What are needed are Christian reconstructions of the various social sciences, remade to be in
the true image of man.
Not exact matches
When we understand these two bookends
of the Bible as framing the whole Christian mystery, the marriage
of man and woman takes on its
true nature as an
image that points us towards our ultimate destiny marriage to God.
We were debating whether or not it's helpful to use language like «act like a
man,» or «
true womanhood,» or «real
men» in our religious dialogs, and I was arguing that the goal
of the Christian life is to be conformed to the
image of Christ, not idealized, culture - based gender stereotypes.
Most especially, it is the authority
of the one
true God, in whose
image male and female are made, that insures the dignity and equality
of women and
men.
To warrant this radical revision — one might almost say reversal —
of the Catholic tradition, Father Concetti and others explain that the Church from biblical times until our own day has failed to perceive the
true significance
of the
image of God in
man, which implies that even the terrestrial life
of each individual person is sacred and inviolable.
Though people may describe themselves by using terms like «gay» or «queer» which are commonly used in today's culture, as Christians who believe in
man created in the
image of God, we should ask if these cultural terms are, in fact,
true ontological categories
of the human person, in accord with the blueprint
of human existence.
(Ibid, «Religion and Reality,» pp. 34 f., 22, «God and the Spirit
of Man,» p. 164 f. «On the Suspension
of the Ethical,» p. 154 f.) In all past times
men had, stored away in their hearts,
images of the Absolute, «partly pallid, partly crude, altogether false and yet
true...» These
images helped to protect them from the deception
of the voices.
The
true paradoxical character
of man's nature (as
image and creature) is indicated in the concrete and earthly choices
of man.
Man constantly makes false gods, but by virtue of the image of God he can judge them.28 This ability to judge false gods does not give man a vision of the true God, but it opens the door for a true revelati
Man constantly makes false gods, but by virtue
of the
image of God he can judge them.28 This ability to judge false gods does not give
man a vision of the true God, but it opens the door for a true revelati
man a vision
of the
true God, but it opens the door for a
true revelation.
God is the guarantor
of man's
true development, inasmuch as, having created him in his
image, he also establishes the transcendent dignity
of men and women and feeds their innate yearning to «be more».
«13 This is
true to the Biblical
image of God's vulnerability toward
man's waywardness.
It is
true, that a mirror has the quality
of enabling a
man to see his
image in it, but for this he must stand still.
She calls us back to our
truest identities as
men and women: «The Hebrew connotation is that the creation
of God's
image bearers — a blessed male / female alliance with God at the center — is «emphatically,» or «exceedingly,» or «forcefully» good — the grand equivalent
of a divine fist bump!»
There are three levels at which the issue must be confronted: at the trinitarian level,
of the internal relationship between the Father, Son, and Holy Spirit; at the Christological level, regarding Jesus Christ who was born
true God and
true man; and at the anthropological level, about males and females created in the divine
image.
Christ as the realization
of God's presence in
man as fulfilling love, giving
man «mature manhood,» is in fact the revelation
of the
true image, the filling
of the
image in a concrete
man.
The
image of God in
man has been defaced, so that there remains only an awareness
of God's power and law, and therefore
of condemnation and wrath; but there is not in unregenerate
man any power to know, express or share the love which alone can restore him to his
true humanity.
These biblical stories, while not being accounts
of actual incidents, nevertheless have a connection with actuality which stories
of the ordinary kind do not need to have, Thus the creation story is
true only if God is in fact the Creator
of the heavens and the earth and
of man in his
image, and the story
of the fall is
true only if
man is in fact alienated from God and thus actually falling short
of the glory
of his own
true nature and destiny.
These possibilities run counter, it is
true, to the old ethic and the old type
of religion associated with it; they have the advantage, however, that they are in a position to combine the vitality
of our new
image of man with the new and transformed
image of God which is emerging.
And it's
true — the
image of the two
men driving away from the site
of all that violence and horror, suddenly, impossibly free in the airport security car that Rod, a proud TSA agent, has commandeered, makes for an ending as exhilarating, and as fantastical, as the golden elevator that breaks through the factory ceiling and flies over the city in the last scene in Willy Wonka & the Chocolate Factory.
Anthropoid Rated R for violence and some disturbing
images Rotten Tomatoes Score: 66 % Based on a
true story, Cillian Murphy and Jamie Dornan are two Czech spies who sneak into their homeland at the beginning
of WWII in order to assassinate the
man believed by many to be Hitler's third in command, Reinhard Heydrich.
Yes we would contact them and say «hey that's not
true» but the media continued to promote this
image of Covington as a wonder
man who was going to save the district.
Think Limpopo and it brings to mind
images of Africa's
true nature — out
of reach
of civilisation and largely unchanged by
man and his needs.
Think Limpopo and it brings to mind
images of Africa's
true nature — that part
of the country that is practically out
of reach
of civilisation, and largely unchanged by
man and his needs.
From meticulous lines
of toy action figures, to a stack
of blue
men's ties, each
of the
images he finds is an organization and pattern lovers dream come
true.
December 2006 Beware the Holiday Punchbowl: An Evening
of Cautionary Songs and Stories SI Museum, Staten Island, NY February 2006 MY NEW YORK SLIP: A Post-Valentine's Day Post-Mortem w / Minnie Van Driver SI Museum, Staten Island, NY February 2005 FREE LOVE w / Minnie Van Driver The Muddy Cup, Staten Island, NY April 2003 Ask Minnie Day de Dada Part Deux, The Muddy Cup, Staten Island, NY April 2002 Love Songs & Posh Tunes Day de Dada, The Muddy Cup, Staten Island, NY Feb. 1996 Original Soundtrack Dixon Place, NYC, NY Feb. 1991 The Odile Variations Theater 22, NYC, NY May 1987 Looking Good: Reuben Sandwich at The Saint The Saint, NYC, NY Apr. 1986 The Wakitty WAC's, A USO show for the New Militarism Darinka, NYC, NY Aug. 1985 Prime Parts 8 BC, NYC, NY May 1985 Trite»N'
True: an unexplained series
of events Darinka, NYC Mar. 1985 HEARTBREAKLAND: a performance Darinka, NYC Dec. 1984 Nocturnes Darinka, NYC Nov. 1983 Bars
of Night a performance BACA, Brooklyn, NY July 1983
Man Machine /
Men Magazine: a performance Inroads Multimedia Art Center, NYC, NY 10012 July 1981 Europarail:
Images of Other Places Inroads, NYC Dec. 1980 I Hear America Eating: a massive media piece Rutgers University, NJ July 1980 Love is Like a Poached Egg: a performance 15th Annual Avant - Garde Festival, NYC Apr. 1980 Meteors Crossing: an exercise in 25 acts Franklin Furnace, NYC, NY Grants 2011 Visual AIDS Artists» Material Grant 1985 185 Nassau Street Corporation
Now in an expanded and redesigned version, the volume is
true to the format
of the first issue, featuring the original essay by Nobel laureate Nadine Gordimer, and with the
images divided into three chapters, namely The Witwatersrand: a Time and Tailings, Shaftsinking, and Mining
Men.
The
image that sits on the cover
of this book was the very first picture
of a tiny house that I have ever seen and the words inside serve as
true inspiration from a remarkable
man.
The archived SCL Group copy obtained by the SCMP said that «the incumbent client was widely perceived as both kind and honorable,» and although Duterte's team reportedly thought this
image would sway voters, the excerpt added that, «SCL used the cross-cutting issue
of crime to rebrand the client as a strong, no - nonsense
man of action, who would appeal to the
true values
of the voters.»