Not exact matches
When Hollywood execs put together an internal memo about 2014
in review, one bullet
point will almost certainly be about how Christians don't
turn up for Bible
movies the way they had originally anticipated.
When Hollywood execs put together an internal memo about 2014
in review, one bullet
point will almost certainly be about how Christians don't
turn up for Bible
movies the way...
Thus, «giant chunks of space debris clobbering the planet and wiping out life on Earth has undeniably broad appeal,» Meltzer says, whereas «no one
in Hollywood makes
movies» about more nuanced explanations, such as Clovis
points disappearing because early Americans
turned to other forms of stone tool technology as the large mammals they were hunting went extinct as a result of the changing climate or hunting pressure.
In what could be a
turning point for both the porn industry as well as the adult dating sector, Kayden Kross, former adult
movie star is now at the helms of Arrangement Finders, a sugar daddy dating site.
According to U-571, Americans captured the first German Engima machine
in 1944 that brought about the
turning point of the war;
in reality, the Polish revolutionaries (why didn't Wajda get a chance to make this into a
movie) stole it from the Germans
in 1941 and gave it to the British who struggled to decipher its complicated encoding style.
As necessary as a history lesson we've forgotten and as timely as the day's latest Trump or sexual harassment (or both) scandal, «The Post» is a newspaper
movie about a
turning point in political history and the legacy of the news organization whose motto
in these trying days is «Democracy Dies
in Darkness.»
The
movie turns us all into victims and Friedkin makes this
point most demonstrably during a courtroom sequence
in which he
points out to the jurors that it took each of the victims three minutes to die.
It also casually demonizes the Koreans, though it has someone speaking Mandarin to them at some
point, so... Lucy plays like the cinematic manifestation of two kids having a conversation about what they'd like to see
in a
movie starring Scarlett Johansson: «So she gets smarter and then she knows gun - fu and then she
turns into an oil blob.»
First the dagger only
turns back time for a few minutes so you really never get a sense of what the
point is — until the big plot reveals itself
in the last part of the
movie.
Their stories sometimes converge, sometimes deviate and the
movie —
in a well - worn gimmick — playfully pauses at various
points with characters
turning to the camera to relay their perspective.
The fucking story
in the trailer is the same as
in the
movie, and what's the
point of seeing the
movie then, when we know how the
movie will
turn out to be storywise?
With two of the five Best Actress slots probably locked - up (if you give one to Huffman and another to Gwyneth Paltrow's non-descript
turn in the Miramax dump Proof), the Weinsteins go for three with perennial nominee Dame Judi Dench as the titular theatre - owner
in Stephen Frears's Mrs. Henderson Presents, one of those bland, inoffensive, boring British
movies about the British theatre (like Topsy - Turvy, perhaps, or, more to the
point, Shakespeare
in Love).
Though it would take a purist pedant to legitimately lament the evolution of colour stock as a negative
turning point in film history, there's no doubt something was lost
in Technicolor's takeover as monochrome
movies moved from mainstream to niche, and the basic joy of black and white became impossible to appreciate without express attention.
Each plot
point in The Glass House becomes increasingly ludicrous, using logic defying twists and
turns that can only be present
in movies like this.
The Winter's Bone
movie is hailed as the
turning point in Jennifer Lawrence's acting career.
At an integral
point in «Me and Earl and the Dying Girl», the
movie turns on a dime from a comedy into a drama.
These random acts of strangeness are literred throughout the extremely dark narrative which eventually takes a
turn for the even darker plot -
point 50 minutes
in which steers the
movie into a completely different direction, very much for the better.
Jordan
points to Heath Ledger's Oscar - winning
turn as the Joker
in The Dark Knight as his inspiration
in approaching Killmonger («Heath's performance as a villain was so captivating I couldn't stop watching»), but Black Panther isn't the actor's first go at a superhero
movie.
Erbland
points out that the trailer doesn't deviate at all from any other Sparks
movie trailer, and that's precisely why it works and why fans of «The Notebook» and other Sparks adaptations will
turn up
in droves.
Sure its beautifully polished from an aesthetics stand
point, with rich and beautiful production design by Scott Chambliss, but little else to grab onto
in terms of a script or just a normal comfort adventure
movie, Bird's film
turns out to be his most ambitious failure.
Gillan is particularly funny
in how she
turns the generically bad - ass video - game heroine on its head, providing the
movie's most
pointed criticism toward some of the medium's sexist trends within her performance.
Prometheus is a
movie that forces you to be intellectually invested, but not to the
point of exhaustion and,
in turn, delivers a remarkably enthralling experience.
Breathless is such a monument of a
movie, such a
turning point in film history, that it's easy to forget just how much fun it is.
The
turning point for me when the pacing just dropped (which admittedly was my favourite scene
in the
movie) was Ray Liottas bad cop leading Bradley out into the woods to an uncertain fate.
There is no
turning point;
in life you can say, «I just had this feeling,» but
in the
movies, we need a dramatically definitive trigger for the about - face
in our cop hero's attitude.
But «Frances Ha»
turned out to be yet another
turning point for Baumbach: a warm, fizzy confection of a
movie that could almost be called musical
in its rhythms.
I watched the
movie in the company of a friend who worked on it, and at one
point I
turned to him and whispered, «How did you make six more hours of this?»
I
pointed out yesterday that Fox Searchlight is operating on a different plane when it comes to
turning out the vote for its
movies, and alongside the aforementioned surprise little hit of the final quarter of 2007 ($ 85 million and counting), further evidence arrives
in the form of Tamara Jenkins» The Savages, which, despite not (yet) having connected at the box office (it's made only $ 3.6 million
in a month and a half of release), garnered an expected Best Original Screenplay nomination, but also a Best Actress nod for Laura Linney, probably coming at the expense of Angelina Jolie and A Mighty Heart.
«When the Coens cast me
in their
movie, my life took a huge
turn because all I had really done was theater up to that
point,» Stuhlbarg, 49, says of his experience on A Serious Man, the cosmically dark masterpiece
in which the actor, playing the besieged Minnesota patriarch Larry Gopnik, shrank under a storm of professional and personal ruin.
I haven't seen its predecessor, Escanaba
in da Moonlight (2001)-- based on Daniels's play, which he produced at his own 160 - seat theater
in Chelsea, Michigan, the Purple Rose (named after the Woody Allen
movie The Purple Rose of Cairo, which Daniels has cited as a
turning point in his career).
The
movies will
in turn serve as «a jumping - off
point» for «guest editors,» who will add content inspired by the film, anything from «essays, music, video and photography to cultural ephemera» that reflects themes expressed
in the selected films.
In 2016, 20th Century Fox hit a much - needed
turning point with its comic book
movies.
In 1977, those four
movies were Annie Hall, The
Turning Point (Shirley MacLaine and Anne Bancroft both were nominated), Julia, and The Goodbye Girl.
It's a remarkable maneuver,
turning a big, purple, helmet - wearing brute who is acerbically referred to as «Grimace» at one
point in the
movie, into the believable force around whom this MacGuffin - laden film revolves.
Preaching is part of the
movie, and that is handled well, as are the
turning points in Nat's life.
It certainly was not, but it was a fantastic
movie that will mark a
turning point in how future Star Wars
movies will be shaped — which will,
in its way, shape the future of sci - si film
in general.
· Storyline: The
movie takes place immediately before a key
turning point in the video game's storyline, a vicious attack against a major European city.
Noting the dearth of black superheroes, both
in comic books and the art world, Bradford
points to the success of
movies like «Wonder Woman» and «Black Panther» as a cultural
turning point.
Before Comer took the podium, art historian Gloria Sutton spoke at length about Stan VanDerBeek, a graduate of 1950s Black Mountain College who built the infamous
Movie - Drome, a grain silo
turned multimedia screening room,
in his Stony
Point, NY, backyard.
«The Sony attack, I believe,
in many ways was a
turning point... to attack a private company for engaging
in freedom of expression around not a terribly popular
movie.»