Sentences with phrase «treats after the film»

There is also a cultural garden where you can sip tea and indulge in tasty treats after the film.

Not exact matches

Despite a real - life narrative stuffed with secrets and suspense, the film version quickly feels bloated as Stone treats us to scene after scene of Snowden struggling with his inner dilemma and, especially, with his devoted girlfriend, Lindsay, who is a major character in her own right.

After the discussion, volunteers who had been treated to the great film reported feeling far lousier than their counterparts, who'd had a subpar viewing but were able to commiserate with one another after the After the discussion, volunteers who had been treated to the great film reported feeling far lousier than their counterparts, who'd had a subpar viewing but were able to commiserate with one another after the after the fact.

After condensing each mixture into a film, they treated it with an infrared laser and then heated it in argon gas for half an hour at 750 degrees Celsius.

In fact, there are parts where the film actually benefits from the crackling pace — the first being near the beginning, where we're treated to a montage that shows Arthur growing up on the streets of Londinium, after having been pushed down the river in a boat as a toddler by his soon - to - be-murdered father Uther (Eric Bana).

According to Schmoes Know, the latest rumor is that after credits roll, audiences will be treated to a teaser for director Gareth Edwards» «Rogue One: A Star Wars Story,» the 2016 standalone film that details the daring mission to steal the plans to the Death Star.

The film might've been better if Matthew figured it out earlier and they had more of a cat - and - mouse effect, with Matthew trying to acquire evidence to get the cops to go after the real kidnapper instead of treating him as the one and only suspect.

After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.

by Walter Chaw I have a theory about Treat Williams: I believe that he, after being passed over for an Oscar for his magnificent performance in the 1981 Sidney Lumet film Prince of the City, has been on a vicious retributive rampage against the American viewing public.

After he cleaned himself up, Galifianakis treated us to a roundtable interview in which he talked about his character Alan's central arc in the film, revisiting Alan's family, the ever - changing relationships within the Wolfpack, Alan's sense of fashion and his penchant for animal sidekicks.

After the screening we were treated to a Q&A, although anyone who has seen enough of Director Hong's films will know the hatred he has for attending this sort of event and so he sent cinematographer Kim Hyungkoo in his stead.

Paul Bettany is another veteran to the Marvel Cinematic Universe after voicing J.A.R.V.I.S many times before, and he is treated with playing another character in this film.

Arriving over four years after the film's appearance on the failed HD DVD format, this disc is proclaimed a Limited Edition, treated to the increasingly common collectible Blu - ray book packaging, and even providing a digital copy (a rare inclusion for a catalog title).

In this film, Juliette Lewis stars as Carla Tate, a mentally challenged young woman who wants to be treated like an independent adult once she returns home after years at a special school.

After a certain point, Olivia Newman's film treats the womanhood of its main character as an afterthought.

After two films that were rich experiences to say the least (emotionally draining is another way to put it), it was a treat to end the night with the first installment of the festival's four - part Artists in Residence program, curated by the four members of legendary metal outfit Metallica (who also happen to be local legends).

Clara's attack - dog - like mentality is the film's second - best source of humor after Frank himself, and Gyllenhaal's vicious acting is a treat.

Count The Last Kiss as a film that treats its women characters as the entire Greek pantheon of hysterical goddesses, from a flat - crazy mother (Blythe Danner in a series of ironed housecoats) pining after an old flame to our collegiate temptress (who, for no earthly reason, is mightily attracted to thirtysomething milquetoast Michael), to finally our damsel in distress Jenna, three months pregnant (her hormones blamed more than once for her behaviour — and she agrees!)

After filming we had to be treated, Helena and I, because wielding a wand really does put a strain on the muscles.

The film, which stars Treat Williams and closed the Sarasota Film Festival last weekend, concerns a burned - out representative from Maine named Charlie Winship, who finds himself at the center of controversy after footage is televised in which he fails to rise for the Pledge of Allegiance on the floor of the House.

This aspect of the film becomes glaring once Patty Wafers (Angie Cepeda), a local stripper, joins up with Red and Gally and declares that Red see her for who she truly is, which doesn't necessarily carry the intended bittersweet sentiment after we've seen Red treat a litany of women as nothing more than a means to fulfill his sex drive; Red even seems to frequently imply that women should either be whores or allow themselves to be domesticated, a belief rooted in his ex-wife running off while he was «waiting on [his] biscuits.»

«X-Men,» more than any other film, is responsible for the glut of superhero movies we now have — the film was the first in a long time to treat the source material with respect (after the 90s «Batman» movies and things like «The Phantom,» this proved important), and showed that they could work without A-list stars, with the property doing the heavy lifting.

The restored footage has been returned to the film three decades after its theatrical release, deepening the characters and enlarging the work of its astonishing cast: Robert De Niro and James Woods as lifelong pals and crime kingpins, Tuesday Weld, Joe Pesci, Jennifer Connelly, Elizabeth McGovern, Treat Williams and Louise Fletcher.

In Oliver Stone's recent sequel to the classic film Wall Street, we are treated to a scene of Gordon Gekko standing in line awaiting his release after years in jail.