«Eurydice» has a central core organization, but the composition is loose and
dynamic — there's tremendous synergy between the collaged borders and the unusually fluid painterly
area, which is dripping and thin to the point of being visceral and bloody, one of the best painterly moments I've seen in all of Schapiro's work because it doesn't seem «applied» or «executed» but
truly exploratory.
The attorney's practice
area; their target clients; the breadth or depth of an attorney's knowledge; the firm culture and compensation system; the maturity of the attorney's practice; the lawyer's matter management skills; their billing rates and competitive position; and the lawyer's professional relationships are so varied and
dynamic that no two lawyer's practices are
truly similar.