For White, the individual embodied experience of the work is
the true subject of art, produced through physical and social performance.
Not exact matches
Don't get me wrong - those are great elements
of the cinema when handled correctly - in fact Haneke himself has shown some
true genius in developing these very
subjects into great
art.
Sally is highly respected for her portraits and original
art, meticulously producing paintings to evoke emotions and allow the viewer to enjoy the beauty and
true personality
of the
subject.
This is
true whether the
subjects sit willingly for the sake
of art or are gleaned from pornographic scenes broadcast through Internet videos.
Transparency aims to raise public awareness, government and industrial circles
of the importance
of alternative energy to safeguard the future
of the planet and to help provide accurate information on the
subject through
art that is the
true energy Renewable does not end it permanently regenerates itself.
Peter Saul has proven to be the a
true rebel
of the American
art world, no
subject is safe from his brutal psychological evaluations and no institution or artistic movement could persuade him to be anything other than authentically
true to himself.
Irwin states: «As artists, the one
true inquiry
of art as a pure
subject is an inquiry
of our potential to know the world around us and our actively being in it, with a particular emphasis on the aesthetic.
Conner's work will be the
subject of a major retrospective, Bruce Conner: It's All
True, organized by the San Francisco Museum
of Modern
Art and co-curated by the Museum
of Modern
Art, New York, where it will open in June 2016.
«One
of the things that makes him perhaps the most important painter
of the post war era is his
true reliance on the notion
of materiality being the
subject...» Contemporary
Art specialist Benjamin Godsill on Mark Rothko's «Untitled», 1959 from our 13 November Evening Sale.
Following their conviction that
art should be to be as
true to life as possible, they decided to establish their very existence as the
subject, object and intent
of their work.
★ MUSEUM
OF MODERN ART: «BRUCE CONNER: IT»S ALL TRUE» (closes on Sunday) One of the great outliers of postwar American art is the subject of a profuse, beautifully ordered retrospectiv
OF MODERN
ART: «BRUCE CONNER: IT»S ALL TRUE» (closes on Sunday) One of the great outliers of postwar American art is the subject of a profuse, beautifully ordered retrospecti
ART: «BRUCE CONNER: IT»S ALL
TRUE» (closes on Sunday) One
of the great outliers of postwar American art is the subject of a profuse, beautifully ordered retrospectiv
of the great outliers
of postwar American art is the subject of a profuse, beautifully ordered retrospectiv
of postwar American
art is the subject of a profuse, beautifully ordered retrospecti
art is the
subject of a profuse, beautifully ordered retrospectiv
of a profuse, beautifully ordered retrospective.
[5] Remodernism, the other well - known manifesto
of the movement, is a criticism
of postmodernism; it aims to get back to the
true spirit
of modernism, to produce
art with spiritual value regardless
of style,
subject matter or medium.
Conner, a shapeshifting boundary - tester whose oeuvre includes film and video, painting, assemblage, drawing, prints, photography, photograms, and performance, was recently the
subject of a 50 - year retrospective, Bruce Conner: It's All
True, at the Museum
of Modern
Art (MoMA) in New York.
Recent exhibitions and screenings include; «Spectral Metropole», Galerija Vzigalica, Ljublijana, 2012; «Posing as a
Subject Amongst
Subjects», Maria Stenfors, London, 2011; «Based on a
True Story», Artsway, New Forest, 2010; «Terror and the Sublime:
Art and Politics in an Age
of Anxiety», Crawford National
Art Gallery, Cork, 2009; «Film Screening Programme 1», Badischer Kunstverein, Karlsruhe, 2008; «New Work UK: Trust Yourself», Whitechapel
Art Gallery, London, 2007.
Despite Morley's turn to more current
subject matter, this series
of new paintings strongly affirms that Morley's
true topic is the
art of painting, not the things or events he captures in paint.
That's especially
true of the Jamaican - born artist Nari Ward, whose sculptures and installations — the
subject of a major retrospective at the Pérez
Art Museum Miami — demand hefty quantities
of square footage.
It is certainly
true that the RS has somewhat cornered itself by advertising in The Philosophical Transactions (1753) that»... it is an established rule
of the Society, to which they will always adhere, never to give their opinion as a Body upon any
subject either
of Nature or
Art, that comes before them».