Sentences with phrase «truly social art»

Everything in Mixel can be shared and remixed, making it the world's first truly social art app.

Not exact matches

Truly Social's founder and creative director, Sebastian Coman, said: «The real beauty of our new dating system is that our apps work in harmony — getting to know the love of your life on Flirt Planet Meet and then before interacting in person, practising the art of seduction in Flirt Planet Play, to build up your confidence and sweep them off your feet!»

In addition to excelling in subjects such as science, math, arts, and social studies, students must also develop skills like resiliency, adaptability, and collaboration in order to truly succeed in the world.

Nothing helps marketing efforts than media allies who promote real works of art with truly progressive social messages.

Leigh's commitment to experimentation with traditional forms, and her embedding of a multiplicity of historical, social, and cultural references into her work, under - scores the necessity of reaching across multiple continuums in order to make an art that is truly by the people and for the people.

Finally, there was yours truly, leading a guided tour of the contemporary galleries at MoMA fifty years in the future, overwriting the Sigmar Polke retrospective then on display, positing a utopian hang of art prompted by a total change of social values.

Throughout his life, he was adamant that to truly effect social change, making art was not enough.

It's no different than any other market where there can be benefits of having a middle man (i.e. there's a reason why you have a publisher vs. self publishing your book) There are some of us out here who don't look at art as something to show social status — we truly believe it can change our lives and change the world.

Welcoming uncertainty, McNamara has enthusiastically and intentionally pursued temporary and collaborative projects as diverse as biennial exhibitions, museum benefits, and one night performances in a variety of public and private spaces resulting in a truly fluid practice that intertwines the art community, social networks and technology.

Both artists have been embraced by the art mainstream, leading this reviewer to wonder whether art that is granted permission to transgress by social elites can truly be transgressive.

This was no small feat; the pervasive mood of a post-Depression era America exuded suspicion of and derision towards what was considered at the time a European art form; the de-moralized public and critics alike in the United States throughout the 1930s and 1940s vastly preferred the narrative and representational redemption in Social Realist and Regionalist art which sought to reassure their beleaguered souls of the values which were truly American.