The male lead from Gareth Edwards» low - budgets sleeper Monsters has got great people working on his side, because despite not having the most head -
turning performance in that film he has become a hot commodity after years of playing sideline roles.
Not exact matches
Surprisingly, the
film is genuinely funny at times, with McGregor
turning in a fantastic
performance as the boozy and depressive ghost writer, and a restrained Pierce Brosnan is unobtrusively Blair-esque.
Forster's manic editing style — at its worst
in The Quantum of Solace (2008)- does
turn that opening street rampage into a blithering mess of shakycam shots, reverse - swish - swoop pans and psycho - edits, but the
film soon calms down, and there are several strong
performances in the quiet scenes that buffer Lane's ongoing question for answers.
Barthes wanted to trace and assemble the inner life of love; Denis's
film turns those inward revelations outward, and lets them loose on the world
in the form of a hungering, spontaneous, clear - eyed but anxious Juliette Binoche — who delivers the sort of soul - baring
performance we've come to expect, but with a humor and candor rare for even her.
The
film uses excerpts from Italian B movies, rare
performance footage and candid interviews with Baker, musicians, friends, battling ex-wives and his children
in what
turned out to be the last year of his life.
Washington also
turned in powerful
performances in a number of other
films, such as Mississippi Masala (1991), as a man
in love with an Indian woman; Philadelphia (1993), as a slightly homophobic lawyer who takes on the cause of an AIDS - stricken litigator (Tom Hanks); and Devil
in a Blue Dress (1995), as a 1940s private detective, Easy Rawlins.
The
performances could not have been better and James Coburn
turns in one of the finest ever committed to
film.
In 1987, he starred as anti-apartheid activist Steve Biko in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the film itself alienated some critics (Pauline Kael called it «dumbfounding»), Washington's powerful performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod — and won the award — for his turn as an embittered yet courageous runaway slave in the Civil War drama Glor
In 1987, he starred as anti-apartheid activist Steve Biko
in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the film itself alienated some critics (Pauline Kael called it «dumbfounding»), Washington's powerful performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod — and won the award — for his turn as an embittered yet courageous runaway slave in the Civil War drama Glor
in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the
film itself alienated some critics (Pauline Kael called it «dumbfounding»), Washington's powerful
performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod — and won the award — for his
turn as an embittered yet courageous runaway slave
in the Civil War drama Glor
in the Civil War drama Glory.
The actor spent the remainder of the decade
turning in solid
performances in a number of diverse
films: he could be seen as an actor with a troubled past
in An Awfully Big Adventure (1994), a very sympathetic Colonel Brandon
in Sense and Sensibility (1995), Eamon de Valera
in Michael Collins (1996), a has - been sci - fi television star
in Galaxy Quest (1999), and a grumpy angel
in Dogma (1999).
Besides his memorable
turn in Sixteen Candles, Dooley also delivered hilarious
performances in the 1980s
films Strange Brew (1983) and John Cassavetes» Big Trouble (1985).
How the Oscar people could have (totally)
turned their back on a
performance as a good as this puzzles; although the
film and actor won prizes
in Cannes and New York.
Forest Whitaker might have
turned in an Academy Award - worthy
performance as Idi Amin
in «King of Scotland» but it was McAvoy
in a fictional role that kept the
film bio on its unsteady dramatic feet.
In addition to his star turn in Unbroken, he can be seen in the great British film» 71, as well as Starred Up, in which he gives the most powerful performance by a male actor in recent memor
In addition to his star
turn in Unbroken, he can be seen in the great British film» 71, as well as Starred Up, in which he gives the most powerful performance by a male actor in recent memor
in Unbroken, he can be seen
in the great British film» 71, as well as Starred Up, in which he gives the most powerful performance by a male actor in recent memor
in the great British
film» 71, as well as Starred Up,
in which he gives the most powerful performance by a male actor in recent memor
in which he gives the most powerful
performance by a male actor
in recent memor
in recent memory.
An ATF agent
in the former and Jennifer Lopez's morally questionable boyfriend
in the latter, he
turned in solid
performances as part of a strong ensemble cast
in both critically acclaimed
films.
Nearly all of the women
in the
film turn out terrific
performances, including Kelly Preston (From Dusk Till Dawn) as Cruise's sassy former fiancee Avery, and Bonnie Hunt (Jumanji, Only You) as Zellweger's well - meaning sister Laurel.
Stanley Tucci, Addison Timlin
turn in great
performances, but this isn't the
film for the age of #MeToo
Despite his relative inexperience, he brings a tortured, quiet devastation and delicacy to the
performance — one that will particularly intrigue
film buffs since his stuttering predates his Oscar winning
turn as King George VI
in Tom Hooper's The King's Speech (2010).
They're flanked by returning stars Ike Barinholtz, Carla Gallo, and the real star of Neighbors, Rose Byrne, who
turned in an absolutely scene - stealing
performance in the first
film.
The
film meanders from time to time as Simon finds his way around the City of Lights and his own skin, but Corbet's
performance is a darkly rich one
in every scene, not far from Matt Damon's sociopath -
turned - psychopath
turn in «The Talented Mr. Ripley» but distinctively unnerving
in crafting an eventually hollow façade out of this nice, young, very lost man.
It's almost too sensitive at times, as this is a very soft - spoken and quiet
film, but Redmayne and Vikander
turn in a pair of spectacular
performances.
Don't Worry, He Won't Get Far on Foot is an acting showcase featuring one of the best
performances of Joaquin Phoenix «s career and a supporting
turn for Jonah Hill that joins his acclaimed
performances in films like Moneyball and The Wolf of Wall Street.
He finds an ideal match
in Tom Hanks, who
turns in the best
performance of his acclaimed career; we're accustomed to seeing Hanks
in glossy sentimental fare, and for Greengrass»
films to be unflinchingly unsentimental.
She's also instrumental
in making the
film work,
turning in her equivalent of Charlize Theron's
performance in Young Adult as Gloria, an alcoholic writer who returns to her Northeastern U.S. hometown after her fussy, career - oriented boyfriend Tim (Dan Stevens) kicks her out.
His breakthrough year was 2001, however, with standout
turns in a pair of indie
films: a haunted adolescent
in the cult classic Donnie Darko and a gawky teen
in love with an older woman
in Lovely & Amazing, a
performance he more or less repeated the next year opposite Jennifer Aniston
in The Good Girl.
Timothee Chamalet and Armie Hammer are superb
in the central roles, and despite an unignorable bathetic
turn in the supporting
performances, this is an important
film.
If you saw any boxing
film in the last 30 years, you'll see some of the well - worn plot
turns coming a mile away, however it's worth stepping into the ring for all the fine
performances.
In the last thirty minutes of the film, Baby turns into an unpredictable force of nature and Elgort displays impressive stunt work and facial expressions in his performance, putting him on par with Ryan Gosling and Tom Hard
In the last thirty minutes of the
film, Baby
turns into an unpredictable force of nature and Elgort displays impressive stunt work and facial expressions
in his performance, putting him on par with Ryan Gosling and Tom Hard
in his
performance, putting him on par with Ryan Gosling and Tom Hardy.
It's a terrific
performance, a starkly physical
turn from an actor most associated with states of tortured introspection (although there's much of that
in the
film too).
A working actor for four decades, Campbell is probably best known for his role of Ash
in the «Evil Dead»
films and TV series, but has also
turned in fine
performances in such
films as «Bubba Ho - Tep,» Congo» and the television series «Burn Notice.»
Josh Gad is also good
in a small but pivotal role as Aidan's nerdy genius brother, but it's Kate Hudson who is the
film's most pleasant surprise,
turning in her finest
performance since «Almost Famous.»
Williams
turns in a terrific
performance in this 1996 comedy, proving that his improvisational skills extend to reactions of a more subtle nature than the crazy riffs he displayed
in films like «Aladdin,» «Good Morning Vietnam,» and «Mrs. Doubtfire.»
For his heartbreaking
turn in the
film, 9 - year - old Jacob Tremblay won Best Youth
Performance.
After catching the attention of critics and fans with acclaimed
performances in the TV series Kingdom and the dark dramatic
film Goat, Nick Jonas is
turning to action comedy with Jumanji: Welcome to the Jungle,...
Affleck has
turned in superb
performances in that
film, as well as Gone Baby Gone, The Assassination of Jesse James by the Coward Robert Ford and Out Of The Furnace, and he stars
in The Finest Hours, the Coast Guard rescue tale which Disney opens Friday.
Screenwriter
turned director Gilroy (Freejack, The Bourne Legacy) crafts a tense atmosphere
in this contemporary
film noir, and gives Gyllenhaal the opportunity to deliver what may be his most forceful, compelling
performance yet.
Trevor Howard, most famous for much more civilized
turns in films like «Brief Encounter» and «The Third Man,» delivers one of his most dynamic
performances as an ex-serviceman who, bored with civilian life, joins a gang of black marketeers for excitement and money.
There are no bad
performances in Mr. Kaplan, but the
film is unquestionably owned by Noguera, with a great
turn by Guzzini.
Emily Blunt delivers an extraordinary
performance in the lead role (rather than simply acting drunk, she plays Rachel as an alcoholic desperately trying to look sober), but it feels like she's
in a different
film — one that isn't marred by soapy plot
turns and Taylor's messy direction.
In Ridley Scott's stunning sci - fi — fantasy sequel, Ford magnifies the gravitas and uncertainty in his original «Blade Runner» performance, turning Rick Deckard into the film's most human — or, if you like, least robotic — figur
In Ridley Scott's stunning sci - fi — fantasy sequel, Ford magnifies the gravitas and uncertainty
in his original «Blade Runner» performance, turning Rick Deckard into the film's most human — or, if you like, least robotic — figur
in his original «Blade Runner»
performance,
turning Rick Deckard into the
film's most human — or, if you like, least robotic — figure.
And at the centre is Scarlett Johansson,
in her second great otherworldly
performance of the year, but while «Her» relied solely on her voice, «Under The Skin» rests entirely on her physicality, and it's a movie - star
turn, sultry and innocent simultaneously, without which the
film wouldn't work.
It
turns out that this is Maika's first real
performance, after appearing
in a few bad indie horror
films.
General audiences won't get the chance to see Hong Chau's breakthrough
performance in Alexander Payne's «Downsizing» until the
film is released on Dec. 22, but
film festival viewers have already been raving about her heartfelt comedic
turn.
Melissa Leo, whose beautiful work
in both 21 Grams and The Three Burials of Melquiades Estrada predicted this ability,
turns in the most authentic
performance I've seen
in any
film this year.
Nonetheless, what makes the
film memorable is the trio of powerful
performances turned in by its three principals.
Outstanding
performances from the female leads carry the
film through its dizzying twists and
turns, underlaid with a wicked streak of black comedy and an unexpected faith
in the power of true love.
Juliette Binoche
turns in one of the greatest
performances of her career while filmmaker Abbas Kiarostami uses artistry and terrific camera work by Luca Bigazzi to illustrate one of the more even tempered
films of the year.
Let me take a moment from discouraging you from seeing this
film to tell you that, despite all of the script problems, both Fassbender and Vikander
turn in fine
performances.
But no matter: this is Portman's
film through and through: she gives one of her best
performances (better even than her Oscar - winning
turn in Black Swan).
Another wonderful character is brought to the screen by Barkhad Abdi, who with this
film turns in his first ever
performance in a motion picture.
The Warner Bros.
film, which screened as a «work
in progress» premiere at the Austin
film festival, is more than mere mimicry, although Franco
turns in an arguably career - best
performance as the mercurial Wiseau while sporting astoundingly convincing prosthetics, stringy black tresses and an uncannily spot - on accent.