Turning film criticism into an exercise in self - therapy will help neither the critic nor his audience.
Not exact matches
In his seminal 1972 book Transcendental Style in
Film: Ozu, Bresson, Dreyer (written at age 24, two years before he
turned from
film criticism to filmmaking), Schrader noted that, «The many statements [Robert] Bresson has made in interviews and discussions, properly arranged, would constitute an accurate analysis of his
films (a statement which can be made of no other filmmaker to my knowledge)....»
The
film tries to paint in shades of gray with vague
criticisms of the war on drugs, but the absurdity of its he - man Everyman plot ends up
turning its moral palette a muddy brown.
Joe Barlow is a freelance writer who
turned to
film criticism after realizing his gross incompetence in everything else.
In the last 5 years, DC
films have received a lot of
criticism for «taking itself too seriously» and many fans have been
turned off by the dark tones and -LSB-...]
In March 2003 I was having dinner in London with Faber and Faber's editor of
film books, Walter Donohue, and several others when the conversation
turned to the current state of
film criticism and lack of knowledge of
film history in general.
Affleck's place as one of Hollywood's brightest talents took a series of wrong
turns with some less than stellar
film roles and before anyone could say «Gigli», one was more likely to hear
criticism of the young actor rather than praise.
It's also true that analysis of visual style is woefully rare in
film culture, so the fact that they focus on it at the expense of plot - and - theme analysis has value in and of itself by helping to
turn the conversation toward unexamined possibilities in
film criticism.
Gayne
turned to
film criticism for its therapeutic value to combat his crippling fear and has never looked back since.
This slight tinge of negativity, matched with Travers» discontent at how the final
film turned out, finding the animated sequences particularly problematic, could be mistaken as a
criticism of Disney and his creative studio, but it all depends on the direction the narrative decides to take.
Weighing in on topical debates — from 3 - D and hyper - fast editing to the culture of the Academy Awards and (yes) the future of
film criticism — Emerson isn't afraid to call bullshit when he sees it, but he reliably
turns every takedown into a constructive «learning moment.»
But the light - hearted press event
turned a bit serious when EBONY.com asked about the
film's seemingly strong
criticism of the U.S. government's drug and immigration policies and methods of enforcement — or lack there of.