This is particularly
true of action films, which (unlike culture - based comedies, for example) translate extremely well.
Not exact matches
Tigers is a new
film by Oscar - winning director Danis Tanovic based on the
true story
of a former Nestlé baby milk salesman in Pakistan called Syed Aamir Raza taking on the industry with the help
of IBFAN (the International Baby Food
Action Network) when he realises that babies are dying as a result
of his work pressuring doctors to promote formula.
It's Spielberg's best and
truest action film since Jaws, relentlessly paced, pitch - perfectly acted (the young Fanning is almost certain to get a Best Supporting Actress nod come Oscar time), and rife with moments
of such horrifically poetic imagery that it's all you can do not to stop thinking about them long after the
film has ended.
Good sci - fi has all these things,
of course, but «bigger» isn't better, and most
of the «big» idea movies use «the future» as a setting for
action and adventure, whereas
true sci - fi
films (and books) use that setting to tell human stories in new ways; human relationships (with others, with self, with the environment, etc...) are are the core
of the best sci - fi movies we've seen.
Eagerly anticipated by the game's devoted fan base, and with fearless star Angelina Jolie in the role
of shapely heroine Lara Croft, the
film did well in staying
true to the source material's inventiveness, exotic locales, and pulse - pounding
action.
Instead
of a
true live
action version
of his work, Kaufman enlisted stop - motion animator Duke Johnson to co-direct the
film using puppets.
In
true Wright fashion, this isn't exactly a straightforward adaptation; the director has set much
of the
film in a lush theater that uses over 100 interconnected sets to allow the
action to move fluidly through various settings.
In
true Wright fashion, this isn't exactly a straightforward adaptation; the director has set much
of the
film in a lush theater that uses over 100 interconnected sets to allow the
action to move fluidly through a door and into a separate setting entirely.
Midway through James Cameron's 2009 sci - fi
action film «Avatar,» set on the distant planet
of Pandora, lead character Jake Sully (Sam Worthington) observes, «Out there is the
true world.
Is Zack Snyder's «Sucker Punch» a story
of self - empowerment and fantasy worlds, a dream come
true — or just another over-the-top
action film with slow - motion cinematography?
DEADLINE — Hard to imagine there will be a hotter
film package unveiled at Cannes next week than 355, a large - scale espionage
film that Simon Kinberg will direct with an all - star international spy cast
of Jessica Chastain, Marion Cotillard, Penelope Cruz, Fan Bingbing and Lupita Nyong» o. They'll play international agents in a grounded, edgy
action thriller that aims to alter a male - dominated genre with a
true female ensemble, in the style
of spy franchises The Bourne Identity, Mission: Impossible and James Bond.
Bizarrely, this Dutch
film tries desperately to wedge
true events into the shape
of an American thriller, but the
action sequences are so lacklustre that a fascinating story ends up feeling dull and pointless.
The
film exists in an in - between state in whether we're supposed to believe the
actions we see are random or determined by God; like Schrödinger's cat, both possibilities are
true for the duration
of the
film.
To tell this story, Howard — together with screenwriter Charles Leavitt — adopts the familiar
film - within - a-
film structure, with the
action beginning in 1850 with Melville (Ben Whishaw) visiting Nantucket to see Tom Nickerson (Brendon Gleeson), the very last survivor
of the Essex and the only man who knows the
true story
of what went on.
0:00 — «Street Fighter II Opening Theme» by Alph Lyra 0:25 — Intro, Non Street Fighter segment (Dishonored, The Last Story, PlayStation All - Stars Battle Royale) 15:17 — Intermission - «Theme
of Ryu» by Alph Lyra 16:13 — Street Fighter, Street Fighter II and its many editions, the live -
action films 30:50 — Intermission - «Theme
of M.Bison» by Alph Lyra 31:50 — Street Fighter III, Street Fighter IV and the competitive scene 42:13 — Intermission - «Theme
of Cammy» by Alph Lyra 43:13 — Interview with Cross Counter Asia video producer / Tough Cookie owner / prominent Singapore FGC contributor Yongde 1:24:42 — Intermission — «Theme
of Guile» by Alph Lyra (which goes with everything) 1:25:50 — Miscellaneous Street Fighter stuff, Hong Kong SF comics 1:33:44 — Outro — «
True Ending Theme» by Alph Lyra
Jeff Bridges may be doing a variant on his
True Grit voice for his role in Seventh Son, but if this fantasy
action adventure
film is made up
of recycled parts, at least they look like they've been assembled in a lively fashion.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 23, 2011 BIG BUDGET
FILMS Abduction (PG - 13 for sexuality, teen partying, intense violence and brief profanity) John Singleton directs this
action thriller about a teenager (Taylor Lautner) who ends up on the run from a team
of hit men when he tries to determine his
true identity after seeing his baby photo on a missing persons website.
He has gone on to direct
films in a variety
of genres like his horror
film Prey, the comedic
film True Memoirs
of an International Assassin, and the
action thriller Non-Stop.
Considered as one
of the greatest Carpenter sci - fi
action films of all time, Escape From New York was released in 1981 and is now known as a
true cult classic.
Deadline reports that James Cameron is set to serve as a producer on an in - development remake
of his 1994
action film True Lies.
As you wait patiently — or perhaps you don't — for something to actually happen, it slowly dawns that, as is often
true in books but not in
films, what's really happening lies not in physical
action but in the clogged but still beating hearts
of all the characters.
But that's not
true, and this nature
of the
film ensures that even if colorful superheroes and effects - laced
action aren't your thing, you'll probably still enjoy Sky High quite a bit.
The
film, directed by Richard Kwietniowski and inspired by a
true story, avoids the artificial highs and lows
of many gambling movies and shows Hoffman burrowing straight ahead, his eyes rarely lifted from the
action, as if under a hypnotic spell.
300 could be one
of those
films that instantly becomes a classic, a
true staple
of the
action genre.
Based on
true events in the resistance against the Japanese occupation
of Hong Kong, the
film is so effective at its generic thrills, the suspense and
action sequences and quiet moments
of melancholy patriotism and laments for lost comrades that form the core
of the resistance / war
film, everything from For Whom the Bell Tolls to Army
of Shadows, that one almost doesn't notice that she's radically revised one
of the most masculine
of genres into a story about the unbreakability
of women.
Indeed, one gets the sense that Vaughn himself is unaware
of where the
true strength
of his original
film lies, and it's not the
action set pieces, as spectacular as they are.
Most importantly, though, the
film remains high - spirited fun, thanks mostly to two fine comedic performances from Don Knotts and Tim Conway as the bumbling half - wits and a well - paced story that successfully blends elements
of westerns, comedies, and the tried - and -
true live
action Disney formula.
I'm sure some
of Denzel's
actions are
true to the behaviour
of some alcoholics, but within the body
of this particular
film, they don't work for me.
It's art cinema instilled with a child's sense
of wonder — which is also
true of of the quirky auteur's live -
action films, from Rushmore to The Grand Budapest Hotel.
After collaborating on a series
of inspirational
true story
films in recent years like «Lone Survivor,» «Deepwater Horizon» and «Patriots Day,» filmmaker Peter Berg and actor Mark Wahlberg's fourth teaming on screen is switching tones to the kind
of gritty
action thriller both were more known for in their separate work.
But Matthew Vaughn's punk - attitude
action film had one
of the year's best shots: Chloe Moretz as Hit Girl letting a
true glint
of fear, and subsequent heroism, flash into her eyes.
He has taken many
of our beloved comics and turned them into live
action films making all our childhood dreams come
true.
As one
of the studio's highest - grossing live
action films of recent years and one not based on a
true story, it shouldn't be too surprising that a sequel was greenlighted.
About the
film: Based on a
true story, Killer Elite races across the globe from Australia to Paris, London and the Middle East in the
action - packed account
of an ex-special ops agent (Jason Statham) who is lured out
of retirement to rescue his mentor (Robert De Niro).
The Festival program will screen all genres
of films:
action, adventure, comedy, family movies, chick flicks, science fiction, thrillers,
true stories, animations, documentaries, there is something for everybody!
It's
true, live -
action fan made
films about video games often become so overrun with camp and fanboy / fangirl service that they fall way short
of expectations.
One is the single player story mode that plays out like a Michael Bay
action film, and then there's the multiplayer mode, which is the
true meat
of the game and keeps Internet service providers in business.