Sentences with phrase «turned legendary film»

So says D - day veteran turned legendary film - maker Sam Fuller (Shock Corridor, The Big Red One), adding wryly that «casualties in the theatre would be bad for business».

Not exact matches

He sets off to find a legendary film titled «Le Fin Absolute du Monde,» a movie that supposedly turned the one audience who saw it into a murderous mob.

Jack and Rob will both be on hand to talk about the film and discuss Black's turn as the legendary author himself, R.L. Stine.

At the same time, his daughter (Chloe Grace Moretz), a minor who just turned 17, is starting an affair with a sixty - something film director (John Malkovich) who is legendary for his skill and productivity but also notorious for making films about older men having affairs with much younger women and doing the same thing in real life.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

The year's most nominated film, Blade Runner 2049, turned eight nominations into two wins: Best Production Design and Best Cinematography, rewarding the work of legendary cinematographer Roger A. Deakins.

In the latest turn of events, the film was picked up by Universal with Michael Fassbender now officially cast in the role of the legendary tech icon Steve Jobs.

«Reel Chicago» will include Raul Zaritsky and Linda Williams's Maxwell Street Blues (1981), about the musicians who shaped the city's electric - blues sound as they performed in the legendary open - air market; Tom Palazzolo's Chicago, which collects key short works by the veteran city chronicler; The Films of Gordon Weisenborn, a quartet of half - hour educational films by the little - known director; and The People vs. Paul Crump (1965), a profile of the death - row inmate turned novelist that was one of the first films by director William Friedkin (The Exorcist, The French Connection).

He didn't directly say so, but the implication was that we might get to hear one final composition from the legendary composer, if a way could be found to turn Horner's early ideas into a proper film score.

Ryan Gosling turns in a terrifically subtle performance, and the film looks fantastic; legendary cinematographer Roger Deakins confirms his legend once more.

Legendary actor Toni Servillo grounds the narrative entirely with a performance by turns droll and energetic, and while the film wanders around every corner, it always leads somewhere fascinating.

The film doesn't dwell on Bettie's formative years or on the special working relationship between Bettie and legendary model - turned - photographer Bunny Yeager (Sarah Paulson).

He's played the Hulk, a Star Trek villain, a legendary Australian criminal and King Henry Tudor to name a few, now Eric Bana turns his sights to horror in the heart of the Bronx in new film «Deliver Us From Evil.»