An emotionally heavy and
truly moving film, Dawn is an absolute marvel of modern science fiction, building upon the strong and unmovable foundations Rise of the Planet of the Apes had left earlier.
Not exact matches
It was
truly one of the most beautiful and
moving films I've ever seen and — although that's not saying much considering I don't watch many movies (I'm cursed with almost always falling asleep)-- my cinephile husband agrees.
While Conlin's first screen role after graduation was grounded firmly in reality (she was chosen to appear in a documentary
film detailing the lives of young actors in New York City), it was only after
moving to Los Angeles that her career
truly began to catch on.
In a
film filled with examples of whites either habitually exploiting blacks — or even in the case of the fundamentally decent but chronically guilt - stricken Schultz, deciding to «take responsibility» for them — Stephen's calculated and ultimately self - defeating betrayal of a figurative «brother» is
truly diabolical and heartbreaking, not to mention a ballsy
move for Tarantino, who could have easily gotten away cleaner as a white writer - director without hinging the back half of his movie on a case of Southern Stockholm Syndrome.
It's a terrifically elemental premise for a movie, one that Cuarón treats as an excuse to indulge in some
truly spectacular eye candy; his famously epic tracking shots
move here on all axes, making the
film a pretty remarkable technical exercise — even as a few of the sequences, especially those that adopt a through - the - helmet POV, suggest the experience of watching someone else play an FPS.
Truly a delightful
film and despite the amateurish acting in supporting roles, very
moving as well.
But I am
truly thankful that she has
moved into a sphere in which she is the sole unencumbered voice, and that she has delivered a
film of such searing authenticity that I felt like it was staring right into me.
«It's a smart,
moving film with a pair of
truly fantastic performances by Jeremy Allen White and Maika Monroe.»
Best Actress: Annette Bening — Kids Are All Right — stern, intelligent yet
moving and likeable — it takes a real pro to accomplish that with such style and verve Nicole Kidman — Rabbit Hole — heartbreaking but resilient — a perfect balance between broken and fixed — it is so joyful to watch a character so succinctly communicated Lesley Manville — Another Year — heartbreaking with closeup after closeup of vulnerability and grasping hope —
truly a fragile and pulsating performance Julianne Moore — Kids Are All Right — courageous and oh so human — sexy and vulnerable in an earthy way — her struggles with herself are the heart of the movie and she carries it magnificently and warmly Natalie Portman — Black Swan — the tour de force this year — the crazy, emotionally volatile core of a crazy, emotionally volatile
film — some wonder if it might be «easer» to play such big emotions but the incredibly thin wire she has to traverse in such an extreme environment is daunting and she makes it work and gives us believability and solicits true sympathy in the middle of a fright fest — a
truly accomplished achievement
Rather this supremely humane and
moving film concludes that kindness and courage can help one do the only thing that is
truly possible: make the best out of the situation.
It is one of Stuhlbarg's finest moments on
film, a
truly memorable and
moving scene.
The
Truly Moving Picture Award jury felt The Giver was a strong
film filled with interesting messages.
The fact that this
film has ultimately no requirement to get to another Hunger Games allows the focus to
truly be on other events which will
move the series story forward and build anticipation.
However, as the
film carries on with MI6 hiring Lara to take down Ciaran Hinds weapons dealer (the actor usually is lumped with small bit - parts in cinema but it is nice to see Hinds grab a role he can
truly tear into), who is planning on digging up Pandora's Box and using it as a bioweapon, it slowly
moves away from the
film that the fans want to see.
This teaser was fantastic because it only gave us glimpses of the
film without revealing too much about what's going, and having Batman become nervous due to Superman's arrival was a
truly cool moment, the perfect scene to grab out attention and hold it until the
move arrives.