«But it won't be maximised unless there is
that true global deal, one with everybody in it, one that has in its heart a substantial cut in emissions and that most crucially has the means of doing it.
Not exact matches
Going from improvised Will Ferrell gags to
dealing with the
true story of the
global financial crisis of 2008 is quite a departure from his usual comfort zone.
That's very
true — there are no penguins in this book
dealing with famine or
global warming.
Earlier audio - visual installations range from Baltimore (2003), which, in part through the stylisations of black action movies from the 1970s, looks at the histories, divisions and intersections of black and white cultures, through to his trilogy comprising
True North (2004), Fantôme Afrique (2005) and Western Union: Small Boats (2007), all of which
deal with themes of voyaging and cultural displacement on both a local and
global scale.
«One need only consider Abstract Expressionism, for just a moment, as just another style to see with a great
deal of clarity that, in the Post World War II period, geometric abstraction, or op art, or hard edge painting, or whatever you want to call it was, in fact, the dominant
global idiom of that era, the
true cosmopolitan language of art.
But even if that were
true - and even if we knew what to do - a
global deal was never in the cards.
If that were
true, on an issue such as
global warming, about which scientists have a great
deal of consensus, we'd expect citizens to come to agreement as their knowledge of the issue increases.