She developed her famous «soak stain'technique, in which she applied paint thinned out with
turpentine directly to raw, unprimed canvas.
Her technique of using oils diluted with
turpentine directly on very large, unprepared canvas, created a field of transparent color.
Not exact matches
Frankenthaler began her departure from Pollock by thinning her oil paint with
turpentine and then pouring it
directly on to the bare canvas.
Coming on Avery's heels, Frankenthaler developed her «soak - stain» technique, in which paint thinned with
turpentine is poured
directly onto an unprimed canvas.
She applied this to the processes of art - making: Frankenthaler defied rules about painting as well as printmaking, most consequentially when she thinned her paint with
turpentine and poured it
directly onto raw canvas, in a manner that radically redirected so - called Color Field abstraction.
Helen Frankenthaler, Yearning (1973): Frankenthaler pioneered the second generation of Color Field painting and introduced the technique of staining by painting
directly onto unprimed,
turpentine - soaked canvas.
Frankenthaler pioneered the second generation of Color Field painting and introduced the technique of staining by painting
directly onto unprimed,
turpentine - soaked canvas.
Working with a large canvas on the floor, the artist thinned her oil paints with
turpentine and poured
directly onto the canvas.