Visual poetry of minimal and abstract, deceptively simple paintings created by the renowned and extremely talented German painter David Ostrowski (1981, Cologne), is the result of the artist's comprehensive and careful study of
the true nature of painting.
His work has encompassed photorealism, abstract expressionism and conceptualism and seeks to unearth
the true nature of painting in its purest form.
Not exact matches
If Jesus reveals the
true nature of God, we don't see him expressing an unquenchable wrath towards those he forgives with a word, it would seem odd then to
paint God the father differently.
«I figure it is good to cover all the bases: if I discover that my
true nature is nothing to write home about, at least I will have a lot
of nice
paintings.»
Paralyzed by her fear
of her cat's death, she commissions an artist to immortalize Blanche by
painting three portraits
of him, and simultaneously makes a commitment to discover her
true nature.
While many in the animal welfare field still want to
paint all breeders with the same low standards brush, I look forward to opening their eyes to the
true nature of the breeding business.
Greenberg demanded that
painting be
true to itself and to «all that was unique to the
nature of its medium.»
In terms
of subject, not style, Doig's work can be positioned within two traditions - that
of Western landscape
painting with heroic, moody representations
of nature; and Impressionism with depictions
of daily life, scenes previously thought irrelevant or inconsequential but which serve as the
true basis for human interaction.
But Silverthorne's
nature has gone back to
nature, and these flies are ironic reminders
of those
painted by the Greek artist Apelles, which were so
true to life that viewers tried to flick them away.
Showcases the importance
of Nature to Joseon artists, such as traditional buncheong stoneware and «
true - view» landscape
paintings
Elsewhere there are antagonisms and sparrings between shapes whose
true nature is left unstated, and sudden lashing
of caked or viscous pigment whose inspiration is again no longer in
nature but in something in the
nature of paint, or
of the feeling that takes hold
of a painter when he attacks it.
These new
paintings, she tells us in the following exclusive feature, are akin to a group
of personal icons that relate more to a deep satori state
of insight into one's
true nature.
The explicit agenda
of all the artists involved is to divest their
painting and sculpture
of yet more literalist and associational baggage in celebration
of abstract art's non-prescriptive and innovative
nature and the pursuit
of true originality.»
True to its title, this collection
of new
paintings explores the communicative potential
of art - both in practice and in presentation - how art can translate the essence
of nature.
Severin Roesen's The Abundance
of Nature is just one example
of how the Art Camera enables visitors to view not just the entire work
of art as a
painting but to zoom in on the tiny strokes
of genius that make it a
true masterpiece.
The Dutch Baroque era (c.1600 - 80)- being dominated by the more secular aesthetics
of Protestant Reformation art - witnessed a surge
of true - to - life works, by artists intent on replicating
nature as accurately as possible - in figure drawing, landscape
painting and genre works.