Sentences with phrase «turned the turbine hall»

1 PHILIPPE PARRENO (TATE MODERN, LONDON; CURATED BY ANDREA LISSONI WITH VASSILIS OIKONOMOPOULOS) Parreno has turned the Turbine Hall into a mesmerizing machine producing light, sound, cinematic effects, and choreography: Inflated fish float in the air, huge planes reminiscent of Russian Constructivism ascend and descend inscrutably in the semidarkness, and a flickering apparatus seems to send out signals that trigger reactions throughout the entire museum.

See key works by Charmatz and his collaborators, get involved in a debate about what a dance museum could be and join in as contemporary dancers turn the Turbine Hall into a dance floor for everyone.

Not exact matches

The Tate Modern Turbine Hall's latest project was unveiled and turned out to be a garden deck with weeds growing in pots — a work whose ecological message is banal and visually null.

Selected solo exhibitions of Anish Kapoor include: «Objects», Seoul: Leeum, Samsung Museum of Art (2012); «Anish Kapoor: Flashback», Manchester Art Gallery, Manchester (2011); «Monumenta», Grand Palais, Paris (2011); «Anish Kapoor», Fabbrica del Vapore, Milan (2011); «Anish Kapoor: Delhi / Mumbai», National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor», Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao (2010); «Anish Kapoor», Middlesbrough Institute of Modern Art, MIMA, Middlesbrough (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor: Shooting into the Corner», MAK Museum, Vienna (2010); «Drawings», Regen Projects, Los Angeles (2009); «Memory» Guggenheim, New York (2009); «Place / No Place: Anish Kapoor in Architecture», Royal Institute of British Architects, London (2008); «Anish Kapoor», Haus der Kunst, Munich (2007); «Anish Kapoor, Sky Mirror» Rockefeller Centre, New York (2006); «Anish Kapoor Japanese Mirrors», Scai The Bathhouse, Tokyo (2005); «My Red Homeland», KUB, Kunsthaus Bregenz (2003); «Marsyas», Turbine Hall, Tate Modern, London (2002 - 03); Tel Aviv Museum of Art, Tel Aviv (1993); Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (1994); «Anish Kapoor, XLIV Biennale di Venezia», British Pavilion, Venice (1990).

The Indian - born sculptor, who has had major shows at the Royal Academy in London and the Turbine Hall in recent years, said he had been attracted to Berlin in part by its strong artistic community, which includes major British artist friends of his such as Douglas Gordon and Tacita Dean; they, in turn, have been drawn here by the strong encouragement given to the arts.

The artist — popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits of ordinary sitters turn out to be fabrications drawn from her own imagination.

Eliasson's Weather Project in 2003 turned the Tate Modern Turbine Hall into a vast walk - in Turner world, where a blazing sun and heady, twilit space engulfed visitors in romantic illumination.

Shortly after his long - term collaborator Philippe Parreno converted London's Tate Modern Turbine Hall into an all - quivering, all - quaking aquatic organism, Huyghe has turned his attention to a former ice - skating rink in the northwest of the city.

He turned Tate Modern's cavernous Turbine Hall into an adventure playground packed with giant twisting slides.

The Tate's Turbine Hall has itself become a favoured venue, used by Merce Cunningham, William Forsythe, Rosemary Butcher, Trisha Brown, Michael Clark and by choreographer - turned - conceptual artist Tino Sehgal.