Not exact matches
Took a
break from roller skating to take some
shots of the awesome skateboarders doing all sorts of
tricks!
But Kaminski's no one -
trick pony — he finds places to
break out of the photographic scheme, be it a warmly candle - lit church scene (the depth and richness of the shadows are jaw - dropping) or that gorgeous, iconic
shot of the men silhouetted against distant gunfire — you want to pause the image and put a frame around it.
These long, uncut scenes, to me, is by not using the typical
tricks of filmmaking, which is «cut, medium
shot, closeup, etc.» — you
break clean of the typical language of typical filmmaking.