Not exact matches
I founded LVanHart
Artist Productions in 1997, a company that manages the careers of world - class
jazz musicians who
travel the globe as performers, educators and ambassadors of this uniquely American art form.
Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that
Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women
Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).
The museum organizes and presents leading - edge exhibitions that
travel to institutions worldwide, including Southern Accent: Seeking the American South in Contemporary Art (2016 - 17), Archibald Motley:
Jazz Age Modernist (2014), Wangechi Mutu: A Fantastic Journey (2013), The Vorticists: Rebel
Artists in London and New York, 1914 - 1918 (2010) and Barkley L. Hendricks: Birth of the Cool (2008).
In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del
Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The
Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which
traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which
traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which
traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American
Artists and Segregation at the Musée du Quai Branly (2016).
2012 Blues for Smoke, Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH Narrative of African American Art and Identity, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD Convergence:
Jazz, Films and the Visual Arts, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Museum of Art, Bates College, Lewiston, MA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of
Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Magical Visions: Ten Contemporary African American
Artists, University Museums, University of Delaware, Newark, DE
Like
jazz musicians, the
artists of the Harlem Renaissance era
travelled and interacted, and their art was cosmopolitan, inspired by European modernism as well as the cultural groundswell of black America.
FORT WORTH, Texas — This summer, the Amon Carter Museum of American Art presents the
traveling exhibition Archibald Motley:
Jazz Age Modernist, the first retrospective of the
artist's paintings in two decades.