development of a Collage.»
Major museum exhibitions include «Paintings 1975 — 1995,» Modern Art Museum of Fort Worth, Texas (opened 1995 at the Metropolitan Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (2016).
He also helmed the 2014 traveling exhibition that was rebuked by some participating artists (who asked to have their work removed) after it was, unbeknownst to them, touring through Israel, making a stop at Haifa's Tenchnion, an institution with ties to the Israeli military and the country's defense technology development.
2006 USA Today, Royal Academy of Arts, London, UK Youth of Today, Schirn Kunsthalle, Frankfurt, Germany Constant Disturbance, Centro Cultural Español, Curated by Gean Moreno, Miami, FL Bring it on, Monique Meloche Gallery, Chicago, IL Transformer, Traveling exhibition of contemporary artworks from the West Collection, Main Line Art Center, Haverford, PA Nominally Figured, Recent Acquisitions in Contemporary Art, Fogg Art Museum Harvard University, Boston, MA Making Do, Yale University School of Art, New Haven, CT
Research for this exhibition was made possible by Ann and Jim Goodnight / The Andrew W. Mellon Foundation Fund for Curatorial and Conservation Research and Travel.
This presentation follows the artist's recent major European survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo exhibition of his work in the city.
BOOKSHELF To further explore contemporary African art, consider recent volumes that document the field, such as «Contemporary African Art Since 1980,» which is co-edited by Okwui Enwezor and Chika Okeke - Agulu, «The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists,» which accompanied a traveling exhibition, and «Making Africa: A Continent of Contemporary Design.»
Another of Walker's students was Arthur Watson, now president of the Royal Scottish Academy; in the introduction to Downie's exhibition catalogue for her 2013 show Walk Through Resonant Landscape, the consequence of her Chinese residency and travels, Watson observes the contribution made by Walker to her students» ability to perceive and explore the unique landscape of Scotland and for the primacy of drawing: «With a base on the island of Tiree, [Frances Walker] ranged across the West Coast and Western Isles interrogating the coastal margins — the rhythm of pebbles across a storm beach or the fractured architecture of a rocky foreshore, meticulously recorded through a vocabulary of precise but unforgiving ink lines.»
The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.
At that time, I made sure the exhibitions had a certain relevance, hoping that would get people to travel to them.
Made for an exhibition at Helsinki's SIC in August, now travelled to Trafó Gallery in Budapest, «Creatures of Habit» are a pack of large, amorphous steel structures partly dressed in sturdy outerwear.
Her work has been included in exhibitions worldwide including «Sensation: Young British Artists from the Saatchi Collection», Royal Academy of Arts, London (1997, traveled to Hamburger Bahnhof, Berlin and the Brooklyn Museum of Art, New York 1998 - 99); «The Nude In 20th Century Art», Kunsthalle Emden, Germany (2002, traveled to Arken Museum of Modern Art, Copenhagen in 2003); «Painting», Museo Correr, 50th Biennale di Venezia (2003); and «Paint Made Flesh», Frist Center for the Arts, Nashville (2009, traveled to the Philips Collections, Washington D.C. and Memorial Art Gallery, University of Rochester, Rochester, NY in 2010).
Recently debuting stateside, featuring more than 170 works made between 1963 - 1983 by dozens of black artists, the exhibition closed today at the Crystal Bridges Museum of American Art in Bentonville, Ark., and will travel to the Brooklyn Museum.
The exhibition will first introduce audiences to Pollock's work via a selection of his classic drip paintings made between 1947 and 1950, including Number 2, 1950, a work from the Harvard Art Museums» collection that has not traveled in over 20 years.
This landmark traveling exhibition brings together roughly 70 works made over the course of some 40 years — including many of the artist's sketchbooks that have never been shown before — and will unfold chronologically, tracing Serra's ever - evolving ideas and methods since the 1970s.
During the two - month exhibition, Sargent will be working in the gallery on March 20, 30 & 31 and April 1, 6, 7 & 8 constructing Not To Scale, a working relief map of the Great Lakes and St. Lawrence Seaway made entirely from found objects illustrating the lock system, canals, and waterways necessary for travel from the Atlantic Ocean to ports along each of the Great Lakes.
In addition to experimental and impulsive art purchases made while travelling around the world, the exhibition also reflects Leif Djurhuus» special passion for young contemporary art.
Select group exhibitions and biennials featuring her work include Making & Unmaking, Camden Arts Centre, London (2016); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of Modern Art, New York (2016); Surrealist: The Conjured Life, Museum of Contemporary Art, Chicago (2015); Picasso & Contemporary Art, Le Grand Palais, Paris (2015); Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, Museum für Moderne Kunst, Frankfurt am Main, Germany, traveled to Savannah College of Art and Design Museum of Art, GA, and the National Museum of African Art at the Smithsonian Institution, Washington, DC (2014); The Shadows Took Shape, Studio Museum in Harlem, New York (2013); Exquisite Corpses: Drawing and Disfiguration, The Museum of Modern Art, New York (2013); The Luminous Interval, Guggenheim Bilbao, Spain (2011); The Spectacle of the Everyday, and Black Womanhood, San Diego Museum of Art, CA (2009).
The exhibition traces Dwan's activities and the emergence of an avant - garde gallery in an age of mobility, when air travel and the interstate highway system linked the two coasts and transformed the making of art and the sites of its exhibition.
Recent exhibitions include: Berger + Berger: a prefabricated movie theatre, 12 th International Architecture Biennale, La Biennale di Venezia, Venice, Italy, 2010 (group); The Night Pleases Us, 51st October Salon, Belgrade, 2010 (group); Invisible Shadows, Museum Marta Herford, Herford, Germany, 2010 (group), Projections, Bonniers Konsthall, Stockholm, 2010 (group); No Room to Answer, Modern Art Museum Fort Worth, Texas, 2008 (solo), which traveled to the Wurttembergisher Kunstverein Stuttgart, Germany, 2009 and Aargauer Kunsthaus, Aarau, Switzerland, 2009; Interior / Exterior, Kunstmuseum Wolfsburg, Germany, 2008 (group); Made Up, Liverpool Biennial, Tate Museum Liverpool, 2008 (group) and The Cinema Effect, Hirshhorn Museum and Sculpture Garden, Washington, DC (2008).
The exhibition will trace Dwan's activities and the emergence of an avant - garde gallery in an age of mobility, when air travel and the interstate highway system linked the two coasts and transformed the making of art and the sites of its exhibition.
Doggedly focused on the flat picture plane (though he does occasionally make sculpture) and eschewing performance, Uemae was forced onto the «solitary path» alluded to in the exhibition's title — one that was not travelled by his action - based contemporaries Kazuo Shiraga or Shozo Shimamoto.
With lush full - color images of 100 artworks, the book deepens our understanding of the artistic exchanges Dwan facilitated during this age of mobility, when air travel and the interstate highway system linked the two coasts and transformed the making of art and the sites of its exhibition.
Since its first showing of pieces in 1959 at the Whitney, the collection traveled to Latin America, and then made itself available to other museums in the U.S. through a rigorous 25 - year exhibition program.
Against a landscape painting by exhibition organiser Fellner, two crude cars made from tin food cans travel in static motion alongside an improvised wall.
Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).
Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LondoExhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, Londoexhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England
The exhibition makes its U.S. debut at Cooper Hewitt and will travel to the High Museum of Art in Atlanta and the Museum of Fine Arts, Houston.
Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).
Incidentes de viaje espejo en Yucatán y otros lugares at Museo Tamayo in Mexico City is an exhibition that is loosely inspired by the travels of John Lloyd Stephens and Frederick Catherwood in Yucatan, Chiapas and Central America in 1839 and 1841, and the trip made in 1969 by Robert Smithson in the southeast peninsula.
Throughout her career, Ms. Flack's work has been featured in numerous traveling museum exhibitions, including «Twenty - two Realists» (1972) at the Whitney Museum of American Art, New York; «Super Realism» (1975 - 76) at the Baltimore Museum of Art; «American Painting of the Seventies» (1979) at the Albright - Knox Gallery, Buffalo, NY; Contemporary American Realism» (1981 - 83) at the Pennsylvania Academy of the Fine Arts, Philadelphia; «Toyama Now, 1981» (1981) at the Museum of Modern Art, Tokyo, Japan; and «Making Their Mark: Women Artists Move into the Mainstream» (1989) which traveled to the Cincinnati Art Museum, the New Orleans Museum of Art, the Denver Art Museum and the Pennsylvania Academy of the Fine Arts.
He was also part of the 6 / 6/6 exhibition: Six Artists, Six Cities, Six Connections, a travelling group exhibition that made its stop at Chicago's Lloyd Dobler.
Focusing on a miscellany of works made between 1963 and 1972, the show emphasizes the body of work Kudo produced during his first ten years in Paris, after receiving the Grand Prize and a travel fund to the French capital as the winner of the 1962 Second International Young Artists Exhibition in Tokyo.
His revolutionary ideas about art - making would soon travel coast to coast through his students and his tremendous influence, but his first exhibition in Berkeley was of black - and - white drawings.
2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
2015 I Dropped the Lemon Tart, Lisa Cooley Gallery, New York, USA Eyes on the Prize, The Travelling Gallery in association with Tramway, Glasgow, Scotland Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England All Of Us Have a Sense of Rhythm, David Robert's Art Foundation, London, England Drawing Now: 2015, The Albertina, Vienna, Austria Below Another Sky, Inverness Museum and Art Gallery, Inverness, Scotland Idiot Box, Kate MacGarry, London, England Devils in the Making, Gallery Of Modern Art, Glasgow, UK
His work has been featured in dozens of exhibitions around the world, including Ed Ruscha: 50 Years of Painting at London's Hayward Gallery (2009), Ed Ruscha: Made in Los Angeles at Madrid's Reina Sofia in 2002, a 2000 retrospective at the Hirschhorn Museum and Sculpture Garden, a survey of his works - on - paper at the J. Paul Getty Museum in 1998, and a 1982 retrospective that traveled to the Whitney Museum.
The exhibition will introduce two digital videos and thirty large format photographs, consisting mostly of images the artist has made from her expeditions throughout the past decade, interspersed with some images produced by re-photographing vintage travel -LSB-...]
On view is «Russian - American Painting Alliance Exhibition» featuring paintings made en plein air recently by the group who traveled to Maine and Sag Harbor to paint on location.
The exhibition explores all facets of Callahan's rich contribution to 20th - century American art from his earliest work made in Detroit during World War II, to photographs made in Chicago in the late 1940s and 1950s, to works made in Providence in the 1960s and 1970s, to his final pieces made during travels around the world in the later 1970s, 1980s, and 1990s.
Exhibition: «Radical Women: Latin American Art, 1960 — 1985» at Brooklyn Museum This first - of - its - kind show, which traveled from the Hammer Museum in Los Angeles, where it was part of the Getty Foundation's Pacific Standard Time: LA / LA initiative, focuses on contemporary art made by Latin American and Latina women artists over the course of two and a half decades.
It should be mentioned that Gober (who also organized the much - admired Heat Waves in a Swamp: The Paintings of Charles Burchfield, a traveling exhibition that made a stop at the Whitney in 2010) isn't the only artist presenting other people's work (Nick Mauss does as well).
Though represented by powerful NYC gallerist Jack Tilton, his recent exhibition «Rag Man» at Leimert Park's Art + Practice (in partnership with the Hammer Museum and curator Anne Ellegood, and slated to travel to the Aspen Art Museum later this year) was the first proper Los Angeles solo show focusing on Outterbridge's recent works, those made since 2000, in his most recognizable style of intimately - scaled sculptural assemblage.