Sentences with phrase «turns moving your characters»

It should be very familiar if you played any mainline Neptunia game as you take turns moving your characters around an arena and unleashing attacks that have the potential to damage multiple foes.

Fire Emblem is basically fantasy chess, with a combat system that has you and your enemy take turns moving characters throughout a map and attacking bad guys with a variety of special abilities.

Players spend each turn moving their characters along the grid, traveling through warp pipes and hiding behind cover.

Like similar turn - based strategy games Rogue Planet and Mecho Wars, in Transformers G1: Awakening you take turns moving your characters (the Autobots) close enough to your enemies (the Decepticons) to attack them.

Not exact matches

Alan Rickman doesn't really deserve accolades for his performance here, but on a cumulative basis, and based on what we know of the character, Snape's aristeia is very moving (and, it turns out, thirty years in the making!

The new Footloose, it turns out, is not all that different — in plot, characters and themes — from the original, which was a box - office hit and made a star of Kevin Bacon, playing a spirited city teenager who moves to a small town where dancing is banned and who endeavours to overturn the law so he and his classmates can hold a proper senior prom.

Never in a million years would I have guessed that the same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait of a much seedier L.A.. It's not just a total creative 180, but kind of the opposite of a sell - out move: Trading a formulaic story for an unpredictable one and a slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone camera on the kind of characters — black and transgender prostitutes, immigrant cabbies — that the movies rarely acknowledge, let alone put into starring roles.

You can move your characters forward and back, to turn them you have to rotate camera with A, D, quite annoying!

The turn - based approach Fire Emblem is famous for is gone in Fire Emblem Warriors, and in its place you'll find hordes of enemies to cut your way through (in real time, naturally), screen - filling special moves and a surprisingly deep character development system which not only allows for levelling - up, but permits you to augment each protagonist's abilities on a more granular level, such as selecting and improving their weaponry.

Each turn is a calculated chess move, not to mention the powerful and flashy Burst attacks that characters activate by filling up a shared energy gauge.

Perhaps that's why large portions of this film feel like scenes Toback just wanted to use up somehow — particularly the Grodin sequence, in which his character rails against his fading faculties by turns sweetly and violently, and which might have been moving if it didn't feel so detached from everything around it.

The Marvel Battlegrounds set turned the game into a 3D free - roaming fighter, going as far as to create all - new move sets for every Marvel Comics character in the game.

This is a two - player board game where you take turns moving three characters to the other side of the board as your opponent does the same but in the opposite direction.

Keoghan — who had a tremendous 2017 with breakout turns in Dunkirk and The Killing of a Sacred Deer — may start a sentence as Spencer, but the camera will then swiftly move right to reveal the real Spencer, finishing the character's sentence.

It's hard to go into detail without spoiling the move, but suffice it to say that my disappointment in the picture up to that point was quickly turned on its head in this reveal that changed everything for these characters and Roskam's film.

It's such a smart move to bring all three characters in: We know how the other Avengers fight, so fresh faces providing twists and turns works wonderfully to keep the action dynamic and exciting.

Since then, his career has taken a number of exciting and unpredictable turns, moving from small - budget character studies (All the Real Girls) to a star - studded stoner comedy (Pineapple Express) and TV shows as varied as Eastbound & Down and Red Oaks.

Battles could remain being turn - based (I find turn - based battles in 3D rather odd though), however I would suggest them to be more like how Xenoblade Chronicles is, where the characters all are able to use their abilities to attack the enemy without the need to wait for the other to make a move.

Once you get past the fact that it isn't a biopic about its writer Jon Ronson's time playing keyboards for the late musician and comedian Frank Sidebottom (an easy mistake to make, given Gleeson's character is called Jon and plays keyboards in a band fronted by a man called Frank, played by Michael Fassbender from beneath a papier - mache head almost identical to that sported by Sidebottom), Frank turns out to be a funny and moving meditation on mental illness and the corrupting power of fame, even of the minor variety.

Giamatti and Evans suffer from inadequately fleshed out roles that give them little to work with, and Giamatti is especially weak in a turn so significantly underdone compared with the character roles that give him room to move, like Sideways.

Each character can choose to move on their turn before attacking.

The former does lead Gal Gadot no favors — after spending a moving building a character, it goes all tabula rosa and turns Gadot into little more than a licensing image.

The cinematography's fluid and dynamic moving camera complements the supernatural theme, revolving in elegant ballerina - like turns around characters and swooping round others to emulate the comings and goings of Ofeig the ghost himself.

You can only move a certain amount of spaces within each turn, but you can do so for every character in your team.

One big difference between Versus and the story mode is that each player will only have three actions per turn, making it a battle of strategy as you choose between using a turn to move all of your fighters, or putting all of your actions into one or two characters attacking.

But with Overture Films planning an Oscar campaign for the character - actor - turned - leading - man and a year increasingly giving credence to smaller films, this gem of a performance from way back in the first quarter of the year could find room to make a move.

For example, one character can have the trail of their throw turn into flames while another can throw two axe arcs and have them quickly move together to crush their foe.

During the turn transition between the heroes and the enemies, the Tornado will start moving in a straight line from a random position, deducting some HP from any characters in its path.

When taking a character's turn, they can move around the arena of battle freely, which becomes important when considering that all attacks now have an area of effect, whether directly next to a character and their sweeping blade, or with large magical abilities.

The strength of their voices erases the fingerprints and guiding hand of the writer, making every move in the gripping drama, every turn of phrase or detail in the prose emerge as entirely the handiwork of each character.

Although King's characters turn into the people they've long fought to avoid becoming, they ultimately rise above their challenges, reflect, and move on.

I was surprised at every turn by new revelations about the characters, and moved by the depiction of their struggles and joys.

Sometimes it can be a powerful way to find out what the characters are really feeling, and in turn how to move the story forward, building from that place.

But at around the time I turned eight, my inventions became a little more realistic, such as a robotic theater with mechanical linkages that could move scenery and characters in and out of view, and virtual baseball games.

The plot moves swiftly with many turns and surprises, yet the character development does not suffer.

TH: A well paced quick moving plot, over the top, yet defined characters, and clever turns of phrase and uses of the language.

How a character's emotion lends itself to a particular gesture, how that gesture leads into the pose or placement of another character, how the placement of that character necessitates a page turn, and how that page turn moves the story forward to a particular point.

The encounters work to where your character has so many actions per turn which affect your ability to fight, use skills, cast spells, and move depending on which order you perform them in and how many action point they take to perform.

Every turn you'll take your character and perform up to four actions; move one space around the board, remove a cultist from a space, defeat a Shoggoth at the cost of three actions, trade cards, take the bus and seal a portal.

How far a character can move and the actions they can take during a turn is based on their Strategy Points and their Offense Points, with one point of movement being used up every time you pass the pale blue circular line emblazoned on the ground.

Unusually for a turn - based game there's no overhead view that provides a constant bird's - eye view except for when bringing up the strategic map for a better look at the situation, rather characters are moved using WASD and a traditional third - person camera angle that firmly places emphasis on line of sight and spotting enemies, because once a foe moves out of your vision he / she / it can no longer be tracked.

- first 30 mins or so can be confusing if you haven't played the demo - Yew Geneolgia is the leader of the Three Cavaliers, who guide the Crystalguard into battle - mission of the Crystalguard is to Protect pope Agnes Oblige from harm at all costs - Agnes is captured by this game's new villain, Kaiser Oblivion - together with Cryst - Fairy Anne, they hatch a plan that becomes more apparent as you move along - one of Yew's longterm partners, Janne, has betrayed everyone and actually works for this newly formed Empire - he killed most of the remaining Crystalguard - Yew finds the final member Nikolai of the Cavaliers before his death and requests of him to simply walk away - Yew is determined to bring Agnes back from the airship she is being held captive on - Yew is young and gets easily scared - Edea Lee from the previous game returns - Magnolia Arch, a Ba'al Buster warrior who claims to come from the moon also appears - between lines of English dialogue, she speaks lines of French as well - there is a long chat between all three characters about how adventuring and camping can be a ton of fun - Party Chat makes its return, and seems a bit more humorous this time - Tiz Arrior will also join your team - some things in Luxendarc have changed since the last game - the world is more united against this common threat - if you beat all enemies in a single turn, it enables the «Bring It On!»

Adjustments - Timing shortened from being downed to rising, rising into a movement, mid-air quick recovery, jumping, dashing, moving (on ground or midair), attacking, or guarding - Awakening: Fixed bug where attacks at very close range came from unguardable angles; these can now be guarded - Dash Combo: Fixed bug where Tag Combos weren't counted for achievement purposes unless landed on a foe who was incapacitated by a Tag Combo - Brynhildr (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Ares (Summon Special Move 1): Removed hitbox between Ares and spear that appeared right after throwing a spear - Odin (melee mode, neutral melee attack): Boosted time between when Odin begins swinging his blade and when hitbox appears - Odin (melee mode, side melee attack): Boosted time between when Odin begins swinging his blade and when hitbox appears - Grim Reaper (Special Move 2): Boosted movement speed, turning radius, and max movement time for zombies when targeting foes as long as the Awakening gauge isn't empty - Grim Reaper (Down + Special Move 2): Fixed bug where dog zombies occasionally didn't face the correct direction while moving - Grim Reaper (Awakened, Character Ability Power) Added fire effect to characters who take damage after being hit by a zombie ball when Grim Reaper is in fire zombie ball mode - Ra (bomb mode, Special Move 1): Bombs can now be destroyed by enemy attack - Ra (ranged / bomb mode, Special Move 1): Changed reload when out of ammo to constant reload - Slayer (Melee Attack, Down + Melee Attack branch): Reduced freeze time upon landing on the ground - Slayer (upper Melee Attack): Reduced movement speed when pursuing foes - Slayer: Reduced turning radius when moving to attack - Loki (Special Move 1): Fixed bug so Grim Reaper's Special Move 1 zombies, Ra's Special Move 1 bombs, etc. are now drawn in - Loki (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Loki (Special Move 2): Fixed move so that Loki isn't motionless while chargMove 1): Removed hitbox between Ares and spear that appeared right after throwing a spear - Odin (melee mode, neutral melee attack): Boosted time between when Odin begins swinging his blade and when hitbox appears - Odin (melee mode, side melee attack): Boosted time between when Odin begins swinging his blade and when hitbox appears - Grim Reaper (Special Move 2): Boosted movement speed, turning radius, and max movement time for zombies when targeting foes as long as the Awakening gauge isn't empty - Grim Reaper (Down + Special Move 2): Fixed bug where dog zombies occasionally didn't face the correct direction while moving - Grim Reaper (Awakened, Character Ability Power) Added fire effect to characters who take damage after being hit by a zombie ball when Grim Reaper is in fire zombie ball mode - Ra (bomb mode, Special Move 1): Bombs can now be destroyed by enemy attack - Ra (ranged / bomb mode, Special Move 1): Changed reload when out of ammo to constant reload - Slayer (Melee Attack, Down + Melee Attack branch): Reduced freeze time upon landing on the ground - Slayer (upper Melee Attack): Reduced movement speed when pursuing foes - Slayer: Reduced turning radius when moving to attack - Loki (Special Move 1): Fixed bug so Grim Reaper's Special Move 1 zombies, Ra's Special Move 1 bombs, etc. are now drawn in - Loki (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Loki (Special Move 2): Fixed move so that Loki isn't motionless while chargMove 2): Boosted movement speed, turning radius, and max movement time for zombies when targeting foes as long as the Awakening gauge isn't empty - Grim Reaper (Down + Special Move 2): Fixed bug where dog zombies occasionally didn't face the correct direction while moving - Grim Reaper (Awakened, Character Ability Power) Added fire effect to characters who take damage after being hit by a zombie ball when Grim Reaper is in fire zombie ball mode - Ra (bomb mode, Special Move 1): Bombs can now be destroyed by enemy attack - Ra (ranged / bomb mode, Special Move 1): Changed reload when out of ammo to constant reload - Slayer (Melee Attack, Down + Melee Attack branch): Reduced freeze time upon landing on the ground - Slayer (upper Melee Attack): Reduced movement speed when pursuing foes - Slayer: Reduced turning radius when moving to attack - Loki (Special Move 1): Fixed bug so Grim Reaper's Special Move 1 zombies, Ra's Special Move 1 bombs, etc. are now drawn in - Loki (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Loki (Special Move 2): Fixed move so that Loki isn't motionless while chargMove 2): Fixed bug where dog zombies occasionally didn't face the correct direction while moving - Grim Reaper (Awakened, Character Ability Power) Added fire effect to characters who take damage after being hit by a zombie ball when Grim Reaper is in fire zombie ball mode - Ra (bomb mode, Special Move 1): Bombs can now be destroyed by enemy attack - Ra (ranged / bomb mode, Special Move 1): Changed reload when out of ammo to constant reload - Slayer (Melee Attack, Down + Melee Attack branch): Reduced freeze time upon landing on the ground - Slayer (upper Melee Attack): Reduced movement speed when pursuing foes - Slayer: Reduced turning radius when moving to attack - Loki (Special Move 1): Fixed bug so Grim Reaper's Special Move 1 zombies, Ra's Special Move 1 bombs, etc. are now drawn in - Loki (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Loki (Special Move 2): Fixed move so that Loki isn't motionless while chargMove 1): Bombs can now be destroyed by enemy attack - Ra (ranged / bomb mode, Special Move 1): Changed reload when out of ammo to constant reload - Slayer (Melee Attack, Down + Melee Attack branch): Reduced freeze time upon landing on the ground - Slayer (upper Melee Attack): Reduced movement speed when pursuing foes - Slayer: Reduced turning radius when moving to attack - Loki (Special Move 1): Fixed bug so Grim Reaper's Special Move 1 zombies, Ra's Special Move 1 bombs, etc. are now drawn in - Loki (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Loki (Special Move 2): Fixed move so that Loki isn't motionless while chargMove 1): Changed reload when out of ammo to constant reload - Slayer (Melee Attack, Down + Melee Attack branch): Reduced freeze time upon landing on the ground - Slayer (upper Melee Attack): Reduced movement speed when pursuing foes - Slayer: Reduced turning radius when moving to attack - Loki (Special Move 1): Fixed bug so Grim Reaper's Special Move 1 zombies, Ra's Special Move 1 bombs, etc. are now drawn in - Loki (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Loki (Special Move 2): Fixed move so that Loki isn't motionless while chargMove 1): Fixed bug so Grim Reaper's Special Move 1 zombies, Ra's Special Move 1 bombs, etc. are now drawn in - Loki (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Loki (Special Move 2): Fixed move so that Loki isn't motionless while chargMove 1 zombies, Ra's Special Move 1 bombs, etc. are now drawn in - Loki (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Loki (Special Move 2): Fixed move so that Loki isn't motionless while chargMove 1 bombs, etc. are now drawn in - Loki (Awakened): Boosted movement speed, turning radius, and max movement time when targeting foes with melee attacks as long as the Awakening gauge isn't empty - Loki (Special Move 2): Fixed move so that Loki isn't motionless while chargMove 2): Fixed move so that Loki isn't motionless while chargmove so that Loki isn't motionless while charging.

Battling for the most part is standard turn - based RPG fare allowing you to choose what each character will do in the next round of moves before proceeding.

Characters take turns selecting moves from a menu in order to use arrows, spears, swords, and magic attacks to defeat enemies.

Pressing to the side with the left thumbstick will make your character turn and move in that direction.

When the characters move toward the bottom, THREE [ZOMBIES] will get up from off to the right then the characters will turn toward the entrance doors as TWO [ZOMBIES] walk toward them.

Designed in the vein of Final Fantasy Tactics and XCOM, each character has a set number of action points to use each turn, which can be spent on moving, attack, casting spells, or using items.

Each character has their basic attacks and guard through the use of the face buttons, which can then be turned into special moves by holding down L1 and then pressing the corresponding face button.

The clever mechanic that really makes the game stand out is how instead of interacting with the characters, you interact with the environment by moving the camera around, which in turn lets you alter the narrative.