The
video installations of Jane and Louise Wilson, with their hovering steady -
cam shots, their weird, wonky - angled explorations of atmospheric interiors, owe so much to the language of commercial film and to pop
videos, that we feel we've already seen the movie and heard the song, when we've really only seen the set - in this case the late, late hour gambling rooms of Las Vegas, and the doomy
tunnels under the Hoover Dam.