Sentences with phrase «true nature of painting»

Visual poetry of minimal and abstract, deceptively simple paintings created by the renowned and extremely talented German painter David Ostrowski (1981, Cologne), is the result of the artist's comprehensive and careful study of the true nature of painting.
His work has encompassed photorealism, abstract expressionism and conceptualism and seeks to unearth the true nature of painting in its purest form.

Not exact matches

If Jesus reveals the true nature of God, we don't see him expressing an unquenchable wrath towards those he forgives with a word, it would seem odd then to paint God the father differently.
«I figure it is good to cover all the bases: if I discover that my true nature is nothing to write home about, at least I will have a lot of nice paintings
Paralyzed by her fear of her cat's death, she commissions an artist to immortalize Blanche by painting three portraits of him, and simultaneously makes a commitment to discover her true nature.
While many in the animal welfare field still want to paint all breeders with the same low standards brush, I look forward to opening their eyes to the true nature of the breeding business.
Greenberg demanded that painting be true to itself and to «all that was unique to the nature of its medium.»
In terms of subject, not style, Doig's work can be positioned within two traditions - that of Western landscape painting with heroic, moody representations of nature; and Impressionism with depictions of daily life, scenes previously thought irrelevant or inconsequential but which serve as the true basis for human interaction.
But Silverthorne's nature has gone back to nature, and these flies are ironic reminders of those painted by the Greek artist Apelles, which were so true to life that viewers tried to flick them away.
Showcases the importance of Nature to Joseon artists, such as traditional buncheong stoneware and «true - view» landscape paintings
Elsewhere there are antagonisms and sparrings between shapes whose true nature is left unstated, and sudden lashing of caked or viscous pigment whose inspiration is again no longer in nature but in something in the nature of paint, or of the feeling that takes hold of a painter when he attacks it.
These new paintings, she tells us in the following exclusive feature, are akin to a group of personal icons that relate more to a deep satori state of insight into one's true nature.
The explicit agenda of all the artists involved is to divest their painting and sculpture of yet more literalist and associational baggage in celebration of abstract art's non-prescriptive and innovative nature and the pursuit of true originality.»
True to its title, this collection of new paintings explores the communicative potential of art - both in practice and in presentation - how art can translate the essence of nature.
Severin Roesen's The Abundance of Nature is just one example of how the Art Camera enables visitors to view not just the entire work of art as a painting but to zoom in on the tiny strokes of genius that make it a true masterpiece.
The Dutch Baroque era (c.1600 - 80)- being dominated by the more secular aesthetics of Protestant Reformation art - witnessed a surge of true - to - life works, by artists intent on replicating nature as accurately as possible - in figure drawing, landscape painting and genre works.
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