Sentences with phrase «turned exhibition hall»
These new paintings will be shown starting May 16 at the Kunstverein Freiburg, a swimming pool turned exhibition hall in Germany.
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The exhibition hall was often near gridlock, and many workshops were turning away attendees for lack of space those dealing with coming mandates regarding teacher evaluation and new standards and testing were especially sought after.
In turn, that led to a number of smaller competitors intensifying their efforts to take a piece of the market; during January's Consumer Electronics Show, a variety of e-reader prototypes appeared in booths throughout the exhibition hall, with airy promises that the devices would make their debut sometime in 2010.
Guest Contributor Joshua Sevits / The Hall Art Foundation in bucolic Reading, Vermont, is located in a faithfully restored stone farmhouse with three large barns, each of which has been turned into exhibition space.
Selected solo exhibitions of Anish Kapoor include: «Objects», Seoul: Leeum, Samsung Museum of Art (2012); «Anish Kapoor: Flashback», Manchester Art Gallery, Manchester (2011); «Monumenta», Grand Palais, Paris (2011); «Anish Kapoor», Fabbrica del Vapore, Milan (2011); «Anish Kapoor: Delhi / Mumbai», National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor», Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao (2010); «Anish Kapoor», Middlesbrough Institute of Modern Art, MIMA, Middlesbrough (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor: Shooting into the Corner», MAK Museum, Vienna (2010); «Drawings», Regen Projects, Los Angeles (2009); «Memory» Guggenheim, New York (2009); «Place / No Place: Anish Kapoor in Architecture», Royal Institute of British Architects, London (2008); «Anish Kapoor», Haus der Kunst, Munich (2007); «Anish Kapoor, Sky Mirror» Rockefeller Centre, New York (2006); «Anish Kapoor Japanese Mirrors», Scai The Bathhouse, Tokyo (2005); «My Red Homeland», KUB, Kunsthaus Bregenz (2003); «Marsyas», Turbine Hall, Tate Modern, London (2002 - 03); Tel Aviv Museum of Art, Tel Aviv (1993); Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (1994); «Anish Kapoor, XLIV Biennale di Venezia», British Pavilion, Venice (1990).
It's the time of year when attention turns to Guild Hall's Annual Artists Members Exhibition.
Importing reflections on yesterday's dystopias to today, an international group exhibition across the hall, «Futures,» examined retro - futurist nostalgia: «How do outdated desires gain new, unfamiliar forms and turn anew into promises for the future?»