Sentences with phrase «turn photos of faces»

Not exact matches

It is so yummy that minutes after making it last night (before I'd taken a photo of the final product), my lovely other half walked in excitedly and chugged half the bottle then said to me: «that is the best thing I've drunk all day» with a very happy smile on his face, which in turn made me very happy too.

On the same day in which the campaign of Steve Levy, the Democrat turned Republican gubernatorial hopeful, sent out a press release reminding everyone of how his rival Rick Lazio upset women voters in 2000 with an ill - fated debate stunt, the Daily Politics got its hands on a photo of Levy pointing a fake gun at a woman's face.

First of all: I'm sorry for the crappy face in the first picture, but it was one of the little photos that didn't turn out slightly blurry.

Solves two predicaments many online daters face: 1) where to turn for quality, reasonably priced, professional digital photographs and 2) how to meet the rigorous photo specifications of the online dating companies.

The Riveras are a loving family but turn into blue meanies at the sound of music, and have torn the face of their musician forebear from the photo on their ofrenda.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Olga Grotova's films hook us into the cyclic calm of nuns who look as if they've stepped out of a Helmut Newton photo; Nika Neelova turns the topography of a shucked - off exoskeleton hanging below into a coolly folded room above; Yelena Popova provides both apparently evaporated portraits, as from the deep past, and an empty cut - out awaiting future faces; undeterred by their lack of tymbals to flex and wings to flick, Neelova and Mira Calix team up to imitate both male and female cicadas in the corridor, crossing sex and species boundaries and referencing the mythical transformation of people into the insects when first introduced to and overpowered by music.

Gaines subsequently tested the limits of representation by dropping the formulas to map tree growth, leaf accumulation, and kinetic motion with pencil - marked gridworks abstracted from portraits («Faces: Men and Women,» 1978) and photos of household objects («Shadows,» 1980), trees («Walnut Tree Orchard,» 1975 — 2014; «Falling Leaves,» 1978 — 79; and the flourescent acrylic paint and sheet series «Numbers and Trees,» 1986 — 89), even timed three - second intervals tracking the graceful turns of the iconic postmodernist choreographer and dancer Trisha Brown («Motion: Trisha Brown Dance,» 1980 — 81).

Some of the photos I took turned out pretty good but don't expect too much from moving subjects, poorly lit environments or the front - facing 8 MP camera.

He then shows this in action as a single photo of his own face taken via the accessory turns into a 3D model.