Or the rushing
tsunami scene that put our reaction times to the test?
Tsunami scene at the start, Hereafter follows the path you'd expect pretty much from start to finish.
One start because
the tsunami scene is technically realistic.
«Realizing The Impossible» (5:54) focuses on production, specifically the use of real dirty waves and one - third scale models instead of CGI for
the tsunami scenes.
Not exact matches
In a
scene only a greenskeeper could fail to find heartwarming, her husband's victory triggers a
tsunami of Murchisons onto the 18th green.
Rather than relying on a large green improbably - shaped Thunderbird 2 to transport humanitarian supplies and equipment to the
scenes of floods, famines, earthquakes and
tsunamis, the MEP proposed more achievable alternatives.
And when a mile - wide comet fragment plummets to Earth and creates a 600 - mph
tsunami, the
scene was very accurate, except for only a few small details.
In a
scene where Julius Levinson (Judd Hirsch) must outrun an alien induced
tsunami in a tiny boat, he doesn't proclaim the mysteries of life in the face of death, instead, he yells, «holy Moses!»
The 5.1 DTS - HD Master audio track is equally impressive, delivering the
scenes of the
tsunami or the bombings with startling presence and immersion while handling the many dialogue - driven ones with clarity and balance.
The
tsunami sequence in The Impossible is likely to get most of the attention — and rightfully so, since it's ten of the most harrowing minutes most moviegoers are likely to see this year — but the movie is actually filled with smaller but no less gripping
scenes of these family members scrambling to find each other amid of landscape of wreckage and strangers.
The
tsunami sequence is a remarkable technical achievement that perfectly captures the danger and desperation of being caught in the storm, and the
scenes that follow are every bit as harrowing and intense as any horror film.
Then my stay was cut short when we had the big
Tsunami disaster in Japan, so we finished my final
scenes and I caught the first flight home.
Not as teeth - meltingly sweet as a sugar
tsunami (though a
scene where a little girl plants a loving smooch on the bull of the title momentarily strays into that territory), but agreeably toothsome.
Tour the universe with more than 100 brilliantly colored photos, starting with
scenes of Earth, such as a satellite view of the massive debris field created by the 2011 Japanese
tsunami.
More than a year after the devastating
tsunami, a multimillion - dollar recovery effort has helped propel Sri Lanka's south - coast beach
scene back into action.
The final
scene ends on Lara watching the town as it is ravaged by the
tsunami.
Creating depictions of events like the 2004 Indian Ocean
tsunami, the siege on Waco, Hurricane Katrina or the Unabomber, De Beijer avoided all visual input, using only text - based reports to create each
scene.