Sentences with phrase «traveling exhibition now»

So the fact that «Stuart Davis: In Full Swing,» a major, traveling exhibition now at the Whitney Museum of American Art, would omit Davis's entire early Ashcan development, and instead start its show in the 1920s, would seem to do a curious disservice to both Davis's own achievements and the understanding of the museum - going public.1

«Picturing Power,» the first overarching survey of his work, is a traveling exhibition now on view at the Atlanta Contemporary.

«American Vanguards: Graham, Davis, Gorky, de Kooning, and their Circle, 1927 - 1942,» a traveling exhibition now at the Neuberger Museum of Art of Purchase College, is an old - fashioned and expertly edited study in artistic influence during the Depression.

Not exact matches

The SCA had a healthy income during Hawass's tenure, but the coffers are now empty, despite the extra millions of dollars that should have come in from the traveling exhibitions.

In fact, the golden age of Muslim science lasted nearly a millennium, as depicted in a traveling exhibition, «1001 Inventions,» now showing at the New York Hall of Science.

For now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works too.

The art exhibition the Harteaus promised in their Kickstarter pitch has been postponed, as the family continues to travel now that their website has gained popularity and their following has skyrocketing.

Created by Serge Dive and Sarah Ball, the Founders of Beyond Luxury Media and the creative minds behind the launch of arguably the world's two most successful high - end travel markets, PURE Life Experiences (PURE) and previously, International Luxury Travel Market (ILTM - now owned by a global exhibition company), their new show, LIMITED EDITION Miami Beach, will gather the most creative players in Contemporary Travel and drive the industry towards a more inspirational offtravel markets, PURE Life Experiences (PURE) and previously, International Luxury Travel Market (ILTM - now owned by a global exhibition company), their new show, LIMITED EDITION Miami Beach, will gather the most creative players in Contemporary Travel and drive the industry towards a more inspirational offTravel Market (ILTM - now owned by a global exhibition company), their new show, LIMITED EDITION Miami Beach, will gather the most creative players in Contemporary Travel and drive the industry towards a more inspirational offTravel and drive the industry towards a more inspirational offering.

Fiona Jeffery, Reed Travel Exhibitions Director World Travel Market, told the 500 senior travel executives attending the Official Opening: «Travel and tourism, supported by governments, must strengthen their efforts; more need to actively get involved, not just pay lip service to something which is now deemed fashionable.&Travel Exhibitions Director World Travel Market, told the 500 senior travel executives attending the Official Opening: «Travel and tourism, supported by governments, must strengthen their efforts; more need to actively get involved, not just pay lip service to something which is now deemed fashionable.&Travel Market, told the 500 senior travel executives attending the Official Opening: «Travel and tourism, supported by governments, must strengthen their efforts; more need to actively get involved, not just pay lip service to something which is now deemed fashionable.&travel executives attending the Official Opening: «Travel and tourism, supported by governments, must strengthen their efforts; more need to actively get involved, not just pay lip service to something which is now deemed fashionable.&Travel and tourism, supported by governments, must strengthen their efforts; more need to actively get involved, not just pay lip service to something which is now deemed fashionable.»

Abu Dhabi is now in the second year of its three - year partnership to be the Premier Partner of World Travel Market, a Reed Travel Exhibitions event.

Now in its 11th year, the Expo is Vietnam's largest and most popular tourism trade event, welcoming more than 20,000 international, regional, local travel professionals and buyers at the Saigon Exhibitions and Convention Centre.

Richard Mortimore, managing director, Reed Travel Exhibitions commented: «Reed has been exploring opportunities in Africa for sometime and the success of our first launch event, ILTM Africa, has given us the platform to now introduce two more of our global industry brands to create «Africa Travel Week» and make it the leading global event for the continent's travel indTravel Exhibitions commented: «Reed has been exploring opportunities in Africa for sometime and the success of our first launch event, ILTM Africa, has given us the platform to now introduce two more of our global industry brands to create «Africa Travel Week» and make it the leading global event for the continent's travel indTravel Week» and make it the leading global event for the continent's travel indtravel industry.

Reed Travel Exhibitions Chairman World Travel Market Fiona Jeffery said: «Everyone knows that social media is now a significant part of the travel industry's marketing, PR, customer service and distribution stratTravel Exhibitions Chairman World Travel Market Fiona Jeffery said: «Everyone knows that social media is now a significant part of the travel industry's marketing, PR, customer service and distribution stratTravel Market Fiona Jeffery said: «Everyone knows that social media is now a significant part of the travel industry's marketing, PR, customer service and distribution strattravel industry's marketing, PR, customer service and distribution strategies.

Reed Travel Exhibitions Chairman World Travel Market Fiona Jeffery said: «The importance of the Chinese market has been known for some time, but we are now starting to see how their desire to travel — domestically and internationally - will reshape the business, with hotels at the forefront of these changes.&Travel Exhibitions Chairman World Travel Market Fiona Jeffery said: «The importance of the Chinese market has been known for some time, but we are now starting to see how their desire to travel — domestically and internationally - will reshape the business, with hotels at the forefront of these changes.&Travel Market Fiona Jeffery said: «The importance of the Chinese market has been known for some time, but we are now starting to see how their desire to travel — domestically and internationally - will reshape the business, with hotels at the forefront of these changes.&travel — domestically and internationally - will reshape the business, with hotels at the forefront of these changes.»

Reed Travel Exhibitions Chairman World Travel Market Fiona Jeffery said: «WTM has enjoyed a strong relationship with Out Now for the past six years with the LGBT marketing company supplying the latest research and opinion on the sector.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara Universityexhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

1996 Desert Cliché: Israel Now — Local Images, traveling exhibition, Bass Museum of Art, Miami Beach, Florida; Grey Art Gallery & Study Center of New York University, New York Nexus Contemporary Art Center, Atlanta; Yerba Buena Center for the Art, San Francisco

This exhibition presents a compelling portrait of the massive urban redevelopment now underway and its effects on residents and the millions of hajj pilgrims who travel there every year.

Another of Walker's students was Arthur Watson, now president of the Royal Scottish Academy; in the introduction to Downie's exhibition catalogue for her 2013 show Walk Through Resonant Landscape, the consequence of her Chinese residency and travels, Watson observes the contribution made by Walker to her students» ability to perceive and explore the unique landscape of Scotland and for the primacy of drawing: «With a base on the island of Tiree, [Frances Walker] ranged across the West Coast and Western Isles interrogating the coastal margins — the rhythm of pebbles across a storm beach or the fractured architecture of a rocky foreshore, meticulously recorded through a vocabulary of precise but unforgiving ink lines.»

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

Many exhibitions have pursued traveling superstars, the kind known mostly for their huge public profile and shallow entertainment value — artists like Barney, Zaha Hadid, Rirkrit Tiravanija, and now Cai.

Now the museum's commitment to hosting traveling exhibitions from other institutions to refresh its own program is becoming clearer.

Made for an exhibition at Helsinki's SIC in August, now travelled to Trafó Gallery in Budapest, «Creatures of Habit» are a pack of large, amorphous steel structures partly dressed in sturdy outerwear.

Among his upcoming solo exhibitions are Subjective Cosmology at MOCAD, Detroit (2016) and Massimo de Carlo Gallery, Milan (2016) and group exhibitions including School of the Art Institute, Chicago's 150th Anniversary Show and The Freedom Principle curated by Naomi Beckwith and Dieter Roelstraete, now traveling to the ICA Philadelphia (2016).

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

Smith's work has also been included in important group exhibitions such as Painting 2.0: Expression in the Information Age, which opened at the Museum Brandhorst, Munich, and subsequently traveled to the Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2015 - 2016); The Forever Now: Contemporary Painting in an Atemporal World, The Museum of Modern Art, New York (2014 - 2015); The Painting Factory: Abstraction after Warhol, The Museum of Contemporary Art, Los Angeles (2012); ILLUMInations, the central exhibition at the 54th Venice Biennale (2011); Le Printemps de Septembre festival in Toulouse, France (2011); and The Generational: Younger Than Jesus at the New Museum, New York (2009).

In effect, this broader interpretation of the artistic impulse is now put forward routinely in exhibitions, not only in contemporary shows where «Fiber Arts» have garnered recognition in their own right, but also in historical exhibitions like the recent «Venice and the Islamic World, 828 — 1797,» which traveled to Paris, New York, and the Ducal Palace in Venice.

[iv] In 1962, these woven forms were featured in a solo exhibition at the Art Institute of Chicago, and the following year, the Museum of Contemporary Crafts (later the American Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.

2005 Flashback: Revisiting the Art of the 80s, Kunstmuseum, Basel (catalogue) Extreme Abstraction, Albright - Knox Art Gallery, Buffalo, New York (catalogue) 25 Years: Selected Solo Exhibitions 1979 — 2004, Part 1, Baumgartner Gallery, New York The Shape of Colour: Excursions in Colour Field Art 1950 — 2005, Art Gallery of Ontario, Toronto (catalogue) Drawings: 1945 — Now, Russell Bowman Art Advisory, Chicago Picturing America: Selections from the Whitney Museum of American Art, Nagasaki Prefectural Museum, Nagasaki (catalogue); travelled to Fuchu City Museum of Art, Fuchu, Japan; 21st Century Museum of Contemporary Art, Kanazawa, Japan; Kitakyushu Municipal Museum of Art, Kitakyushu, Japan; Koriyama City Museum, Koriyama, Japan Logical Conclusions: 40 Years of Rule - Based Art, Pace Wildenstein, New York (catalogue) Universal Medium, McClain Gallery, Houston Another Look at the Collection, Fundació La Caixa, Sala de Exposiciones del Mercado del Este, Santander, Spain A View from 1988 Up to Now, Proje4L Elgiz Museum of Contemporary Art, Istanbul Contemporary Voice: The Contemporary American Art from Misumi Collection, Tottori Prefectural Museum, Japan (catalogue) We Can Do It!

He has also participated in important group exhibitions such as The Painting Factory: Abstraction after Warhol at the Museum of Contemporary Art, Los Angeles, Le Printemps de Septembre in Toulouse, ILLUMInations in the 2011 Venice Biennale, The Generational: Younger Than Jesus at the New Museum in New York, MoMA's The Forever Now: Contemporary Painting in an Atemporal World, and most recently, Painting 2.0: Expression in the Information Age, which showed at the Museum Brandhorst, Munich, and traveled to MUMOK, Vienna.

Concholar's art and a time capsule - like suitcase of his were included in the important 2011 - 12 traveling museum exhibition Now Dig This!

The exhibition, which began in London and then moved on to Düsseldorf and is now in Los Angeles, will later travel to the Guggenheim in New York in the fall.

The work has now travelled from the retrospective exhibition David Hockney at Tate Britain (9 February — 29 May) in London to Le Centre Pompidou (21 June — 23 October) in Paris.

Her recent inclusion in the traveling exhibition «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» has changed that, and in her New York solo debut at Bridget Donahue, «Sound Talisman,» Ms. Alvarado is a painting star.

Representatives of the new generation of Norwegian abstract artists in our traveling exhibition NN - A NN - A NN - A - New Norwegian Abstraction is now at Stavanger Kunstmuseum, and Hanne Borchgrevinks Husdikt is on loan at Lillehammer Kunstmuseum

Now, Mr. Stella's 60 - year trajectory as an artist, which developed as he traveled the world, is on display in an exhibition, Frank Stella: Experiment and Change, at the NSU Art Museum Fort Lauderdale, in Florida; the show will run from Nov. 12 to July 8, 2018, and includes approximately 300 of his paintings, sculptures and drawings spanning from the late 1950s to the present.

The collection continues to grow, and, together with select additions, now holds over 100 Hartley drawings, two small early paintings, memorabilia such as souvenirs from his travels, ephemera including letters and exhibition programs, personal effects, and many photographs.

Chiurai completed a BAFA at the University of Pretoria and has participated in a number of local and international group exhibitions, including the Dakar Biennale, Senegal, African Now, a traveling exhibition in Scandinavia, as well as New Painting, a local traveling exhibition in 2006.

A pared - down version of this exhibition has now travelled to London, where it is beautifully and very simply hung in just one gallery space, at the South London Gallery.

Now «Case Work,» a traveling solo exhibition, promises to offer a glimpse at the firm's unusual creative process.

But as the exhibition has traveled from the Hirshhorn Museum and Sculpture Garden in Washington, D.C., to the Seattle Art Museum and now L.A., these Infinity Mirror Rooms have generated «Hamilton» - scale hype every step of the way.

Her work was also included in the recent traveling group exhibitions Now Dig This!

Select group exhibitions featuring his work include VOGUE 100: A Century of Style, National Portrait Gallery, London (2016); Faces Now: European Portrait Photography Since 1990, BOZAR Centre for Fine Arts, Brussels, traveled to Nederlands Fotomuseum, Rotterdam, Netherlands, and National Museum of Photography, Thessaloniki, Greece (2015); How Soon Was Now, Contemporary Fine Arts, Berlin (2014); and Paparazzi!

In 2015, Wiley was the subject of a solo exhibition at the Brooklyn Museum in New York, entitled A New Republic, now traveling and currently on view at The Toledo Museum of Fine Art in Toledo, Ohio.

Recent notable group exhibitions include «All the World's Futures», La Biennale de Venezia, Italy (2015); «Not New Now», Marrakech Biennale, Marrakech, Morocco; «Glenn Ligon: Encounters and Collisions», Nottingham Contemporary, Nottingham, UK (2015); «Witness: Art and Civil Rights in the Sixties», Brooklyn Museum, New York; travelling to Blanton Museum of Art, Austin, Texas, USA (2014 - 15); «Beyond the Spectrum: Abstraction in African American Art, 1950 - 1975», Michael Rosenfeld Gallery, New York, USA (2014); «African American Art Since 1950: Perspectives from the David C. Driskell Center», Taft Museum of Art, Cincinnati, Ohio, USA (2013); «Blues for Smoke», Whitney Museum of American Art, New York, USA (2013); «Now Dig This!

Now in its fourth edition, the accompanying exhibition has travelled to 12 different global venues.

Throughout her career, Ms. Flack's work has been featured in numerous traveling museum exhibitions, including «Twenty - two Realists» (1972) at the Whitney Museum of American Art, New York; «Super Realism» (1975 - 76) at the Baltimore Museum of Art; «American Painting of the Seventies» (1979) at the Albright - Knox Gallery, Buffalo, NY; Contemporary American Realism» (1981 - 83) at the Pennsylvania Academy of the Fine Arts, Philadelphia; «Toyama Now, 1981» (1981) at the Museum of Modern Art, Tokyo, Japan; and «Making Their Mark: Women Artists Move into the Mainstream» (1989) which traveled to the Cincinnati Art Museum, the New Orleans Museum of Art, the Denver Art Museum and the Pennsylvania Academy of the Fine Arts.

In 1982 his work was included in «Black Folk Art in America» at the Corcoran Gallery of Art (now closed) in Washington, D.C.. Most recently, the traveling solo exhibition «Bill Traylor: Drawings from the Collections of the High Museum of Art and the Montgomery Museum of Fine Arts,» was on view in Atlanta, Nashville, San Diego and New York in 2012 - 2013.

Institutional exhibitions include «The Agony and the Ecstasy,» Museo Archeologico Nazionale di Napoli (2004); «A Selection of Works by Damien Hirst from Various Collections,» Museum of Fine Arts, Boston (2005); «Damien Hirst,» Astrup Fearnley Museet fur Moderne Kunst, Oslo (2005); «For the Love of God,» Rijksmuseum, Amsterdam (2008, traveled to the Palazzo Vecchio, Florence in 2010); «No Love Lost,» The Wallace Collection, London (2009); «Requiem,» PinchukArtCenter, Kiev (2009); «Cornucopia,» Oceanographic Museum of Monaco (2010); «Damien Hirst,» Tate Modern, London (2012); «Relics,» Qatar Museums Authority, Al Riwaq, Qatar (2013); «Signification (Hope, Immortality and Death in Paris, Now and Then),» Deyrolle, Paris (2014); «Damien Hirst,» Astrup Fearnley Museum of Modern Art, Oslo (2015); «Damien Hirst: New Religion,» The Museum of Contemporary Art of Republika of Srpska, Banja Luka, Bosnia & Herzegovina (2016, traveled to Museum of Contemporary Art Vojvodina, Novi Sad, Serbia); «Damien Hirst: The Last Supper,» National Gallery of Art, Washington, DC (2016); and «Treasures from the Wreck of the Unbelievable,» Palazzo Grassi and Punta della Dogana, François Pinault Foundation, Venice (2017).